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Art History > Visual Communication (Ch.2) > Flashcards

Visual Communication (Ch.2) Flashcards

1
Q

Subject Matter

A

What the artist is trying to convey

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2
Q

Media

A

The tool and materials the artist used to create the work

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3
Q

The ability to make useful objects attractive

A

Craftsmanship

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4
Q

The grammar or structure of a visual language

A

Design

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5
Q

Art that tells a story

A

Narrative Subjects

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6
Q

Any religious figure from any religion can become a subject of work of art like biblical paintings to Hindu scriptures

A

Religious Subjects

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7
Q

Use of a literary source in the creation of art such as the Bible or famous myths and legends for inspiration

A

Literary Subjects

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8
Q

Paintings of the natural environment — one of the most popular subjects for artists through centuries.

A

Landscapes

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9
Q

Paintings of views of city streets, plazas courtyards buildings and activities taking place in the urban environments

A

Cityscapes

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10
Q

Using the human form, usually nude, in artwork like paintings and sculptures.

A

Figure

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11
Q

Paintings of people other than the artist

A

The Portrait

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12
Q

Paintings of the artist by the artist

A

Self Portrait

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13
Q

Painting of important events in history

A

Historical Subjects

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14
Q

Normal everyday activities of ordinary people, usually painting

A

Genre Subjects

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15
Q

Visual statements about the artist society or the world

A

Social comment

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16
Q

A painting of inanimate objects.

A

Still Life

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17
Q

An artwork based on or of an animal

A

Animals

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18
Q

Or artwork based on how an artist is feeling

A

Expression- paintings

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19
Q

The simplification of subject matter into basic shapes

A

Abstract

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20
Q

Art that does not represent anything specific but more of ones feelings

A

Non objectives

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21
Q

Clean lines, most versatile drawing media. The modern day pencil that we know was created by Conte, a French inventor, using lead and clay

A

Pencil

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22
Q

Soft grainy quality. This particular media can be compressed into sticks, wrapped in wood like a pencil, and/or left natural. The first charcoal used charred wood from twigs or from vines

A

Charcoal

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23
Q

Used primarily by Asian cultures, when undiluted is solid black. The more water added the lighter gray it became, this is called a wash.

A

Ink

24
Q

A dry material similar to colored chalk, but can blend together to create a painterly surface

A

Pastel

25
Q

One of the oldest painting methods. This is when an artist paint over a fresh, but rough, layer of plaster

A

Fresco

26
Q

Paint created using egg yolks as a binding agen to secure pigment to a widen panel. Dries quickly and usually painted with small brushes un multiple layers to create a luminous surface

A

Tempera

27
Q

Pigments bound with gum Arabic, the transparent color can be layered onto paper. Gouache is an opaque version of water color

A

Oil

28
Q

Relief print— an image that sticks up from, the surface is then inked and pressed onto paper to create mirrored image.

A

Woodcut

29
Q

Prints created from crevices in the plate rather Han from raised surfaces on the plate.

A

Intaglio

30
Q

Similar to woodcut but uses linoleum block instead of wood

A

Linocut

31
Q

An image drawn or a limestone slab using greasy crayon or ink. Water is then spread over the slab and only sticks to where there is no greasy crayon. Every layer needs its own stone

A

Lithogen

32
Q

Or silkscreen printing, a silk screen is stretched over a wood frame and then a stencil onto the printing surface.

A

Serigraph

33
Q

Casting of Molten metal and hardening liquid into a mold bearing impression designed by the artist mastered by ancient Chinese, Egyptian and Greek cultures

A

Bronze

34
Q

An additive process of welding sheet of steel together

A

Steel

35
Q

Can be carved, nailed, drilled, sanded and/or given

A

Wood

36
Q

Can be polished to glasslike finish or left rough and textured

A

Marble

37
Q

Casting with resins acrylics, fiber glass, or using plastic fiber strips to shape around an object or person as a mold

A

Plastic

38
Q

Weaving of fabric that can range from household items to sculptural artworks

A

Fibers

39
Q

Originally used by Egyptians in jewelry, can now reach into household items

A

Glass

40
Q

Vessels created by being thrown on a wheel, coil built, or slab built.

A

Clay

41
Q

Expertly crafted to be simple and sleek or to be detailed and complex

A

Furniture

42
Q

Can be glass, colored marble, ceramic tile, bits of wood or paper that cover an area with an image or design

A

Mosaics

43
Q

Working with gold, silver copper, bronze, iron, steel, aluminum etc. To create a variety of art forms from jewelry to sculptures to housewares

A

Metalwork

44
Q

Elements

A

Line
Value
Texture
Form
Color
Shape
Space

45
Q

Principles

A

Balance
Contrast
Pattern
Rhythm
Unity
Emphasis
Movement

46
Q

Colors that cannot be be recreated R,Y,B

A

Primary

47
Q

When 2 primaries and secondary mix O, G, V

A

Secondary

48
Q

When a primary and secondary mix YO, RO, RV, BV, BG, YG,

A

Tertiary

49
Q

A color + White

A

Tint

50
Q

A color + gray

A

Tone

51
Q

A color + black

A

Shade

52
Q

Opposites

A

Complementary

53
Q

Three equals on a wheel

A

Triad

54
Q

3 or 4 that touch, warm or cool.

A

Analogous

55
Q

One color, shade and tint

A

Monochromatic

56
Q

Two colors that touch the opposite

A

Split Complement

57
Q

Black, White, Grey

A

Achromatic

Art History (2 decks)

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