Theorist Evaluations for Question 4, Paper 1 Flashcards
These are the evaluation points for theorists for PRINT NEWSPAPERS! (38 cards)
Strength for Roland Barthes - Semiology
Can be applied to any sign, including language and image, to tease out connotations and ideology.
Draws attention to the effect of ideology in any text - headlines assume shared view of the world with the readers in order to be easily understood.
Limitation for Roland Barthes - Semiology
Doesn’t explain anything specific to newspapers as it is a general theory of signification.
Doesn’t tell us anything about the ownership, control or mediation process that leads to the messages in newspapers.
Doesn’t tell us about how audiences interpret newspapers and give meaning.
Strength for Neale’s Genre Theory
Can be applied to any media product that has genres and links together media language, audiences, and industries.
Explains how genres can change and hybridise.
Limitation for Neale’s Genre Theory
The theory was developed primarily in relation to film products where genre is an important marketing tool, unlike newspapers which appeal to audience loyalty or sell themselves by front page splashes that emphasise individual difference rather than generic similarities.
Strength for Levi Strauss - Structuralism
Can be applied to any cultural product, including newspapers.
Particularly applies to newspaper stories that set up an ‘us’ and ‘them’ opposition, a common mode of address in newspapers.
Limitation of Levi Strauss - Structuralism
Doesn’t explain anything specific to newspapers as it is an extremely high level theory of culture.
Doesn’t tell us anything about the ownership, control or mediation process that leads to the messages in newspapers.
Doesn’t tell us about how audiences interpret newspapers and give meaning.
Strength of Todorov - Narratology
Enables us to think of news stories as a series of ‘disruptions’, each implying an initial equilibrium and a possible resolution.
Limitation of Todorov - Narratology
Was not designed to explain news stories but narratives with resolutions, so doesn’t fit most news stories that die out without resolution.
Strength of Baudrillard - Postmodernism
Can be applied to any cultural product, including newspapers.
Particularly applies to news about news or celebrities who are famous for being famous, where there is no clear sense of a ‘real’ lying behind the hyperreality.
Limitation of Baudrillard - Postmodernism
Doesn’t explain anything specific to newspapers as it is an extremely high level theory of the postmodern world.
Strength for Hall - Representation Theory
Can be applied to any media product, including newspapers.
Applies to the way in which newspaper headlines try to fix the meaning of a representation.
Draws attention to the role of power in representations. Power in society, newspapers and audiences when decoding representations.
Limitation for Hall - Representation Theory
Doesn’t explain anything specific to newspapers as it is a general theory of representation.
Strength for Gauntlett - Identity
Can be applied to any media product, including newspapers.
Applies to the sense of identity that a newspaper can offer its readers.
Applies to the way different sections of newspapers offer diverse and contradictory messages to audiences, offering a range of points of identification.
Limitation for Gauntlett - Identity
Many audiences will not gain a sense of identity through newspapers but through self-expression and consuming popular entertainment.
Assumes that audiences are powerful, active agents which underestimates the power of media conglomerates.
Strength Van Zoonen - Feminist Theory
Can be applied to any media product, especially representations of gender.
The concept of patriarchy may be applied to many factors, e.g representations of gender and ownership and control of newspapers.
Limitation of Van Zoonen - Feminist Theory
Doesn’t explain anything specific to newspapers as it’s a general theory of patriarchy.
Prioritises gender inequalities so doesn’t analyse any other representations of inequality in newspapers.
Stressing the influence of social conflict on representations underestimates the influence of social consensus on representations.
Strength of hooks - Feminist Theory
Can be applied to any media product, especially representations of gender.
The concept of ‘intersectionality’ draws attention to misrepresentations and stereotypes and their inter-relationship in any newspaper representations.
Limitation of hooks - Feminist Theory
Doesn’t explain anything specific to newspapers as it is a general theory of patriarchy.
Stressing the influence of social conflict on representations underestimates the influence of social consensus on representations.
Strength of Butler - gender performativity
Can be applied to any media product, especially representations of gender.
Can be applied to particularly lifestyle sections of newspapers and in articles about forms of ‘gender trouble’.
Limitation of Butler - Gender Performativity
Doesn’t explain anything specific to newspapers as it is a very high level theory of gender.
Strength of Gilroy - post-colonial theory
Can be applied to any media product, especially representations of race, ethnicity and the post-colonial world.
The concept of the ‘Post-colonial melancholia’ draws attention to the continuing role of colonial ideology.
Limitation of Gilroy - post-colonial theory
Doesn’t explain anything specific to newspapers as it is a general theory.
May not aid analysis of other forms of inequality (focuses on race).
May underestimate the influence of social consensus on representations.
Strength of Curran and Seaton - Power and media industries
Studying newspapers as an industry draws attention to issues such as forms and effects of ownership and control etc.
Applies to narrow range of political opinions expressed by British national newspapers, with a bias to pro-capitalism.
Applies to the long history of ‘press barons’ owning newspapers in order to achieve status and wield political power.
Limitation of Curran and Seaton - power and media industries
May not aid understanding of how ideologies, audience choice, or media language conventions may determine media content.