WOYZECK Flashcards

(49 cards)

1
Q

who designed the original production of Woyzeck, and what was the significance of this?

A
  • Alfred Roller
  • he went on to be an influential German Expressionist designer, so his set may have been an early experiment in expressionism
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2
Q

who played the character of Woyzeck in the original production of Woyzeck, and what was the significance of this?

A
  • Albert Steinruck
  • he was a German silent film actor who focussed on mime as a method of storytelling and communicating with the audience
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3
Q

in the original production of Woyzeck, how was the performance of the character of Woyzeck described?

A

‘a dangerous and threatening force’

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4
Q

what performance styles dominated theatre at the time of the original performance of Woyzeck?

A
  • naturalism
  • Victorian melodrama
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5
Q

when was Woyzeck first performed?

A

8th November 1913

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6
Q

describe the staging used in the original production of Woyzeck

A
  • proscenium arch stage
  • revolve
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7
Q

what effect did the use of a revolving stage have in the original production of Woyzeck?

A
  • dynamic scene changes
  • maintained continuous flow of action
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8
Q

in which theatre was Woyzeck first performed?

A

Munich Residenz theatre

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9
Q

who directed the first performance of Woyzeck?

A

Eugen Kilian

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10
Q

describe the lighting used in the original performance of Woyzeck, and how the various lighting states were achieved (x5)

A
  • carbon arc lamps produced intense beams for spotlights
  • footlights across the front edge of the floor provided general washes
  • incandescent lighting
  • gels created coloured light
  • lighting was restricted by limited technological advancements
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11
Q

in the original production of Woyzeck, how were songs performed?

A

with or without accompaniment

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12
Q

in the original production of Woyzeck, how was the character of Woyzeck performed? (x6)

A
  • tall
  • long-limbed
  • tilted head
  • acted as if he had killed before
  • frightening eyes
  • calm and casual when buying the knife
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13
Q

how was the audience arranged in the auditorium for the original production of Woyzeck?

A

tiered seating

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14
Q

when was Woyzeck written?

A

between 1835-1837

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15
Q

who founded Punchdrunk?

A

Felix Barrett

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16
Q

when was Punchdrunk founded?

A

2000

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17
Q

who designs many of the soundscapes used in Punchdrunk productions?

A

Stephen Dobbie

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18
Q

who choreographs the dance and movement in Punchdrunk productions?

A

Maxine Doyle

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19
Q

what words are used to describe Punchdrunk set design and staging? (x5)

A
  • ‘site sympathetic’
  • ‘touch real’
  • ‘set dressing’
  • ‘experience design’
  • ‘radical promenade’
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20
Q

according to Felix Barrett, what is the benefit of using familiar texts and locations in Punchdrunk productions?

A

it helps ‘empower’ the audience to discover their own journey

21
Q

what does Maxine Doyle say about the relationship between dance and light?

A

‘it is this delicate duet of dance and light, dancing in and out of frame and light, which supports the audience’s journey through dark spaces’

22
Q

what technique is used in Punchdrunk productions to replay scenes?

A

‘narrative loops’

23
Q

who is the artistic director of Punchdrunk Enrichment productions?

24
Q

according to Peter Higgin, what makes a Punchdrunk production successful?

A

‘discovery is the key to the success of any Punchdrunk project, really you want the audience to feel like they are discovering things alone for the first time’

25
how are myths and folklore utilised in Punchdrunk productions?
they provide a rich world in which projects can be developed
26
when are mementos given to audience members of Punchdrunk productions?
- after experiencing a 'one-on-one' - after a Punchdrunk Enrichment production
27
give an example of a memento given to audience members after a Punchdrunk production
after the Punchdrunk Enrichment production of 'The Lost Lending Library', children were given a library card to remember the experience
28
according to Felix Barrett, what is Punchdrunk concerned with when creating their productions?
'atmosphere and audience'
29
how does Felix Barrett describe the atmosphere of Punchdrunk productions?
'being able to feel particles collide'
30
what is the effect of abstract sounds in Punchdrunk productions?
it layers in a dreamlike state
31
how are soundscapes used practically by performers in Punchdrunk productions?
actors use distinctive sounds in the soundscore to navigate the scene and narrative
32
what type of sound is used in Punchdrunk productions to make the soundscape omnipresent and wrap around the entire experience?
melody-less sounds
33
what does Stephen Dobbie say about the impact of a soundscape?
'the impact is greater when the audience are unaware of the soundscape until we decide to draw it to their attention'
34
how can lighting influence audience movement and decisions in Punchdrunk productions?
it can guide audience members to explore different areas and directions to ultimately find installations and sequences of actions
35
what name is given to lights within the world of a play? ie lights that a character can see
'in world lights'
36
what is the effect of using smart candles in Punchdrunk productions?
they can draw audience focus to specific details, ie a candle next to a stack of papers would encourage audience members to see what the stack of papers were
37
what does Felix Barrett say about the effect of darkness?
'darkness immediately intensifies an event'
38
what effect is created by the building of all theatrical elements?
a dramaturgical crescendo
39
what term describes the act of keeping the audience in a state of not knowing?
dramaturgical tension
40
what name can be given to props that can be handled by actors and audience members?
tactile objects
41
what is the effect of having characters' personal possessions as props?
gives clues about the nature, personality and experiences of the character it belongs to
42
how do actors engage with props in Punchdrunk productions?
performers often devise detailed sequences around a prop or object
43
give an example from a Punchdrunk production when a detailed sequence involving a prop was performed by a character
in 'The Drowned Man: A Hollywood Fable', Mr Stanford grated a small horse made of sugar
44
what is the effect of repetitive interactions with a prop by a performer?
repetitive movements exist in a dreamlike state to provoke curiosity in the audience
45
give an example of a Punchdrunk production that utilised smell/scent to evoke mood and atmosphere in a scene
in 'Sleep No More', rags soaked in TCP were placed around the hospital room where Lady Macbeth was bathed by a nurse to evoke a strong medical and clinical atmosphere
46
give two examples of Punchdrunk productions in which the recurring motif of water was prominent
- in 'Tunnel 228', an entire archway was flooded - in 'The Drowned Man: A Hollywood Fable', there were showers of rain and pools of water
47
why is water a recurring motif in Punchdrunk productions?
it helps hook the audience a new world by making the environment look, feel, sound and smell real
48
what term describes the immersive engagement of audience members in the narrative and plot of a play?
'experiential storytelling'
49
give an example of a Punchdrunk production that utilised magic tricks
'The Masque of the Red Death' the Red Death walked up to Prospero, who grabbed the shoulders of his long, black, hooded cloak. after a few beats Prospero whisked away the cloak, revealing that the Red Death had vanished