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Ultimate Music Theory > UMT (7) Intermediate Music Theory > 11 - Transposition - Major Key to Major Key > Flashcards

11 - Transposition - Major Key to Major Key Flashcards

Use this deck to learn transposing a melody from one Major key up to another Major key within a given interval, irregular groupings of notes, Simple and Compound Time Signatures, musical terms and signs, scales, and cadences using Roman Numerals. Audio is included to supplement your learning. Master Your Musicianship Skills - Complete Lesson 11 of the matching Ultimate Music Theory Intermediate Workbook to enhance your music theory training. UltimateMusicTheory.com (114 cards)

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1
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 3 in m.2.

A

Correct

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2
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 4 in m.2.

A

Correct

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3
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 2 in m.2.

A

Incorrect - G Major melody is transposed up a minor 2 to A flat Major.

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4
Q

Correct or Incorrect - The melody in m.1 is transposed up a Major 6 in m.2.

A

Correct

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5
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 5 in m.2.

A

Incorrect - E flat Major melody is transposed up a Perfect 5 to B flat Major.

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6
Q

Correct or Incorrect - The melody in m.1 is transposed up a Major 2 in m.2.

A

Incorrect - D flat Major melody is transposed up a Major 2 to E flat Major.

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7
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 3 in m.2.

A

Correct

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8
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 4 in m.2.

A

Correct

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9
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 4 in m.2.

A

Incorrect - F sharp Major melody is transposed up a Perfect 4 to B Major.

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10
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 7 in m.2.

A

Incorrect - A Major melody is transposed up a minor 7 to G Major.

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11
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 6 in m.2.

A

Incorrect - C Major melody is transposed up a minor 6 to A flat Major.

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12
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 5 in m.2.

A

Correct

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13
Q

Correct or Incorrect - The melody in m.1 is transposed up a Major 2 in m.2.

A

Correct

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14
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 6 in m.2.

A

Incorrect - C Major melody is transposed up a minor 6 to A flat Major.

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15
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 5 in m.2.

A

Correct

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16
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 3 in m.2.

A

Incorrect - E flat Major melody is transposed up a minor 3 to G flat Major.

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17
Q

Correct or Incorrect - The melody in m.1 is transposed up a Perfect 4 in m.2.

A

Correct

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18
Q

Correct or Incorrect - The melody in m.1 is transposed up a Major 3 in m.2.

A

Incorrect - D Major melody is transposed up a Major 3 to F sharp Major.

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19
Q

Correct or Incorrect - The melody in m.1 is transposed up a Major 2 in m.2.

A

Correct

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20
Q

Correct or Incorrect - The melody in m.1 is transposed up a minor 6 in m.2.

A

Correct

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21
Q

Is the Quintuplet (group of 5) played in the time of 3 or 6 notes of the same value?

A

5 = 3 quarter notes

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22
Q

Is the Quintuplet (group of 5) played in the time of 3 or 6 notes of the same value?

A

5 = 3 sixteenth notes

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23
Q

Is the Septuplet (group of 7) played in the time of 3 or 6 notes of the same value?

A

7 = 3 eighth notes

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24
Q

Is the Septuplet (group of 7) played in the time of 3 or 6 notes of the same value?

A

7 = 6

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25
Is the Quintuplet (group of 5) played in the time of 3 or 6 notes of the same value?
5 = 6
26
Is the Septuplet (group of 7) played in the time of 3 or 6 notes of the same value?
7 = 6 eighth notes
27
Is the Quintuplet (group of 5) played in the time of 3 or 6 notes of the same value?
5 = 6 sixteenth notes
28
Is the Quintuplet (group of 5) played in the time of 3 or 6 notes of the same value?
5 = 3 eighth notes
29
Is the Quintuplet (group of 5) played in the time of 3 or 6 notes of the same value?
5 = 6 eighth notes
30
Is the Septuplet (group of 7) played in the time of 3 or 6 notes of the same value?
7 = 6 eighth notes
31
Is the Septuplet (group of 7) played in the time of 3 or 6 notes of the same value?
7 = 3 quarter notes
32
Is the Septuplet (group of 7) played in the time of 3 or 6 notes of the same value?
7 = 3 quarter notes
33
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 eighth notes
34
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 quarter notes
35
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 thirty-second notes
36
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 thirty-second notes
37
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 eighth notes
38
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 sixteenth notes
39
The Quintuplet is equal to how many notes of the same value? (5 = ?)
5 = 4 quarter notes
40
Identify the term for: a slow tempo (slower than *andante* but not as slow as *largo*)
*adagio*
41
Identify the term for: fairly fast (a little slower than *allegro*)
*allegretto*
42
Identify the term for: fast
*allegro*
43
Identify the term for: moderately slow; at a walking pace
*andante*
44
Identify the term for: a little faster than *andante*
*andantino*
45
Identify the term for: with movement
*con moto*
46
Identify the term for: slow and solemn
*grave*
47
Identify the term for: not as slow as *largo*
*larghetto*
48
Identify the term for: very slow
*largo*
49
Identify the term for: slow
*lento*
50
Identify the term for: at a moderate tempo
*moderato*
51
Identify the term for: very fast
*presto*
52
Identify the term for: as fast as possible
*prestissimo*
53
Identify the term for: lively, brisk
*vivace*
54
Identify the term for: becoming quicker
*accelerando*
55
Identify the term for: return to the original tempo
*a tempo*, *Tempo primo*
56
Identify the term for: less movement, slower
*meno mosso*
57
Identify the term for: more movement, quicker
*più mosso*
58
Identify the term for: slowing down gradually
*ritardando*, *rallentando*
59
Identify the term for: with some freedom of tempo to enhance musical expression
*rubato*
60
Name the scale.
A Major scale
61
Name the scale.
b minor melodic scale
62
Name the scale.
(harmonic) chromatic scale beginning on B flat
63
Name the scale.
blues scale beginning on F
64
Name the scale.
Major pentatonic scale beginning on G
65
Name the scale.
C flat Major scale
66
Name the scale.
octatonic scale beginning on F
67
Name the scale.
minor pentatonic scale beginning on E flat
68
Name the scale.
c minor natural scale
69
Name the scale.
(melodic) chromatic scale beginning on G
70
Name the Roman Numerals used to identify a Perfect Cadence in a Major key.
V - I
71
Name the Roman Numerals used to identify a Perfect Cadence in a minor key.
V - i
72
Name the Roman Numerals used to identify an Imperfect Cadence in a Major key.
I - V or IV - V
73
Name the Roman Numerals used to identify an Imperfect Cadence in a minor key.
i - V or iv - V
74
Name the Roman Numerals used to identify a Plagal Cadence in a Major key.
IV - I
75
Name the Roman Numerals used to identify a Plagal Cadence in a minor key.
iv - i
76
Identify the degree of the bass notes using Roman Numerals.
V - I
77
Identify the degree of the bass notes using Roman Numerals.
IV - V
78
Identify the degree of the bass notes using Roman Numerals.
iv - i
79
Identify the degree of the bass notes using Roman Numerals.
i - V
80
Identify the degree of the bass notes using Roman Numerals.
V - I
81
Identify the degree of the bass notes using Roman Numerals.
iv - i
82
Identify the degree of the bass notes using Roman Numerals.
iv - V
83
Identify the degree of the bass notes using Roman Numerals.
I - V
84
Identify the degree of the bass notes using Roman Numerals.
V - I
85
Identify the degree of the bass notes using Roman Numerals.
iv - i
86
Identify the degree of the bass notes using Roman Numerals.
IV - I
87
Identify the degree of the bass notes using Roman Numerals.
IV - V
88
Identify the degree of the bass notes using Roman Numerals.
V - i
89
Identify the degree of the bass notes using Roman Numerals.
IV - I
90
Identify the degree of the bass notes using Roman Numerals.
i - V
91
Identify the degree of the bass notes using Roman Numerals.
iv - i
92
Identify the degree of the bass notes using Roman Numerals.
V - i
93
Identify the degree of the bass notes using Roman Numerals.
iv - i
94
Identify the degree of the bass notes using Roman Numerals.
iv - V
95
Identify the degree of the bass notes using Roman Numerals.
V - I
96
Identify the degree of the bass notes using Roman Numerals.
V - I
97
Identify the missing Compound Time Signature.
The Time Signature is
98
Identify the missing Compound Time Signature.
The Time Signature is
99
Identify the missing Compound Time Signature.
The Time Signature is
100
Identify the missing Compound Time Signature.
The Time Signature is
101
Identify the missing Compound Time Signature.
The Time Signature is
102
Identify the missing Compound Time Signature.
The Time Signature is
103
Identify the missing Compound Time Signature.
The Time Signature is
104
Identify the missing Compound Time Signature.
The Time Signature is
105
Identify the missing Compound Time Signature.
The Time Signature is
106
Identify the missing Compound Time Signature.
The Time Signature is
107
Identify the missing Compound Time Signature.
The Time Signature is
108
Identify the missing Compound Time Signature.
The Time Signature is
109
Identify the missing Compound Time Signature.
The Time Signature is
110
Identify the missing Compound Time Signature.
The Time Signature is
111
Identify the missing Compound Time Signature.
The Time Signature is
112
Identify the missing Compound Time Signature.
The Time Signature is
113
Identify the missing Compound Time Signature.
The Time Signature is
114
Identify the missing Compound Time Signature.
The Time Signature is

UMT (7) Intermediate Music Theory (12 decks)

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