T.S. Eliot Flashcards

1
Q

the objective of criticism acc to Eliot

A

criticism has only one end- i.e., “elucidation of works of art and the correction of taste.

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2
Q

TS Eliot – THE FUNCTION OF CRITICISM is a response to

A

Murray’s Romanticism and criticism

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3
Q

TS called inner voice

A

Whiggery

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4
Q

TS ridicules whom in THE FUNCTION OF CRITICISM

A

Mathew Arnold

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5
Q

TS opposes what about critical and creative

A

that both are separate

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6
Q

critical writing cannot be __________

A

creative

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7
Q

He considers a______________ to be the most important quality of a critic.

A

highly developed sense of the fact

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8
Q

workshop criticism’, i.e

A

. criticism by a person who practices creative art himself is most valuable

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9
Q

______________ to be the chief tools of a critic that should be used with care and intelligence

A

comparison and analysis

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10
Q

critics like_______ and _________ corrupt by offering opinions and fancy

A

Coleridge, Goethe

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11
Q

Eliot also opposes ‘l____________’ critics, i.e. the critics who try to squeeze too many meanings from the text.

A

lemon squeezer

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12
Q

T.S. Eliot used the term objective correlative in the essay

A

Hamlet and His Problems

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13
Q

Who coined the term Objective Correlative

A

Washington Allson

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14
Q

Metaphysical Poets written as a review of

A

J.C Grierson anthology metaphysical lyrics and poems of the 17 century

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15
Q

Samuel Johnson had clubbed all the metaphysical poets together in the

A

Life of Abraham Cowley

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16
Q

Why is metaphysical poetry not good acc of Samuel johnson

A

because they yoke together heterogeneous ideas with violence.

17
Q

T.S Eliot liked metaphysicals?

A

Yes, sure.

18
Q

Unification of sensibility

and disassociation of sensibility

A

elizabethan and jacobean writer-two dissimilar images and fuse different ideas- wow fantastico!
Restoration, enlightenment, romantic, victorian- they could not do it- bleh!
Modern period- the unification of sensibilities

19
Q

Milton and Dryden for T.S. Eliot -

A

Milton and Dryden were the masters of the language but not the master of the soul

20
Q

T.S. for Donne

A

Every thought was like an experience

21
Q

Theory of impersonality

A

poet engages in a “continual surrender of himself” to the vast order of tradition, artistic creation.
The mature poet is viewed as a medium, through which tradition is channelled and elaborated.

22
Q

the sacred wood was published in

23
Q

Hamlet and his problems was written in

24
Q

TS criticizes _________ and _____________ in Hamlet

A

Gothe and Coleridge

25
Eliot names three sources on which Shakespeare is believed to have based his play________________, ________________, and a version of the play performed in Germany during Shakespeare's lifetime
: Thomas Kyd's The Spanish Tragedy, The Ur-Hamlet
26
TS appreciates ____________ in Hamlet...
Macbeth
27
Tradition and individual talent published in
1919
28
Tradition and individual talent published in _______
1919, the egoist
29
Analogy used in Traditiona and Individual talent
The analogy was that of the catalyst. When the two gases previously mentioned are mixed in the presence of a filament of platinum, they form sulphurous acid. This combination takes place only if the platinum is present; nevertheless the newly formed acid contains no trace of platinum, and the platinum itself is apparently unaffected; has remained inert, neutral, and unchanged. The mind of the poet is the shred of platinum.
30
The analogy used in Traditional and Individual talent
The analogy was that of the catalyst. When the two gases previously mentioned are mixed in the presence of a filament of platinum, they form sulfurous acid. This combination takes place only if the platinum is present; nevertheless, the newly formed acid contains no trace of platinum, and the platinum itself is apparently unaffected; it has remained inert, neutral, and unchanged. The mind of the poet is the shred of platinum.
31
How many essays did TS Eliot write
6 Tradition and Individual Talent Homage to John Dryden: Three Essays on Poetry of the Seventeenth Century. London: L. and Virginia Woolf, 1927. On Poetry and Poets. London: Faber and Faber, 1957. The Sacred Wood: Essays on Poetry and Criticism. London Menthuen, 1950. Selected Essays. New York: Harcourt, Brace, 1950. The Varieties of Metaphysical Poetry. Ed. Ronald Schuchard. London: Faber and Faber, 1993.
32
Theory of impersonality was given in which essay
Tradition and Individual Talent
33
Tradition and Individual Talent, Eliot said tradition is
embued in simultaneous order
34
Eliot called the developing canon of work
the mind of Europe
35
impersonal theory is
continuous surrender of oneself
36
artistic creation is a process of _______________
depersonalization
37
Great work of poetry does not express the ___________ of the poet
emotion
38
"Shakespeare acquired more essential history from ______________ than most men could from the whole British Museum."
Plutarch