1 (s. 133) Flashcards
(20 cards)
______
Cinematic narration
______ are parts of larger totalities. These scenes and sequences fit into these larger constellations in terms of the functions they perform for the given motion picture work as a whole.
Cinematic scenes and sequences
Cinematic scenes and sequences are ______. These scenes and sequences fit into these larger constellations in terms of the functions they perform for the given motion picture work as a whole.
parts of larger totalities
Cinematic scenes and sequences are parts of larger totalities. These scenes and sequences ______ in terms of the functions they perform for the given motion picture work as a whole.
fit into these larger constellations
Cinematic scenes and sequences are parts of larger totalities. These scenes and sequences fit into these larger constellations ______ for the given motion picture work as a whole.
in terms of the functions they perform
Cinematic scenes and sequences are parts of larger totalities. These scenes and sequences fit into these larger constellations in terms of the functions they perform ______.
for the given motion picture work as a whole
The sequences, that is, are ______ and, therefore, the principles that connect the scenes and sequences therein are likewise dependent upon the superordinate aims of the overall motion picture.
subordinate to the purposes of the overarching work
The sequences, that is, are subordinate to the purposes of the overarching work and, therefore, ______ are likewise dependent upon the superordinate aims of the overall motion picture.
the principles that connect the scenes and sequences therein
The sequences, that is, are subordinate to the purposes of the overarching work and, therefore, the principles that connect the scenes and sequences therein are likewise ______.
dependent upon the superordinate aims of the overall motion picture
Furthermore, motion pictures, as noted earlier, can have ______.
a diversity of agendas
A great many [motion pictures] ______; some make arguments. Others, such as Man With a Movie Camera by Dziga Vertov, are involved in extended explorations of comparisons and contrasts.
tell stories
A great many [motion pictures] tell stories; some ______. Others, such as Man With a Movie Camera by Dziga Vertov, are involved in extended explorations of comparisons and contrasts.
make arguments
A great many [motion pictures] tell stories; some make arguments. Others, such as Man With a Movie Camera by Dziga Vertov, are involved in ______.
extended explorations of comparisons and contrasts
Still others, such as Cocteau’s Blood of a Poet, ______ or seek to shock, as in the case of L’Age d’or, the surrealist masterpiece by Buñuel and Dali.
portray the inner life of dreams and visions
Still others, such as Cocteau’s Blood of a Poet, portray the inner life of dreams and visions or ______, as in the case of L’Age d’or, the surrealist masterpiece by Buñuel and Dali.
seek to shock
With ______ come different structures for connecting scenes and sequences.
different organizing concerns
With different organizing concerns come ______.
different structures for connecting scenes and sequences
______ the scene linkages in Anticipation of the Night is different than what makes the scenes and sequences of Sorry Wrong Number hang together.
What motivates
What motivates ______ in Anticipation of the Night is different than what makes the scenes and sequences of Sorry Wrong Number hang together.
the scene linkages
What motivates the scene linkages in Anticipation of the Night is different than what makes the scenes and sequences of Sorry Wrong Number ______.
hang together
