Week 8 - Modernist Revolutions: Debussy, "Living Exhibits," Photography and Rejecting the Tonal Past Flashcards

1
Q

What is modernism

A

Artists at the turn of the 20th century who were anti-traditionalists and into experimentation

New tech: phone, planes, lightbulb, cars

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2
Q

What were new ideas that came forth in modernism

A

Darwin - theory of evolution
- Scared millions of people due to going against religion

Freud - Unconscious
- Anxiety

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3
Q

Who is Claude Debussy

A

French composer, 1862-1918

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4
Q

What were three influences on Debussy

A
  1. End of the “common practice” - There was a common theory that music revolved around tonality.
  2. The Japanese Gamelan
  3. Impressionist painters
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5
Q

What is tonality

A

Tonality is the key for which a piece is written

There is a home chord in tonality

Cosonance and dissonance leads to tonalty

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6
Q

What are the 2 western systems of tonality

A

Major and Minor

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7
Q

What are chords

A

3 or more notes heard at the same time

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8
Q

What is a consonant interval

A

Interval is the distance between two notes

Dissonant must resolve

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9
Q

Melodic Linearity

A

If these are anchors, get rid of them

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10
Q

When did Debussy hear the Japanese Gamelan

A

1889 Paris world fair

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11
Q

What is a Gamelan

A

A percussion orchestra of 25 people that uses metal and wooden instruments

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12
Q

What is colotomic rhythm

A

Cycles and rhythms that go all over the song that determines beginning and end

Use a roughly pentatonic scale called the slendro

No linear melody

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13
Q

What are Pagodes

A

Floating, no clear melody, no dissonance

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14
Q

What are elements of the painting of the Monet Rouen cathedral

A

Colours are ambiguous not clearly defined

Lined are not defined

Hazy

Short brush strokes

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15
Q

What are elements of Debussy’s “Afternoon of a Fawn” (1894)

A

Glissando, no pulse, “dreamlike”, glissando in the harp, quiet, musical “flecks”, no clear rhythm or pulse

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16
Q

What is the ambiguity in “Afternoon of a Fawn”

A