Ultimate Flashcards
(35 cards)
aptitude
narrower than ability but broader than capacity, refers to the part of ability resulting from a combination of genetic endowments and environmental experiences with music other than formal music education. Aptitude is not developedknowledge, understanding, learned or acquired abilities (skills) orattitude. Theinnatenature of aptitude is in contrast to achievement, which represents knowledge or ability that is gained throughlearning
absolute expressionism?
This idea has been elegantly expounded by Meyer (1956), who contrasts ‘formalism’ with ‘expressionism’. The former, he explains, sees the meaning of music as lying at a primarily intellectual level, and therefore demanding an understanding of the musical relationships contained in a given work. Expressionism on the other hand sees those same musical relationships as being capable of exciting moods or emotions in the listener. Meyer, however, elaborates on this distinction, and points out that an expressionist view does not necessarily imply that music produces human reactions without reference to the non-musical world. On the contrary, we can argue that music does have an effect of an emotional kind on people, but that the process by which it does so can best be understood by reference to non-musical concepts, events, and situations. In other words, music has its effect because of things we have learned or experienced.
Ex. When we listen to music from a culture which does not use Western musical conventions, or with which we are very unfamiliar, it often sounds meaningless, and probably boring too.
Andrew would say: Where music’s subjective meaning comes from within the work as well as artistic cultural influences surrounding it. Where musical forms like ABA can be related to life struxtured.
beta blocking drugs
inhibits the beta response (release of adrenaline). It will not affect the way we think not directly. More specifically, they block the action ofendogenouscatecholaminesepinephrine (adrenaline) andnorepinephrine(noradrenaline) -in particular onadrenergic beta receptors, of thesympathetic nervous system, which mediates thefight-or-flight response.Some block all activation ofβ-adrenergic receptorsand others are selective.
Also note that they are widely used, have questionable ethical issues and are dangerous for diabetics, people with asthma or heart peoblems. Furthermore in 10% of cases people feel nautilus or have depressive symptoms.
biofeedback
:is the process of gaining greater awareness of manyphysiologicalfunctions primarily using instruments that provide information on the activity of those same systems, with a goal of being able to manipulate them at will.Some of the processes that can be controlled includebrainwaves,muscle tone,skin conductance,heart rateandpainperception. Biofeedback may be used to improve health, performance, and the physiological changes that often occur in conjunction with changes to thoughts, emotions, and behavior.
brain plasticity: neuroplasticity
is made by dynamic shifts in the strength of pre-existing connections across distributed neural networks. These rapid, ongoing changes may be followed by the establishment of new connections through dendritic growth and arborisation, which are not due to an occasional activity but rather an ongoing state throughout the life span. Neuroplasticity implies that there are 2 definitive steps in the process of learning, which would be a) rapid reinforcement of pre-established organic pathways and b) later formation of new pathways. Formation of new pathways is possible only following initial reinforcement of pre-existent connections.
capacity
a narrower term yet, refers to part of a person’s ability that he or she possesses as a result of genetic endowment and maturation. To the extent that musical capacity increases, it increases regardless of environmental influences.
centration:
is the tendency to focus on one aspect of a situation and neglect others.[1]A term introducedJean Piaget to refer to the tendency of young children to focus attention on only one salient aspect of an object, situation, or problem at a time, to the exclusion of other potentially relevant aspects. Ex. a child watches while a number of objects are set out in a row and then moved closer together, and the child is asked whether there are now more objects, fewer objects, or the same number of objects. Most children in thepre-operationalstage of development focus on the relative lengths of the rows without taking into account their relative densities or the fact that nothing has been added or taken away, and conclude that there are fewer objects than before. The process of cognitive development by which a child develops from centration to a more objective way of perceiving the world is called decentration or decentering.
Could also use ex. That children can only hear melody or harmony, but not both at the same time up to about 10yrs
chromesthesia:
is a type ofsynesthesiain which heard sounds automatically and involuntarily evoke an experience of color. As with other variations of synesthesia, individuals with sound-color synesthesia perceive the synesthetic experience spontaneously, and without effort, and in a way that the individual learns to accept as normal within their realm of experience. Also, in chromesthesia, a consistent relation exists between color brightness and tonal pitch: Bright colors accompany high pitches, whereas dark colors accompany low pitches
Andrew might add Scriabin experienced this and more generally it is where one sense modality elicits/invokes a response/sensation from another sense modality.
Cognitive restructuring
:is a psychotherapeutic process of learning to identify and dispute irrational or maladaptive thoughts known as cognitive distortions,[1]such asall-or-nothing thinking (splitting),magical thinking, filtering, over-generalization, magnification,[2]andemotional reasoning, which are commonly associated with many mental health disorders. Reframing of negative thoughts to cope with anxiety, not pavlovian method but cognitive. MPA STRATEGY. REFRAMES NEGATIVE THOUGHTS, as proposed by Greene. Shifts focus back to music.
Counterconditioning:is
the conditioning of an unwanted behavior or response to astimulusinto a wanted behavior or response by the association of positive actions with the stimulus.[1]For example, when training adog, a person would create a positive response by petting or calming the dog, when the dog reacts anxiously or nervously to a stimulus. Therefore this will associate the positive response with the stimulus. It changes perception.
Piagetian conservation:refers to
alogical thinkingability which, according to thepsychologistJean Piaget, is present in children during the preoperational stageof their development at ages 4–5, but develops in theconcrete operationalstage at ages 7–11.Conservation refers to the ability to determine that a certain quantity will remain the same despite adjustment of the container, shape, or apparent size.
corpus callosum:
also known as the callosalcommissure, and meaning tough body, is a wide, flat bundle of neural fibers beneath thecortexin theeutherianbrainat thelongitudinal fissure. It connects the left and right cerebral hemispheresand facilitates interhemispheric communication.
Dystonia:
syndrome characterized by involuntary sustained muscle contractions, frequently causing twisting and repetitive movements, or abnormal postures. AIf these symptoms are restricted to one body part, the syndrome is termed ‘‘focal dystonia”.
In class it was referred to as a negative case of neuroplasticity, wheeby misregulated neural networks cause the above mentioned symptoms.
Likely due to overpracticing with force.
Treatment could be using limbs in different way, like using fingers to read Braille
Electroencephalography(EEG) is
the recording ofelectricalactivity along thescalp. EEG measures voltage fluctuations resulting from ionic current flows within theneuronsof thebrain. EEG is most often used to diagnoseepilepsy, which causes obvious abnormalities in EEG readings.It is also used to diagnosesleep disorders,coma,encephalopathies, andbrain death.
Formalism:
Inmusic theoryand especially in the branch of study called theaesthetics of music,formalismis the concept that acomposition’smeaningis entirely determined by itsform. I’.e. from within the work.
Gardner’s theory of multiple intelligences:
Gardner (1993, 1999) developed and refined a theory of multiple intelligences that is attractive to music educators and other individuals concerned with music’s role in the human experience because it includes a musical intelligence. Gardner’s (1993) first set of intelligences (1993) also included linguistic, logical-mathematical, spatial, bodily-kinesthetic, interpersonal, and intrapersonal intelligences. Later (1999, pp. 48–60), he added a “naturalist” intelligence and, while not adding it to the list, discussed a possible spiritual or existential intelligence. It suggests we may all have doffering or unknown intelligence in these domains.
inter- and intrajudge reliability:
inter-rater reliability,inter-rater agreement, orconcordanceis the degree of agreement among raters. It gives a score of how muchhomogeneity, or consensus, there is in the ratings given by judges. intra-rater reliabilityis the degree of agreement among repeated administrations of a diagnostic test performed by a single rater.
James-Lange theory of emotion:
the common sense theory of emotion states firstly, something is perceived and that this then produces an emotional feeling or mental affect, which in the end produces a particular kind of behavioural response. In other words, the man turns the corner of the street and sees the tiger; this causes him to feel fear, which in turn causes him to act by running away. A challenge to this view of the emotions is the so-called James-Lange theory of emotion outlined by William James (1884) In essence, James altered the order so that the behaviour came between the perception and the affect or emotion. In other words we do not cry because we feel sad but rather we feel sad because we cry. In a similar way, James would argue that we feel fear because we run away, we feel angry because we punch someone, we feel shame because we hide, and so on. Stated in this way, we see a theory of the nature of emotions which stresses an inner rather than an outer cause.
Perception-emotion-behaviour (common sense process of emotion)
Perception-behaviour-emotion (the James Lange theory)
Mozart Effect:
A set of research results indicating that listening toMozart’s music may induce a short-term improvement on the performance of certain kinds of mental tasks known as “spatial-temporal reasoning.
Musical ability :
Does not depend on superior auditory acuity. Ability, a broad term defying precise definition, refers to being able to do something regardless of how a person acquired the necessary knowledge, skills, and experience. In an effort to provide a more explicit view of musical ability, Hallam labelled as “playing an instrument or singing; musical communication; valuing, appreciating, and responding to music; composition, improvisation, and related skills; commitment, motivation, personal discipline, and organization; and rhythmic ability, pitch skills, and understanding.”
active musical performance is viewed as a strong indicator of ability
The influence of genetic endowment on musical ability is uncertain; much evidence of familial musical accomplishment is intertwined with environmental factors.
While not everyone can learn everything, a nurturing environment iscrucial for developing musical ability.
Physical features are unimportant in musical ability, except to the extent that particular performance media may be involved.
Intelligence may be related to musical ability; that relationship maybe a function of how one conceptualizes and measures the properties.
Neither gender nor ethnicity are valid predictors of musical ability.
Musical ability probably results from an interaction of audition, physical coordination, intelligence, and experience.
planum temporale:
is the cortical area just posterior to the auditory cortex (Heschl’s gyrus) within theSylvian fissure.[1]It is a triangular region which forms the heart ofWernicke’s area, one of the most important functional areas for language.[2]Original studies on this area found that the planum temporale was one of the most asymmetric regions in the brain, with this area being up to ten times larger in the left cerebral hemisphere than the right. The planum temporale is a highlylateralizedbrainstructure involved withlanguageand with music. Although the planum temporale is found to have an asymmetry in the normal population, having a leftward bias in right-handed individuals, people who possessabsolute pitchhave an increased leftward asymmetry of the planum temporale. This is due to a smaller than average volume of the right planum temporale and not a larger than average volume of the left.[8]The planum temporale may also play an important role in auditory processing with recent research suggesting that the region is responsible for representing the location of sounds in space. Eccles (1975) suggested that the physical size of the right cerebral hemisphere’s planum temporale, located just behind the primary auditory cortex, indicates genetically coded musical ability.
referentialism:
music that somehow refers to sounds that are outside of music itself. Ex. Metaphors to explain how to play passages. Like program music. Meaning comes from outside music (rather than within like formalism).
Seashore Measures of Musical Talents:
The Seashore Measures of Musical Talents appeared initially in 1919 and were revised extensively in 1939. By 1994, the battery was out of print.Carl Seashore The Measurement of Musical TalentsandThe Psychology of Musical Talent. Seashore used bespoke equipment and standardized tests to measure how performance deviated from indicated markings and how musical aptitude differed between students.
The Seashore pitch, loudness, time, and timbre tests required judgments of paired tones. The respondent respectively indicated whether the second tone was higher or lower, stronger or weaker, longer or shorter, and same or different in comparison with the first tone. Many of the differences were rather subtle, subtle enough that the fidelity of sound reproduction equipment and acoustical aspects of the testing environment could affect scores.
Seashore’s rhythm test required indicating whether the second short monotonic rhythm pattern in a pair differed from the first; in the tonal memory test, the subject indicated which tone differed in the second version of a pair of short tonal patterns.
Split-brainis
a lay term to describe the result when thecorpus callosumconnecting the twohemispheres of the brainis severed to some degree. The surgical operation to produce this condition results from transection of thecorpus callosum, and is usually a last resort to treat refractoryepilepsy.