x Flashcards

(55 cards)

1
Q

The Swing by Jean Honore Fragonard

A

rococo
Secret relationship with another man when married.
women roleplaying with hat, poking fun at lower class
kicking off shoe-loosing her virginity
wealth and power
pastel colors. whispy brushstrokes, dreamy and illustrative
flirtatious
natural setting

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2
Q

The Tete a Tete by William Hogarth

A

satire on rococo
Married couple, hungover
arranged marriage for power
home in shambles
guy has syphilis- is cheating
satire, social commentary on Rococo and how they never show the consequences of actions- like affairs
power leads to death
darker colors, illustrative

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3
Q

Self Portrait by Elisabeth Louise Vigee Le Brun

A

rococo
painting Portrait of Marie Antoinette
she works for french royalty
- a loyalist
has to leave France during french revolution
smile shows her optimism in hopes she can go back to france and work
whispy brush strokes

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4
Q

Portrait of Sor Juana Ines de la Cruz by Miguel Cabera

A

Spanish colonial
Nun reading in library
establishing her intellectual pursuits
dedication to faith on badge
portrays her as a feminist icon during the enlightenment, others to pursue their goals
she becomes a martyr
warmer colors, humanism- individual

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5
Q

A Philosopher Giving a Lecture on the Orrery by Joseph Wright of Derby

A

enlightenment
the array of people shows that anyone can learn in the enlightenment
enlightenment- want to base answers on fact
secular painting and genre panting
dramatic lighting, tenebrism

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6
Q

The Oath of the Horatii by Jacques Louis David

A

neoclassical
triplets who fought against the Luratti to decide the outcome of a war between their cities
Paris salon become famous during this time
exemplum virtutis- virtuous behavior highlighted in neoclassical art
classical themes, warm colors, mythological people
- classical Greek
masculinity

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7
Q

The Death of Marat by Jacques Louis David

A

neoclassical
he is a rebel, he becomes a martyr after being stabbed by Charlotte Corday in bathtub, she believed killing him would end the reign of terror
he is content in dying for cause
very idealized, dramatic lighting

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8
Q

George Washington by Jean Antoine Houdon

A

neoclassical
power and authority
George looking forward to the future of America
commissioned by gov of Virginia, reaches out to Thomas Jefferson to find a sculptor in france
made to honor him and establish as first president
marble and contrapasto is Greco roman

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9
Q

Monticello In Virginia by Thomas Jefferson

A

neoclassical
home of tj
Greco roman influence- Doric columns, pediment, rotunda, oculus, clerestory windows, symentru, perfection, balance
new innovations- brick, wood and glass

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10
Q

Y no hair remedio by Francisco de Goya

A

romanticism- emotional dramatic and serious, political
blindfolded- psychological torture
shows sacrifices people are making for peace
Goya making these in secret, direct treason to his country
directly talking about nepolean wars between Spain and France
found after goya’s death
visual protest- social commentary and historical narrative
propaganda
supposed to make you feel suffocated and awestruck
illustrative, black and white-dramatic

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11
Q

Saturn Devouring One of his Children by Francisco Goya

A

romanticism
phrophecy of one of Saturn’s children would kill him, so he eats them all but forgets about Zeus who ends up killing him
crazed wide expression inhuman
dark subject matter
relates to a countries/kings need of power/willing to do anything for power- social commentary
became connected to his legacy
less details, dark colors bright red blood

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12
Q

Slave Ship by Joseph Mallord William Turner

A

romanticism
ship is focal point
sea creatures/monsters in water waiting to eat slaves
1781- reference to Zong slave ship going from AFrica to Jamacia, where a big typhoon was coming in and in order to collect insurance money they throw slaves off- insurance fraud
social commentary and historical narrative
SUBLIME- evokes strong emotions
idealized- beautiful, exaggeration, not realistic, whispy forms, less details, dramatic

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13
Q

The Oxbow by Thomas Cole

A

romanticism
lighting struck tree- broken
small guy actively painting tame side of view
shows untamed violence of nature- overgrown, dark, lightening strike and a tamed side- farmland houses civilization sunlight order
Cole leader of Hudson river school- artists actively painting landscapes, interested in new land
social commentary
symbol of manifest destiny- God given right for Americans to expand West
man vs nature
panorama view

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14
Q

The Valley of Mexico from the Hillside of Santa Isabel by Jose Maria Velasco

A

romanticism
shows small local people- Indigenous with civilization- houses and railroads
2 volcanos in back based on Aztec gods
represents old civilization and new civilization, tradition is still alive (older is farther in background)
genre painting, landscape
Highlighting their culture
war of mexico- independence from Spain, painting=propaganda
panorama
blurry in background

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15
Q

La Grande Odalisque by Jean Auguste Dominique Ingres

A

romanticism
cultural appropriation- wearing turban, arabesque on bed
prostitute- showing off her wealth
exotic beauty not attainable for everyone
- Paris interested in the exotic
break from tradition
for the elite
elongated body, twisted form, long arms and legs
mannerism influence
idealizes her beauty
cooler colors

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16
Q

Liberty Leading the People by Eugene Delacroix

A

romanticism
personification of freedom to France - holding flag
nudity- beauty and free- Greco roman influence
freedom for everyone - all different ages and social classes here
propaganda
social commentary -political
symmetry, the sublime, whispy brush strokes
effects of war, hope for freedom

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17
Q

Westminster Hall in London England by Charles Barry and Augustus Pugin

A

romanticism/neo Gothic
gothic revival
classical layout
centered arches, long windows, elongated forms, stained glass
central lobby-like agora - classic traditions of democracy
NO neoclassical bc it is associated with the revolution
for government, home to house of Parliament led by prime ministers
symmetry shows order

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18
Q

The Burghers of Calais by Auguste Rodin

A

romanticism
dramatic, wrinkles and details in form, all in a grim mood
lots of expressions- serious and tense
humanism
council men- Hundred year war king demands Calais surrender keys of city and sacrifice 6 council men
historical narrative
heroic figures

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19
Q

Still Like in Studio by Louis Jacques Mande Dauguerre

A

photography
candid photograph
oldest surviving daguerreotype- rare
objects to study from in studio like rams head, cut of nude women etc
industrial revolution- new ideas
photography not seen as a art form
very innovative
grainy , lots of highlights

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20
Q

Nadar raising photography to height of art by Honore Daumier

A

photography
nadar=photographer promoting himself. he is willing to do anything for photograph
daumiers political cartoon on photography craze
Daumier=a printmaker, sells these prints and takes advantage of craze
social commentary
lithograph print-handdrawn, need greeese pencils and large stone
more detail

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21
Q

The Horse in Motion by Eadweard Muybridge

A

photography
one of the first motion pictures/animations
due to a bet
takes high speed camera photographs and invents a projector to put images together
zoopraxiscope-projector of animals moving
albumen- eggwhites on sheet, coated with silver nitrate

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22
Q

The Steerage by Alfred Stieglitz

A

avant garde photography
photography to capture issues
sees scene of lower class and takes picture, different from what he knows- documentation
social commentary - American dream
sharper details- photographs have greatly improved
avant garde- photography more accepted as art

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23
Q

The Stone Breakers by Gustave Courbet

A

realism -social commentary
low status making gravel for roads
young and older man, experienced and inexperienced
Paris salon rejected
social commentary on low class
muted dark natural colors
rough brush strokes
, focus on people
scale sends message

24
Q

Olympia by Edourad Manet

A

realism
prostitute-not ashamed looking directly as viewer , not shy does not care about her clients
inspiration for impressionism
contemporary nude
illustrative, brushstrokes, blocky colors, cold and de saturated, dark and light shadows

25
The Saint Lazare Station by Claude Monet
impressionism- real scenes with no embellishment- focus on light and colors and forms, simple real scene in contemporary life Monet perfecting impressionism captures similar things in different points of the day quickly as possible en plein air-- painting outside what you see daily life illustrative and abstracted, lots of movement
26
The Coiffure by Mary Cassatt
impressionism coiffure-elaborate hairstyle for high class- title doesn't match subject matter part of her routine, viewers are intruding influence from Japan, trade from ykiyo-e prints lots of these prints sold to Middle class daily life cultural influence simplistic and quick thin outlines, flat planes of color, limited warm colors
27
The Starry Night by Vincent Van Gogh
post impressionism Cyprus tree native to France paining from window from asylum on a hill has a psychotic break - cut off ear swoopy forms-still in episode not made in one night so partly from imagination study of night visible brushstrokes, illustrative, capturing moment, embellishment, impasto-thick applications of paint
28
Where do we come from? What are we? Where are we going? by Paul Gaugin
post impressionism diverse people of all ages narrative of life and death, physical time on earth documentation from Paul's perspective supposed to be Paul's final masterpiece human existence adding ?'s to art-postimpress abstracted, flat forms, less details, blues and greens
29
Mont Sainte Victoire by Paul Cezanne
post impressionism part of series of views of mountain panorama of mountain studies from view, makes dozens of these documentation of natural landscape en plein air but more abstract becomes a leading force in cubism linear brushstrokes, patchwork application of colors abstracted
30
The Scream by Edvard Munch
symbolism -visuals for metaphors or feelings, dark subjects androgynous figure-skull like face body warped, elongated forms surrounding people unaware of screaming his interpretation of his anxiety, personification unnatural forms, curving lines, less focus on forms more focus on emotions
31
The Kiss by Gustav Klimt
symbolism/art nouveau gentile intimate love put in Vienna show romantic intimacy referencing the past- mythological love? floral items and nature, curved forms and patterns, mythological
32
Goldfish by Henri Matisse
modernism/fauvism goldfish were exotic as well as plants in back cultural influence/trade shows humans love to have control matisse spent time in Morocco and got influence primitivism still life genre painting blotchy, visible brushstrokes, flat planes of color, unnatural colors, tilted perspective
33
Les Demoiselles d'Avignon by Pablo Picasso
cubism background very fragmented women naked-prostitutes wearing African masks primitivism-, cultural influence derragatory towards women fruit-fertility his right as a man to choose which women he wants Picasso hates women depicting women from male gaze linear, frontal, confident less abstracted, recognizable forms, lots of color, flatter no text
34
The Portuguese by Georges Braque
cubism geometrical forms tan,black,white-neutral earthy colors layered text and forms inspired by memories of portuguese inventor of cubism one of the earliest cubism paintings broken abstracted forms new way of seeing the world contemporary, focusing on the pure form of something
35
The Kiss by Constatin Brancusi
cubism elongated arms inspo from klimt kiss love in modern era metaphor for love, becoming the other person in the armory show in NYC, european artists to showcase their art in america primitivism, inspo from African masks biomorphic sculpure linear sharp forms, less human like connected together forever very simple, no details modern era more about meaning over skill
36
Self Portrait as a Soilder by Ernst Ludwig Kirchner
German expressionism-die brucke supposed to make you feel uncomfortable about Kirchner's personal mindset WW1, Kirchner volunteer for army- psychological trauma and fear of war manifestation of Kirchner's fear emotional and dark more realistic than cubism die brucke=the bridge-connecting, metaohor claustraphobic primitivism
37
Memorial Sheet for Karl Liebknecht by Kathe Kollwitz
German Expressionism- dark subjects matter and colors Karl a leader of the social Democratic party of germany-assasinaed, conflicting with communist party supporters of all ages political artist primitivism sharp forms, woodcut deep lines on each face
38
Illustration from the results of the first five year plan by Varvara Stepanova
constructivism power lines, machines factories-industrial revolution march of people to show support common people celebrating success of 5 year plan, vision for the future promotion of communism 5 year plan to industrialze Russia, shooting Russia to the future- did not end well propganda idealized taken from real print media, fast way of making art
39
Fountain by Marcel Duchamp
Dada- anti establishment, breaking traditions, anything can be art and anyone can call it art testing limits of art readymade- pre existing urnial makes a joke with signature commenting on industry and capitalism rich vs poor and industrial revolution- satire breaks all rules of art thoughts over skill political statement
40
Composition with red, blue, and yellow by Piet Mondrian
de still primary colors and dark lines basics of art purest forms, equation for art cubism but even more innovative challenges traditions he believed the more abstract the more advanced humans were getting futuristic, artifical
41
Improvisation 28 by Vaassily Kandinsky
German Expressionism- der blaue reiter - the blue rider, interested with expressiing yourself with color viewed as childlike innovative lines, colors, unrecognizable forms made-up on the spot, in the moment abstract emotions degenerative artist, lots of his stuff destroyed challenging traditions self expression through abstraction
42
Object by Meret Oppenheim
Surrealism/dada readymade and gazel fur playful way of going back, past more contemporary - inspo from Manet paining idea from picasso at luncheon femininity senses of human being based on imaginiation, dreams things that exist and adding a weird element fur is feminine untamed gazel, teacup is more prim and proper duality of women primitivism not about skil about the thought behind it
43
The Two Fridas by Frida Kahlo
surrealism one with her heart healthy one with it empty- before and after her husband Diego left both holding hands and supporting each other wearing trad clothes personal narrative reflective f her feelings and emotions she has her own beauty standards illustrative whispy brushstrokes flatter planes of color outlines
44
Dream of a Sunday afternoon in the Alameda Park by diego rivera
surrealism/Mexican mural la Catrina central figure with snake Diego as a child, frida beind him highlights the history of Mexico not sugarcoated, the reality horror vacculi vibrant colors bendy trees conquest and colonization on left, independence and revolution in middle modern achievements on right
45
The JUngle by Wilfredo Lam
surrealism abstracted humans, cartoonist illustrative sugar cane plants surrounding, Cuba lots of dif cultural influence speaking from own expeineces African masks santeria-african beliefs with Catholic customs included
46
Carson Pirie and Scott building by Louis Sullivan
art nouveau in architecutre skyscraper connected to business competing to be tallest building iron and steel new forms terra cotta new form visual heirachy- bosss on top workers on bottom meant to be a department store earliest American skyscraper ornate decorative imagery on iron abstracted floral imagery Chicago windows- larger plane in middle two smaller on each side- modern and supportive
47
Seagram Building by Ludwig Miles an der Rohe and Philip Johnson
international style more reinforcement between windows more about aesthetics over practicality Seagram whiskey commissioned to show their success, NYC height of art world at time lots of windows balance mathmatical
48
Fallingwater by Frank Lloyd Wright
organic architecture/prairie style built on waterfall lots of repairs overtime commissioned by Kaufman, his son was interested, ended up not liking but became one of wrights best works wright took control of whole project weekend retreat for wealthy organic architecture organic materials, stone wood etc modern, lots of light, sharp lines, open space
49
Villa Savoye by Le Courbusier
international style courbusier 5 points of arch - pilotis- concrete pilar to elevate space and pull off ground - open floor plan- all flows -free facade, no elaborate decorations, plain - horizontal ribbon windows- wraps around house separated by bars - roof garden his masterpiece domestic space geometric forms few walls, only black white abd gray, natural light
50
House in New Castle County by Robert Venturi John Rauch and Denise Scott Brown
post modern-reaction to modernism open floor plan minimalistic makes you confused everything clashes social commentary domestic space redirecting American architecture post modernism- no rules, last art movement, opens door for anything to be art crowded, no order or balance
51
The Migration of the Negro by Jacob Lawrence
Harlem Renaissance segregation in restaurant ' Black people devoid of identity social commnentary narrative, documentation of experiences of Black people Lawrence product of great migration personal connection angular forms muted colors, minimal details, flat planes of color, no shadows
52
Women 1 by William Kooning
Abstract expressionism comment on traditional beauty standards this is the modern women Kooning thinks grotesque is joyous social commentary on beauty standards positive, contemoorary women wild brushstrokes, many layers of paint added and scraped off thick applications of [paint, muddy colors
53
The Bay by Helen Frankenthaler
abstract expressionism colors move on their own-not preplanned not recognizable titles important in modern art to distinguish what forms are minimalistic action of painting itself color field painting- color illiciting motion in viewer color theory soak stain- canvas first soaked in water
54
Marilyn Diptych by Andy Warhol
pop art marilyn- beauty standards tribute memorial to her by Andy left is bright colors, more perfect right is black and white metaohor for her life life and death commntary of celebrity life silk screening can recreate many times
55