Topic 4 Flashcards

(30 cards)

1
Q

is what will keep man relevant and irreplaceable in the age of technology.

A

IMAGINATION

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2
Q

Man is given an avenue to better understand the world in which he lives through engagement in

A

art and culture

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3
Q

First artists

A

cavemen- “representation”

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4
Q

also referred to as - craftsmen

A

ARTISAN

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5
Q

in the Medieval period (13th to 15 ^ (th) cent) towns had formalized groups of artisans who took on a particular specialization or trade: textiles and glass workers, carpenters, carvers, masons, armorers, and weaponmakers, etc.

A

ARTISAN

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6
Q

Master artisans hire ____. This was a way of transferring knowledge and skills.

A

apprentices

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6
Q

commit to a particular trade, developing immense skill and expertise in his craft. They form guilds and sometimes produce manuals.

A

ARTISAN

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7
Q

In the Philippines, artisans were employed by _____ to copy religious images to propagate the faith.

A

Friars

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8
Q

Each locality had a characterizing style or feature in the way depictions were made.
_______ ushered in pivotal changes:

A

Renaissance

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9
Q

is a member of a religious order who dedicates his life to poverty, chastity, obedience, and service, often in the broader community.

A

Friars

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10
Q

Aristonothos krater

A

aristonothos made

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10
Q

Renaissance ushered in pivotal changes:

A

The shift from craftsmen to independent artists.
The growing support for non-religious art.
The emphasis on thinking, personal choice, and individuality.

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11
Q

Sophilos Dino

A

Sophilos made

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12
Q

Pieta, Michelangelo

A

Michelangelo Buonarotti made this

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13
Q

negotiations with patrons took place

A

Studiolo

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14
Q

actual work took place

15
Q

became popular, as it not only supported the production of art, but also the discourse around it.

A

Art salons and academies

16
Q

were highlighted as integral aspects of art engagement.

A

Criticism and analysis

16
Q

Skilled worker who employs skill, talent and experience in creating functional objects such as weavers, carpenters, potters

16
Q

Focuses on UTILITY with aesthetics

17
Q

Performs creative art, products are visually pleasing, for the enjoyment/appreciation of the viewer with no apparent functional value

18
Q

Focuses on AESTHETICS and CREATIVITY

18
Q

are expected to have the ability to research, write and make layout decisions for the display and hang of materials for exhibition.

19
Q

The role of the curator is more in the interpretation and development of the artwork(s) of the collection(s) through establishing the significance, relationship and relevance of these materials

20
Those who initially assess and survey the artwork that collectors are interested in. They oversee the sale on behalf of the collector.
Buyers
21
Arbiters of taste; a key player in making or breaking an artist’s career or shape the course of a museum’s collection.
COLLECTORS
22
Those whose direct hand is in the distribution and circulation of the artworks through direct sales, galleries or auction houses.
ART DEALERS
23
Artist in focus
Apo Whang Od
24
is a renowned Filipina tattoo artist from Buscalan, Kalinga, in the northern Philippines. She is the last and oldest mambabatok, a traditional tattoo artist of the Kalinga people. Whang-Od uses ancient techniques, hand-tapping ink into the skin with tools made from natural materials like bamboo, pomelo thorns, and soot.
Maria Oggay
25