CHAPTER SIX PSYCH 1115 Flashcards

1
Q

sensation

A

The process by which our sensory receptors and nervous system receive and represent stimulus energies from the environment

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2
Q

perception

A

The process of organizing and interpreting sensory information, enabling us to recognize meaningful objects and events

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3
Q

Bottom-up processing

A

Analysis that begins with the sensory receptors and works up to the brain’s integration of sensory information

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4
Q

Top-down processing

A

Information processing guided by higher-level mental processes, as when we construct perceptions drawing on our experience and expectations

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5
Q

Transduction

A

Conversion of one form of energy into anotherIn sensation, the transformation of stimulus energies, such as sights, sounds, and smells, into neural impulses the brain can interpret

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6
Q

Signal detection theory

A

Predicts how and when we will detect a faint stimulus amid background noise.

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7
Q

Individual absolute thresholds

A

Vary depending on the strength of the signal and on our experience, expectations, motivation, and alertness

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8
Q

Absolute threshold

A

Minimum stimulation needed to detect a particular stimulus 50% of the timeCan see a far-away light in the dark, feel the slightest touch

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9
Q

Priming

A

Activating, often unconsciously, associations in our mind, setting us up to perceive, remember, or respond to objects or events in certain way

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10
Q

Difference threshold (just noticeable difference)

A

Minimum difference a person can detect between any two stimuli half the time; increases with stimulus size

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11
Q

Weber’s law

A

For an average person to perceive a difference, two stimuli must differ by a constant minimum percentage (not a constant amount); the exact proportion varies, depending on the stimulus.

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12
Q

Subliminal stimuli:

A

Stimuli that are too weak to detect 50 percent of the time.

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13
Q

Subliminal persuasion:

A

May produce a fleeting, subtle, but not powerful, enduring effect on behavior (Greenwald, 1992).

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14
Q

Sensory adaptation

A

Diminished sensitivity as a consequence of constant stimulation
Increases focus by reducing background chatter
Influences how the world is perceived in a personally useful way
Influences emotions

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15
Q

Emotion adaptation

A

Gaze at the angry face on the left for 20 to 30 seconds, then look at the center face (looks scared, yes?).
Now gaze at the scared face on the right for 20 to 30 seconds, before returning to the center face (now looks angry, yes?). (From Butler et al., 2008.)

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16
Q

Perceptual set

A

A mental predisposition to perceive one thing and not another

Schemas organize and interpret unfamiliar information through experience.
Preexisting schemas influence top-down processing of ambiguous sensation interpretation, including gender stereotypes.

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17
Q

Context effects

A

a given stimulus may trigger different perceptions because of the immediate context.

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18
Q

Wavelength

A

Distance from the peak of one light or sound wave to the peak of the next. Electromagnetic wavelengths vary from the short blips of cosmic rays to the long pulses of radio transmissions.

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19
Q

Hue

A

Dimension of color is determined by the wavelength of light; what we know as the color names blue, green, and so forth.

20
Q

Intensity

A

Amount of energy in a light wave or sound wave, which influences what we perceive as brightness or loudness. Intensity is determined by the wave’s amplitude (height)

21
Q

Accommodation

A

The process by which the eye’s lens changes shape to focus near or far objects on the retina

22
Q

Rods and cones

A

Cones and rods provide special sensitivities
Cones are sensitive to detail and color
Rods are sensitive to faint light

23
Q

Color processing occurs in two stages

A

The retina’s red, green, and blue cones respond in varying degrees to different colour stimuli, as suggested by the young-helmholtz trichromatic theory.
Cones responses are then processed by opponent-process cells, as hering’s theory proposed.

24
Q

Feature detection

A

Nerve cells in the brain respond to specific features of the stimulus, such as its shape, angle, or movement.

25
Q

Hubel and wiesel

A

The brain’s computing system deconstructs and reassembles visual images.
Specialized occipital lobe neuron cells receive information from ganglion cells and pass it to supercell clusters

26
Q

Parallel processing

A

Studies of patients with brain damage suggest that the brain damage suggests that the brain delegates the work of processing motion, form, depth, and color to different areas. After taking a scene apart, the brain integrates these subdimensions into the perceived image.

27
Q

gestalt principles

A

Gestalt psychologists propose principles used to organize sensations into perceptions
Form perception
Depth perception
Perceptual constancy

28
Q

: visual organization

A

How do we organize and interpret shapes and colours to create meaningful perceptions?
People tend to organize pieces of information into an organized whole, called a gestalt.

29
Q

Figure - ground

A

Organization of the visual field into objects that stand out from their surroundings

30
Q

Depth perception

A

The ability to see objects in three dimensions, although the images that strike the retina are two dimensional
Allows us to judge distance
Is present, at least in part, at birth in humans and other animals

31
Q

The visual cliff

A

Test of early 3-D perception
Most infants refuse to crawl across the visual cliff
Crawling, no matter when it begins, seems to increase an infant’s fear of heights

32
Q

Binocular cues

A

Two eyes improve perception of depth

33
Q

Retinal disparity

A

Binocular cue for perceiving depth
The brain calculates distance by comparing images from two eyes
Used by 3-d filmmakers

34
Q

Monocular cue

A
A depth cue, such as interposition or linear perspective, available to either eye alone 
Light and shadow
Relative motion
Relative size
Linear perspective 
Interposition 
Relative height
35
Q

Motion perceptions

A

Humans are imperfect at motion perception

When large and small objects move at the same speed, the large objects appear to move more slowly

36
Q

Phi phenomenon

A

An illusion of movement created when two or more adjacent lights blink on and off in quick succession

37
Q

Perceptual constancy

A

Objects are perceived as unchanging - having consistent, brightness, shape and size - even as illumination and retinal images change

38
Q

Color constancy

A

Perceiving familiar objects as having a consistent color, even is changing illumination alters the wavelengths reflected by the object

39
Q

Restored vision and sensory restriction

A

Effects of sensory restriction on infant cats, monkeys, and humans suggest there is a critical period for normal sensory and perceptual development
Without stimulation, normal connections do not develop

40
Q

Perceptual adaptation

A

Ability to adjust to hanged sensory input, including an artificially displaced or even inverted visual field

Sound waves: from the environment into the brain
Sound waves compress and expand air molecules
The ears detect these brief pressure changes

41
Q

Hearing : sound characteristics

A

Amplitude (height) determines the intensity (loudness) of sound waves
Length (frequency) determines the pitch
Sound is measured in decibels (dB)

Sound waves are bands of compressed and expanded air
Human ears detect these changes in air pressure and transform them into neural impulses, which the brain decodes as sounds
Sound waves vary in amplitude, which is perceived as differing loudness, and in frequency, which is experienced as differing pitch

42
Q

decoding sound waves

A

Sound waves strike the eardrum, causing it to vibrate
Tiny bones in the middle ear transmit the vibrations to the cochlea, a coiled, fluid - filled tube in the inner ear
Ripples in the fluid of the cochlea bend the hair cells lining the surface, which trigger impulses in nerve cells
Axons from these nerve cells transmit a signal to the auditory cortex

43
Q

Perceiving loudness, pitch, and location

A

Place theory in hearing
Theory that links the pitch heard with the place where the cochlea’s membrane is stimulated ; best explains high pitches

Frequency theory (temporal theory) in hearing 
Theory that the rate at which nerve impulses travel up the auditory nerve matches the frequency of a tone, thus enabling its pitch to be sensed; explains low pitches

Combinations of place and frequency theories
Handling the pitches in the intermediate range

44
Q

touch

A

Sense of touch is actually a mix of four distinct skin senses:
Pressure
Warmth
Cold
Pain
Other skin sensations are variations of the basic four

45
Q

The pain circuit

A

The sensory receptors (nociceptors) respond to potentially damaging stimuli by sending an impulse to the spinal cord
The spinal cord passes the message to the brain, which interprets the signals as pain