two different influences for the area of movement vocabulary Flashcards
(2 cards)
1
One major influence on the movement vocabulary in Singin’ in the Rain is tap dance and the vaudeville performance tradition. Rooted in American musical theatre, this style is characterised by rhythmic footwork, syncopation, and percussive sounds, which are used extensively throughout the choreography. In Section 2, Gene Kelly showcases these features through tap sequences such as the one performed while spinning the umbrella under the downpipe (2:30–2:59) and during the exaggerated stamping in puddles (3:27–3:38). These movements are fast-paced, energetic, and playful, directly supporting the intention of childlike joy and carefree love. The audible rhythm of tap enhances the musicality of the dance, allowing Kelly to physically connect to the soundtrack. It also contributes to the ternary narrative structure, as the middle section increases in physical and rhythmic intensity, contrasting with the more lyrical and subdued sections before and after.
2
Another significant influence is ballet and classical dance technique, which is evident in the use of elevation, extended lines, posture, and control. This influence is particularly clear in Section 1 when Kelly elevates onto the lamppost (0:37–1:05) with an extended arm gesture and swaying motion, showing elements of grace, balance, and alignment. These classical qualities provide contrast to the grounded nature of tap, adding refinement and emotional depth to the choreography. Ballet technique allows the movement vocabulary to shift fluidly between grounded rhythm and lifted elegance, supporting the romantic and overjoyed intention of the first section. The blend of both influences—tap’s theatricality and ballet’s technical precision—creates a rich, hybrid movement style that strengthens the expressive range of the performance and contributes to its formal and emotional structure.
