Unit 3 Flashcards

1
Q

A genre of sacred music featuring multiple choirs, or a choir that has been divided into different groups that can perform call and responses

A

Antiphonal

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2
Q

Homophonic compositions featuring a solo singer over orchestral accompaniment. Very melodic primarily utilize in operas, cantatas, and oratorios

A

Aria

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3
Q

Continuous realization of harmony throughout a musical piece, usually by a harpischord and/or cello. This provides a framework/template for harmonic accompaniments

A

Basso continuo

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4
Q

A composite major church choir from the Baroque period. Including a soloist, Choi, and orchestra. This has several movements and last for 15-30minutes. Performed without staging but utilize narration, arias, recitatives, choruses and smaller ensembles

A

Cantata

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5
Q

Originally the result from the German Protestant churches reformation. It is a hymn (tune). A four part homophonic work that is sung by the church congregation. Became the foundation for several cantatas and preludes for the organ

A

Chorale

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6
Q

A musical composition for a soloist and orchestra

A

Concerto

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7
Q

A musical composition for a small group of soloist and orchestra

A

Concerto grosso

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8
Q

A divided choir that is utilized to perform in a polychoral style—able to perform “call and response”. Large churches were designed with multiple choir seating sections to perform such works.

A

Cori Spezzati

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9
Q

Perfected by Bach during the Baroque period. It is a form written in an imitative contrapuntal style in multiple parts. Are based upon the original tune (the subject) the subject is then imitated and overlapped by the other parts.

A

Fugue

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10
Q

The text or actual words of an opera, musical, cantata, or oratorio. Written or compiled by a librettist

A

Libretto

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11
Q

The constant repeated subdivision of the best.
provides unity and stability l within the musical piece

A

Motor Rhythm

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12
Q

A subsection or independent section/piece of a larger work

A

Movement

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13
Q

Staged musical drama. Utilize arias and recitatives without narration

A

Opera

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14
Q

Tells a story without acting. Typically biblical and utilize chorus, solo voices, and orchestra. NO CHARACTERS, BLOCKING, COSTUMES, OR SETS

A

Oratorio

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15
Q

A compositional style where the chorus/choir is divided into two+ groups that can perform with or independently

A

Polychoral style

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16
Q

Instrumental music written to portray a non musical idea (paintings, poems, narratives)

A

Program music

17
Q

An operatic number using speech-like Melodies and rhythm.
Flexible tempo - sparse accompaniment
Basso continuo
between arias

A

Recitative

18
Q

Repeated unifying sections founds in between solo sections of concerto grosso

A

Ritornello Form

19
Q

A piece where distinct sections can be identified due to changes in texture or other techniques

A

Sectional form

20
Q

A musical piece that features musicians with or without accompaniment.
Larger piece: this is the main part

21
Q

A musical composition in multiple movements for solo instrument, usually accompanied by the piano

22
Q

Piece of music that sounds like a dance.
Not designed for dancing

A

Stylized dance

23
Q

The main melody or tune of a fugue

24
Q

A multi-movement instrumental musical composition of baroque music
Dance form

25
Different sections of a piece have a set volume for that section. Next section may be diff volume
Terraced dynamics
26
Songs or musical selections where new music is composed for each stanza/section. No repetition
Through-composed
27
Where entire music ensemble performs together
Tutti
28
A group of renaissance instrumentalist playing together
Consort
29
One of the most important English madrigal composers
Thomas Weelkes
30
English composer Known for Development of madrigal Published motets and masses
William Byrd
31
Technique used by Renaissance composers to represent poetic images
Word painting