women of troy cue cards Flashcards

1
Q

Ath(Prologos): plans ruin the Greek’s journey home ‘so that the Greeks will learn their lesson, and in future, respect my temples, and fear the power of the gods’P: ‘A somewhat cavalier change of mind, surely?’

A

-Troy is destroyed with Ath’shelp-Ath= goddess of wisdom-Ath= powerful / not wise-ruins the Greeks b/c feels insulted = capricious-Even fellow god recognizes Ath= capricious, fickle nature

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2
Q

Poseidon (Prologos):
‘when a man sacks [and] destroys everything […] sacred temples [and] tombs […] he’s asking for trouble. The same destruction sooner or later will fall on his own head.’

A
  • cyclical pattern of history >problems in contemporary Athens.
  • Sinful + barbaric acts >equally sinful + barbaric retaliation.
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3
Q

Prologos
H monody:
‘Look at me now, thronedin the dust […] an old woman, dragged as a slave from my home, all hope plundered from my god-cursed ravaged grey head, with no reprieve from my punishment of everlasting sorrow.’

A
  • proud + noble queen = ‘old woman’ w/o hope.
  • Position on ground represents change of fortune + new low status
  • Hecuba has no role >embarrassed + outraged that former queen now useless b/c outlived any reproductive function / H = trophy of war taken to degrade her (Odysseus’s slave)
  • Euripides invites Athenian audience to question treatment of prisoners of war
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4
Q

Prologos–H’s monody
Hecuba to Chorus:
‘Weep, wives of the bronze armouredTrojans, grieve for your heroes dead, daughters […] husbands lost!’

A
  • H calls on WoT(Chorus), to lament w/ her in kommos
  • H want WoTto pay homage to men before their fate becomes clear
  • Loss of war >reduced to the most basic functions of their gender = sex objects + fertile wombs
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5
Q

Prologos–H’s monody
Hecuba to Chorus:
‘Troy is burning.’

A
  • Troy burning = key metaphor / destruction of Troy + destruction of women / Hecuba draws parallels b/t WoTbodies + city.
  • > strengthen audience’s sense of destruction and indignity both have been forced to endure
  • Troy endures a literal siege + metaphorical rape / WoTmetaphorical siege + literal fear of rape
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6
Q

Prologos
-Chorus join H in kommos:
‘a whole generation of women’ were ‘raped in their bedrooms’.

A
  • Fall of Troy>WoTsubject to mass abuse
  • w/o fathers / husbands / brothers / sons protection >vulnerable
  • 10 yrs war >Greek men behave w/o humanity + this was considered acceptable in Grk society
  • Innocent suffer the most
  • WoT= spoils of war
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7
Q

Cassandra
Ep. 1

Agamemnon will find her ‘more destructive as a wife than ever Helen was’.

A
  • Cassandra compares marriage to Aga w/ Helen marriages to Men + Paris >Trojan War >death + destruction
  • Cass = driven by a desire for vengeance / views own fate to be slave to Aga’s desire >chance for revenge for Troy / retribution for Aga’s sins. -Gift of prophecy >Cass know Aga’s choice >his demise + suffering for Greeks (link to Poseidon card)
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8
Q

Cassandra
Ep.1
‘father and brothers destroyed’.

A
  • Cass has lost everything –fam / city / virginity = sacred identity-Cass martyrs herself for revenge
  • fatal marriage to Aga >his downfall Cass >able enact revenge on behalf of family / city.
  • All character think Cass = mad woman BUT…
  • Cass = only one who can give WoTmodicum of solace
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9
Q

Cassandra
Ep 1
‘Who could wait for the wind that fills her sails more eagerly than I do?’ ‘one of avenging furies’

A

Cass duty = revenge for the war atrocities
-Cass = metaphorical Trojan horse = pretend go happily / willingly into new life w/ Aga
>revenge b/c Aga jealous wife kills him
Across play RQs = confusion + helplessness but Cass answers own RQs
= Cas not helpless victim b/c planning revenge

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10
Q

Cassandra
–Ep 1:‘
Any sensible man must hate war, he does his best to avoid it’‘it is no shame for a city, indeed, it is a crown of honour to die nobly, with dignity.’

A
  • Ath. society = long celebrated + mythologised war
  • sign of heroism >status + $-BUT through Cass, E suggest ppl hasty going to war = ignorant + foolish-E worried about Athenian soldiers who dies attacking foreign countries like Sparta / Melos, etc. could lose their life for nothing-Whereasdying defending home = honourable-Upcoming Expedition to Sicily = more pointless loss of life-Cycleof violence b/t Athens + Sparta (link to Pos. quote)
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11
Q

Cassandra –Ep 1:

‘had forgotten what their children looked like’ ‘lie forgotten in a foreign country’Kleosnot achieved

A

-Through C, E challenges audience ➔? honour of war in foreign lands-Grkswere so long away from loved ones @ home ➔forgotten faces whereas Trojans went home to fam each night-bodies of Grksoldiers failed to get the burial rights their culture demands (link to Ast)-Emph. contemporary Athaudience needless deaths replicated in Pelopenesianwar (mass loss of life in Sparta / Melos + upcoming EofSc).-Forgottenis repeated = emphasis →worst case b/c Grkwar should →reputation / fame

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12
Q

Cassandra –Ep 1To Talthybius“Officers of your kind are always hated by everyone, lackeys. Slaves yourself, doing great men’s dirty work.”

A

C attacks T as middle managerT expresses compassion for Tw but does nothing to help.T = part of Grkwar machine ➔facilitates brutal + barbaric decisions of generals

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13
Q

Talthybius –Ep 1:About Cass concubinage to Agamemnon‘King’s mistress’ / ‘no bad thing”

A

-dehumanising effect of military service →Tal ignorant of the impact of concubinage on Tw (most would rather die)-noun ‘mistress’ = euphemism ➔masquerade reality that Cass = Aga sex slave -→forcing Athaudto consider foreign policy during wars esp. following SofM

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14
Q

Ep2 -Andromache: ‘The gods always hated us.’Chorus in stasimon: prayers to the gods are ‘vain dreaming, false hopes’

A

-Astyanax murder ➔Andromache + Hecuba losing hope-➔realisation gods abandoned Troy-Hecuba + Andromache = loyal servants to gods-praying = futile / folly-Reinforced by chorus in the Ep2 stasimon b/c realisegods do not care abtwoT

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15
Q

Ep2 –Andromache claims ‘you Greeks’ have ‘dreamed up such cruelties even the barbarians would flinch at’

A

-Challenges Athenian assumptions / arrogance-Forces Athenian audience to reconsider their ideology about war / duty-Makes them reflect on contemporary issues, e.g. the atrocities and constant fighting of the Peloponnesian War (SofM& EtoS)

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16
Q

Ep 2 -Andromache:
Cradling Astyanax while lamenting
“Why are you killing this child? What has he done in his innocence? He’s guilty of nothing!”

A
  • Ast= innocent child >no harm / threat to Grks.
  • killed b/c Grks lost mercy + honour
  • End of Trojan lineage
  • Repetition of RQs show her inability to comprehend the events and the exclamative her fury.
  • most explicit violence in play >appeal to universal human instinct to protect the innocent / children to emphasize that such acts are dishonorable.
  • confronting scene >Ath aud experience pathos
17
Q

Menelaus –Ep 3:‘this most glorious of days when I shall finally get my hands on that wife of mine […] yes, I am the man, Menelaus’

A
  • Pronoun ‘mine’ = M sees Helen as property / possession
  • Helen = 2nd concern / revenge on P = #1
  • M = King of Sparta ➔invested in strict gender binary: men are warriors / women are objects to serve and give pleasure to men
  • M= fatuous + self-serving
18
Q

Hecuba–Ep 3‘with one look she makes men’s eyes her prisoners, she sacks whole cities, burns houses to the ground with that bewitching smile’Hecuba accuses Helen of being ‘wet with lust the moment’ she saw Paris.Hecuba believes that ‘any woman of breeding’ would never be swayed by her emotions or desires.‘hair’ + ‘make up’ + ‘best dress’ / ‘I beg you on my knees’

A

H + other woTcannot understand / accept Helen’s behaviour➔condemnHelen b/c acts on love / lust for ParisWomen held to dif. standard to menBewitching = evil/magicWet = sexual desireBreeding = royal blood / bred as commodity for power allianceWoTsubscribe to same gender binary as Grkmen despite ➔death / slavery / concubinageHelen uses sexuality to survive b/c only asset patriarchy values. ‘begs’ M to appeal to his ego/desire. Kneels before him emph. vulnerability.

19
Q

Hecuba–Ep 3‘Consummate the Greek victory […] Wives who betray their husbands deserve death.’Andromache –Ep 2Helen should ‘die in agony’Chorus –Ep 3‘punish your wife in a way worthy of the traditions of your family.’’

A

WoTunited blame 4 Helen ➔implore M to kill Helen in retribution.Hecverb ‘consummate’ = refer to sexual penetration after wedding / H suggests victory for M is to regain ownership of Helen + destroy herLasthope for WoTis for Helen to suffer + die b/c vindication of values lived their lives byE uses Chorus to question values of Grk/ Athenian republic b/c brutalisation of women = ‘tradition’ / ‘noble’ behaviour

20
Q

Sophism

A

practice of using clever arguments that sound convincing but are in fact false.

21
Q

Helen
–Ep 3Helen wants to ‘speak in [her] own defence’:
•blames Hecuba ‘giving birth to Paris’
•She was ‘exported , sold off abroad’ as a ‘saleable asset’
•Victim of ‘the destructive power of love’
•‘I was raped, not married’
•Marriage to P was ‘blessing’ to Greece b/c it prevented Athene from helping Paris invade Greece.
•Attempted to ‘escape to the Greek ships’

A
  • Helen uses sophism to explain / justify actions & attempts to rebut accusations
  • Claims to be victim of gods (Aphrodite) who bewitched her & ‘sold’ her to Paris
  • Helen is concubine to Paris like Cass. is Aga.
  • ‘blessed’ Greece by stopping Athene from support an Asian invasion of Greece
  • Claimed to Menelaus she tried to escape in attempt to reconcile w/ Menelaus
  • E shows Helen using logic + sexuality to try to survive / H tries to cast herself as hero similar to how audience see Cassandra but she only serves herself
  • In patriarchal society survival = best woman can hope for
22
Q
Talthybius:
‘I ask you not to hate me.’
‘with the greatest reluctance’
‘joint decision of the council of the Greeks’
‘theyhave decided...’
‘I’m not half hard enough’
A

-Tal = concerned about H and Andrespect for him ↓
-Makes it clear it is the joint decision of the council
–no individual is taking individual responsibility
-group decisions made by the council ➔dishonourable choices b/c no-one has accountability
-Pronoun ‘they’ = faceless bureaucrats ➔soldiers carry inhumane acts
-= Tal wants Tw know he is not responsible to assuage his guit
-Tal feels guilty but powerless to stop war →Athaud? decision-making of War Party within Eccesia

23
Q

Hec–Exodus

Attempts to ‘die in [the] embrace’ of the burning city ➔runs into flames / attempts suicide for release from pain

A

Hecuba = manifestation of Troy
Destruction of city + loss of fam + enslavement + Astdeath + fear of Helen release →Hecdespair
Hecuba experiences anagnorisis b/c realises commitment to the structures of her old life (patriarchy / Hellenic values / gods) have led her to this point
Grk generals should recognize crimes but it is woTwho realisecommitment to Trojan way of life →perpetuating cycles of history
Edenies audcatharsis →leave theatre feeling frustrated / sad / angry

24
Q

Catharsis = getting rid of unhappy memories or strong emotions such as anger or sadness by expressing them in some way.
Anagnorisis = moment main character realizes their wrong-doing / learn a moral lesson that makes them a better person.
“March down to the Aechaenfleet!”

A
  • E’s contemporary Athaud+ modern audDON’T experience catharsis b/c @ play end woTare slaves but Grkmen are not punished for crimes
  • No Grkmen experiences anagnorisis b/c they get away w/ their war crimes + dishonor / play ends w/ woTbeing loaded on ship
  • @ play’s end Athaudsee war ships prep. in harbourfor EtoS
25
Q

Exodus
Hecuba’s last lines:
“Into the abyss. My legs are trembling , but I won’t fall.”

A
  • Anagnorisis →H accepts her fate→Resolves to lead T.W. into new life as ‘slavery is beginning’
  • Stoic / quiet leadership = manifestation of Hellenic ideals
  • Foil for Menelaus (= fatuous / self-serving leader)