Written Test Flashcards

(84 cards)

1
Q

Shot

A

Smallest unit in film language; continuous run of image unbroken by edit

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2
Q

Sequence

A

Expressive unit made up of editing together multiple shots to define a unified action or event, or passers of time or place

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3
Q

Scene

A

A dramatic unit in which action ostensibly happens in continuous time and within a single location

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4
Q

mese-en-scene

A

Defined as anything visible in the frame of the shot: the subject, actions, setting, lighting, graphic qualities…

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5
Q

The frame

A

Two definitions

Physical frame: each individual still image captured on film or on video, which, when projected as a series, creates the illusion of motion

Compositional frame: two dimensional space defined by its horizontal x axis and vertical y axis dimensions. Third dimension for depth z axis

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6
Q

Aspect Ratio

A

The relationship between the width and the height of the frame; derived by dividing the the width by the height

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7
Q

Closed frame

A

All of the essential information in the shot is neatly contained within the parameters of the frame

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8
Q

Open frame

A

The composition leads the audience to be aware of the area beyond the edges of the visible shot

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9
Q

Deep frame

A

A frame that accentuates depth

z-axis

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10
Q

Flat frame

A

A frame that accentuates the the two-dimensionality of the image

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11
Q

Object overlapping

A

The understanding that objects nearer the foreground will partially cover or overlap objects farther in the background

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12
Q

Diminishing perspective

A

The perceptual understanding that objects will appear to be smaller the farther they are from the viewer and vice-versa

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13
Q

Foreshortening

A

One part of an object appears larger or smaller based off of the position of the viewer

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14
Q

Stereopsis

A

Visual perception phenomenon created by viewing objects with two eyes that physiologically are placed slightly apart

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15
Q

Rule of thirds

A

Used as a guide for framing human subjects and for composition in general

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16
Q

Extreme long shot or wide shot

A

Shows a large view of the location, setting, or landscape

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17
Q

Long shot

A

Contains the whole human figure

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18
Q

Medium long shot

A

Frames subject from knees up

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19
Q

Medium shot

A

Frames subject from waist up

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20
Q

Medium close up

A

Chest or shoulders up

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21
Q

Close up

A

Places the primary emphasis on the face of other part of the body

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22
Q

Extreme close up

A

Shot that Isolates a very small detail or feature of the subject

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23
Q

Two shots, three shots, group shots

A

Amount of subjects per shot

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24
Q

High angle

A

Raising camera above eye level

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25
Low angle
Lowering camera below eye level
26
Dutch angle
Tilting camera laterally so that your horizon of your composition is oblique
27
Pan
Scans space horizontally
28
Tilt
Shift cameras perspective vertically
29
Track
Move camera in order to follow a subject
30
Dolly
Camera moves closer to or further away from subject
31
Boom
Lifting camera up and down
32
Crane
Camera lifted very high in the air above a human subjects head
33
Perspective, focus, exposure
3 basic critical aspects of an image
34
Focal length
Determines the degree of magnification or de-magnification of the shot
35
Wide angle
Short lenses
36
Normal
Medium lenses
37
Telephoto
Long lenses
38
Prime lenses
Lenses with one fixed focal length
39
Zoom lenses
A continuous range of focal lengths
40
Rack focus
Shifting the plans of critical between two static subjects along z axis
41
Follow focus
Subject is moving along z axis either closer to or further away from the camera
42
Aperture
The opening and closing of the iris ; all light that gathered by the lenses must pass through the aperture before registered on film
43
Iris
Control amount of light exposing the film
44
F stop
The ring that controls the aperture
45
Depth of field
Range of apparent focus along the z axis
46
Shallow depth of field
Subject stands out from environment
47
Deep depth of field
Increases the amount of information we see along the z axis you gain environmental detail
48
1/2-2/3 rule
Two thirds of the depth range among the z axis is behind the focus point and one third is in front
49
Hand held camera
Basic support using human body to hold camera
50
Tripod
Three legged support of camera
51
Dolly
Camera support on wheels
52
Steadicam
Stabilizing system
53
Light meter
A small calculator that accurately measures the light intensity values of a scene and then calculates a proper exposure
54
Color temperature
The tonality that a light favors
55
180 degree principle
Must shoot all of the shots in a continuity sequence from only one side of the action
56
180 degree line (axis of action)
Imaginary line drawn along the action
57
20mm/30 degree rule
When cutting from shot a to shot b must must change size of shot b by 22mm and and camera angle by 30 degrees
58
NLE
All films not destined for broadcast, DVD, or theatrical release
59
Dallies
Raw footage
60
First assembly edit
Placing end to end all shots, sequences, and scenes or even an entire short film without selecting too precisely the parameters of each shot
61
Rough cut
A version of film in which all the scenes have been edited fairly tightly without many of the transitions blunter
62
Fine cut
Finessing all of the edits one by one
63
Picture lock
The point in time in which you the edited can't make anymore more changes
64
Omnidirectional mic
Picks up audio from all directions equally
65
Cardioid mic
The pickup pattern is someone direction and heart shaped
66
Hypercardioids
Also heart shaped pickup but more sensitive
67
Phantom power
Power provided by the record deck or a mixer, delivered to the mic via one of the three XLR ports or through the use of a battery source
68
Mono
One mic
69
Stereo
Two mics
70
Boom pole
Allows one to position a mic as close as possible to the source but still remain outside the boundaries of the shot
71
Shock mount
Holds the mic in place
72
Light intensity
Strength of light emitted by a source measured by a light meter
73
3 point lighting
Contains a key light, fill light, and backlight
74
Lighting ratio
Amount of shadows contained in scene and their depth relative to the illuminated areas
75
Practicals
Lights included as mise-en-scene
76
Set lights
Light larger area of set
77
Open faced lights
Consist of an open lamp and a speculator reflector system
78
Fresnel light
One of most common and versatile; unique lens and oval lenses lamp
79
Soft light
Emit reflected light
80
Barn doors
Help control the coverage of the beam
81
Scrims
Used to reduce the intensity of light
82
Gobo
Between a light source and the scene
83
Nets
Like scrims reduce light
84
Flags
Precise trimming of light