Within Her Eyes Flashcards
(47 cards)
Choreographer
James cousins
Company
James cousins company
Dance style
Contemporary/contact work — partnering
- using weight + momentum for flow
Choreographic approach
Material from the stage version ‘there we have been’
Collaboration and improvisation — recorded + selected movements
Lisa was not allowed to look at Aaron, spirals introduced — intimate + intertwined feeling
Starting point/stimulus
Love story with a twist - from personal experience and narratives
Friendship growing into love
Love + loss
Dependency + loyalty
Longing + memory
Choreographic intention/theme
To create a dance film with emotional intensity and energy
Abstract love story but open for interpretation
Dancers
1 x M = Aaron
1 x F = Lisa
Structure
A prologue and 6 sections — one seamless journey - narrative
Start = as far away from each other as possible while maintaining contact
End = as close as possible
Aural composer + overview
Seymour Milton
Create tension but be delicate to reflect relationship
Sound score with strings + piano — emotive + with fragile delicate quality
With electronic sounds
Collaboration between music + choreography
Costume designer + overview
Lisa = vulnerable, fragile + conservative = modest with light tones - ethereal
- thin shirt buttoned to top, white
- beige long skirt
- colour palette reflects natural environment
Aaron = strong support — khaki jumpsuit + brown trousers
- dark earthy tones — he is grounding Lisa
Lighting designer + overview
Natural lighting
Relient on welsh weather - grey - intense atmosphere
Added filters through editing for darker undertones to emphasise grey and make more intense
Performance environment
- sense of isolation — bare open vast landscapes
- raw delicate unstable relationship
- tension
- help reflect relationship - starting open mountainside finishing more intimate in forest - low in grass - quarry
Shadows link staging/set to stimulus
Love story with a twist: prologue species give a back story, highlighting girl as focal point and lonely, graveyard tells us she has lost someone close to her
Spaces are not warm or welcoming as you would expect for a love story, instead: barren + cold
WHE link staging/set to narrative
Space suggests different stages of relationship
Eg field is vast, windy, overcast making the dancers look vulnerable. Cliff might suggest risk etc
WHE link staging/set to lighting
Natural lighting matches outdoor spaces
WHE link staging/set to mood
Overcast outdoor spaces set a dreary sad mood
WHE link staging/set to costume
Natural colours of landscape blend with neutral colours of costumes
WHE link staging/set to aural setting
Wind sounds in aural setting are amplifies and match the outdoor location
WHE link lighting to stimulus
Starts with a night time sky, moving into day, dusk and then night time again - suggests a timeline for the love story
WHE link lighting to structure
Lighting gives structure to dance as it moves through the course of a day
WHE link lighting to mood
Dusk creates a melancholy mood as we understand the relationship is coming to an end
WHE link lighting to set
Natural light matches outdoor spaces
WHE link lighting to time
Night time sky at the start gives us a starting point for the dance - we can then assume that the light sky in the next scene is early morning (there is no one around)
WHE link costume to character
Girls blouse buttoned up to neck: sets a reserved character. Blouse is a delicate chiffon fabric: reinforces her fragility. Girls colours connect her with the sky. Colour invites a variety of possible interpretations
Man’s colour is earthy and connects him with the ground. Stable, supportive, solid, dependable.