4 (s. 134-135) Flashcards

(24 cards)

1
Q

______

A

Closure

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2
Q

The notion of closure is connected to ______ with which a piece of music, a poem, a story, or a typical movie concludes.

A

the sense of finality

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3
Q

The notion of closure is connected to the sense of finality with which a piece of music, a poem, a story, or a typical movie ______.

A

concludes

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4
Q

It is the impression that ______ is just the right point.

A

exactly the point where the work does end

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5
Q

It is the impression that exactly the point where the work does end is ______.

A

just the right point

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6
Q

To have gone beyond that point would have been ______.

A

an error

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7
Q

It would have been to have ______.

A

gone too far

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8
Q

But to have ______ would also have been a mistake.

A

stopped before that point

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9
Q

Closure is a matter of ______ rather than simply stopping or ceasing or running out of steam or crashing. When a filmmaker effectuates closure, then we feel that there is nothing remaining for her to do.

A

concluding

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10
Q

Closure is a matter of concluding rather than simply stopping or ceasing or running out of steam or crashing. When a filmmaker effectuates closure, then ______.

A

we feel that there is nothing remaining for her to do

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11
Q

There is nothing left to ______.

A

recount

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12
Q

Closure involves ______ with respect to the motion picture. When the last image flickers off the screen, there is no more of the story to tell, nor has anything that needed to be told been left unsaid.

A

a feeling of completeness

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13
Q

Closure involves a feeling of completeness with respect to the motion picture. When the last image flickers off the screen, there is ______, nor has anything that needed to be told been left unsaid.

A

no more of the story to tell

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14
Q

Closure involves a feeling of completeness with respect to the motion picture. When the last image flickers off the screen, there is no more of the story to tell, ______.

A

nor has anything that needed to be told been left unsaid

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15
Q

Or that, at least, is what ideally the viewer feels and is ______.

A

intended to feel

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16
Q

But what accounts for closure? As already observed, we often say with respect to a successful movie narrative that “everything has been ______”.

17
Q

… David Hume’s essay ______, where he points out: “Had you any intention to move a person extremely by the narration of any event, the best method of increasing its effect would be artfully to delay informing him of it, and first to excite his curiosity and impatience before you let him into the secret.”

A

“Of Tragedy” [1757]

18
Q

… David Hume’s essay “Of Tragedy” [1757], where he points out: “Had you any intention to ______, the best method of increasing its effect would be artfully to delay informing him of it, and first to excite his curiosity and impatience before you let him into the secret.”

A

move a person extremely by the narration of any event

19
Q

… David Hume’s essay “Of Tragedy” [1757], where he points out: “Had you any intention to move a person extremely by the narration of any event, ______ would be artfully to delay informing him of it, and first to excite his curiosity and impatience before you let him into the secret.”

A

the best method of increasing its effect

20
Q

… David Hume’s essay “Of Tragedy” [1757], where he points out: “Had you any intention to move a person extremely by the narration of any event, the best method of increasing its effect would be ______, and first to excite his curiosity and impatience before you let him into the secret.”

A

artfully to delay informing him of it

21
Q

… David Hume’s essay “Of Tragedy” [1757], where he points out: “Had you any intention to move a person extremely by the narration of any event, the best method of increasing its effect would be artfully to delay informing him of it, and ______ before you let him into the secret.”

A

first to excite his curiosity and impatience

22
Q

… David Hume’s essay “Of Tragedy” [1757], where he points out: “Had you any intention to move a person extremely by the narration of any event, the best method of increasing its effect would be artfully to delay informing him of it, and first to excite his curiosity and impatience ______.”

A

before you let him into the secret

23
Q

Calle this ______. And although Hume is offering this advice to playwrights, it has also become the creed of screenwriters.

A

Hume’s principle

24
Q

Calle this Hume’s principle. And although Hume is offering this advice to playwrights, it has also become ______.

A

the creed of screenwriters