Vocabulary Gabrielle Mills Flashcards

1
Q

Having to do with clay or glass or the making of objects from clay or glass

A

Ceramic

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2
Q

A fine, liquid form of clay applied to the surface of a vessel prior to firing; fills in pores and gives uniform color

A

Slip

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3
Q

The process of kneading the clay so as to remove air pockets and create uniform consistency of clay

A

Wedging

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4
Q

Long strands of clay which are laid on top of each other and joined through blending coil to coil

A

Coil Method

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5
Q

High-fire clay; waterproof even without glaze

A

Stoneware

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6
Q

A flattened out piece of clay; can be draped over or into forms, rolled around cylinders or built-up into geometric forms

A

Slab

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7
Q

Clay that is completely dry but not yet fired

A

Bone Dry

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8
Q

A term used to describe unfired clay objects in general

A

Greenware

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9
Q

Clay objects that have been fired for the first time without any glazed applied to them

A

Bisque Ware/Bisque

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10
Q

Bisque ware that has been glazed then fired

A

Glaze Ware

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11
Q

A special knife-like tool with a fairly flexible blade for cutting into moist and leather-hard clay

A

Fettling Knife

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12
Q

A special tool with a wooden handle and a wire loop at one or both ends, used for carving and hollowing out clay forms

A

Loop Tool

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13
Q

A term used to describe the technique of adding small clay forms as decoration on the surface of pottery forms; also called applied decoration

A

Sprigging-on

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14
Q

Is a decoration technique, created by carving lines into the clay or carving small areas out of the clay but not perforating it

A

Incising

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15
Q

A furnace designed specifically for heating clay to the temperatures necessary to make it permanently hard and stone like

A

Kiln

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16
Q

The heating coils on an electric kiln

A

Element

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17
Q

The bottom of a piece that rests upon a surface

A

Footing

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18
Q

Clay is hardened by heating it to a high temperature, fusing the clay particles

A

Firing

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19
Q

Glass-forming chemicals that applied in liquid form to bisque ware and fired in a kiln, form a pleasing, usually glossy coating to the surface of the clay

A

Glaze

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20
Q

A plaster disk or slab for clay work

A

Bat

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21
Q

A clay made from a mold

A

Casting

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22
Q

Liquid clay used in the process of forming objects with molds

A

Casting Slip

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23
Q

A term which usually refers to the bone china of England, but also associated with vitreous white wares and porcelain

A

China

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24
Q

A thin coat of color that will soak into the greenware or bisque ware

A

Conditioning Coat

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25
Q

A mixture of ceramic materials that is designed to soften and bend when the proper mixture of time and temperature is reached in the interior of the kiln

A

Cone

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26
Q

A small clay cone holder used when cones are placed on the shelf of the kiln to stand

A

Cone Plaque

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27
Q

The Mixture of time and temperature at which the cone will bend to show the kilns temperature on the shelf

A

Cone Temperature

28
Q

A low-fire clay body which is fired to maturity at approx. 2000 oF

A

Earthenware

29
Q

A product that has been tested and determined to be safe for use on surfaces which come in contact with food or drink

A

Food-safe

30
Q

The base or the part of the piece of ceramic on which it rests

A

Foot

31
Q

A shiny, glass-like finish

A

Gloss

32
Q

The refractory coating applied to the top of the kiln shelves to protect them from glaze drips

A

Kiln Wash

33
Q

Greenware that is allowed to become firm but still retains its wet look

A

Leather-hard

34
Q

A soft finish with little or no shine

A

Matte

35
Q

Color which does not allow other colors to show through

A

Opaque

36
Q

Small holes in the side of the kiln used for viewing shelf cones and ventilating the kiln during the firing process

A

Peep Holes

37
Q

Tiny holes in the final surface finish of a glaze or Underglaze

A

Pin Holes

38
Q

Refers to the ability of clay to be formed into a shape and retain it

A

Plasticity

39
Q

Articles made of refractory material which support kiln shelves during firing

A

Posts

40
Q

A satin-like surface which has a slight sheen to it

A

Semi-Matte

41
Q

Colors which generally allow only dark colors to show through

A

Semi-Opaque

42
Q

Slightly colored and/or speckled colors which allow most colors to show through with only slight distortions

A

Semi-Transparent

43
Q

The cone temperature that is fired on the shelf of a kiln; the amount of heating the ware actually receives

A

Shelf Cone Temperature

44
Q

Usually refers to a natural sponge used for cleaning and decorating greenware

A

Sponge

45
Q

Clear base colors which are free from cloudiness or distortion

A

Transparent

46
Q

A color which is usually applied to greenware and in most cases is covered with a glaze

A

Underglaze

47
Q

Small holes made by puncturing the wet greenware with a needle tool when two pieces of ware have been attached

A

Vent Holes

48
Q

Starting with a ball of clay the potter opens a hole into the ball a bowl shape through a combination of stroking and pinching the clay

A

Pinch Pots

49
Q

A brownish-orange earthenware clay body commonly used for ceramic sculpture

A

Terra cotta

50
Q

A piece of clay is placed on a potters wheel head which spins; the clay is shaped by compression while in motion

A

Wheel Thrown

51
Q

A technique of building pots using only the hands and simple tools

A

Handbuilding

52
Q

A method of shaping clay by inserting the thumb into the clay and lightly pinching with the thumb and fingers.

A

Pinch

53
Q

Flat slabs of clay are pressed into molds to create various shapes and forms

A

Molding

54
Q

Method of joining two pieces of clay together creating scratches and applying slip

A

Score and Slip

55
Q

Wet, leather-hard and bone dry

A

Stages of Dryness

56
Q

A decorating technique where leather hard clay in slip and a picture in revealed by carving off the slip

A

Sgraffito

57
Q

Patterns or designs are created by brushing a wax medium over an area of clay, slip or glaze the resist the final glaze application

A

Wax Resist

58
Q

Pressing forms into clay to get decorative effects

A

Stamping

59
Q

Firing earthenware applying a tin enamel then when dry painting a design then glazing with a transparent glaze

A

Majolica

60
Q

Method of creating designs by folding different colored clays together into “rods” or bars and then slicing them

A

Millie Fiore

61
Q

A kiln firing in which there is insufficient oxygen to consume the free carbon emanating from the heated glaze and clay

A

Reduction

62
Q

A kiln firing with a full supply of oxygen

A

Oxidation

63
Q

A method of firing pottery that takes a ceramic piece in its raw state, greenware, and quickly takes the temperature up to 2000 degrees

A

Raku

64
Q

The opening at the top of a vase

A

Mouth

65
Q

The (usually) narrower part that leads from the body of the vase to the mouth

A

Neck

66
Q

This is the main part of the vase; usually the largest part

A

Body