quotes Flashcards

1
Q

‘Substantial and heavily comfortable’

‘not cosy and homelike’ SD

A
imposing adjective ‘substantial’ connotes extreme wealth, surrounded by luxury
Excessive adverb ‘heavily’ overdone - materialistic as ‘not cosy and homelike’. Alternatively, suggests lack of family warmth
This gives the impression to the 1945 audience that the family is upper-class and are capitalistic
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2
Q

Pink and intimate SD

A
Warm adjectives in happy tone 
Creates rosy-tinted atmosphere, reflect on rosy-tinted view of upper class people due to their privileges over the poor lower-class.
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3
Q

Brighter and harder SD

A

Harsh comparative adjectives, contrasts to the previous joyful atmosphere
Imagery of the family being investigated, light shined on them by inspector
Priestley scrutinise on the family

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4
Q

The parlourmaid SD

A

Maidservant noun
family is rich to be able to afford a maid - privileged
However, perhaps imply maid=representation women in Edwardian society serving others

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5
Q

Heavy-looking SD

A

Heavy-looking - Adjective

Gluttonous, large presence, pompous air, greedy

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6
Q

Provincial in his speech SD

A

Adjective ‘provincial’
Accent indicates he’s not of noble origin
Apart of a new class that emerged due to the Industrial Revolution - people who had a rise in fortunes by using the new methods of industry, rather than being in a wealthy noble family

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7
Q

Cold woman SD

A

oxymoron at the time
Societal norms dictated women were meant to be loving and emotional
Detached attitude is unnatural

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8
Q

Husband’s social superior SD

A

Noble family
Upper class from birth
Husband climbed up from social ladder
Connotations of haughty upper-class from noun “superior”

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9
Q

Pretty girl SD

A

Adjective ‘pretty’ - No other defining feature
Society values looks
Young noun “girl” immaturity

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10
Q

Early twenties SD

A
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11
Q

Very pleased with life SD

A

Adverb “very”

Adjective “pleased”

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12
Q

Rather excited SD

A

Eager adjective “excited”

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13
Q

chap about thirty SD

A
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14
Q

‘Easy well-bred’

‘young man about town’ SD

A

Idiomatic phrase
Fashionable socialite
Plural connotations
Perhaps, foreshadows unfaithful nature of Gerald as he goes around town

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15
Q

early twenties SD

A

Repetition

United, similar

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16
Q

not quite at ease SD

A
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17
Q

Half shy, half assertive SD

A

Contrast

Inner turmoil

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18
Q

Pleased with themselves SD

A
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19
Q

Giving us the port, Edna? 11

A

Invisibly

Regarded as a functionary

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20
Q

exactly the same port your father gets 11

A
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21
Q

(gaily, possessively) 11

A

Stage direction

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22
Q

mummy

A

Childish tone

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23
Q

Edna. I’ll ring from the drawing room

A

Commanding tone

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24
Q

Yes ma’am

A

Formal tone
The polite address
Contrasts with how the Birling family calls her “Edna”

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25
Q

I’m treating Gerald like one of the family

A
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26
Q

(half serious, half playful)

A

Contrast

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27
Q

when you never came near me 11

A

Keen

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28
Q

I was awfully busy 11

A
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29
Q

get used to that, just as I had 11

A
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30
Q

I don’t believe I will 11

A
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31
Q

You’re squiffy 11

A

Colloquial language

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32
Q

The things you girls pick up these days! 11

A
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33
Q

You’re just the kind of son-in-law I always wanted 11

A
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34
Q

For lower costs and higher prices 11

A
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35
Q

Sheila’s a lucky girl 11

A
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36
Q

Is it the one you wanted me to have? 11

A
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37
Q

isn’t it a beauty?

A
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38
Q

(who has put the ring on, admiringly) 11

A

Admiringly = adverb

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39
Q

hard-headed businessman 11

A

Adjective “hard-headed”

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40
Q

interests of capital- are properly protected 11

A
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41
Q

What about war? 11

A
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42
Q

The Germans don’t want war 11

A
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43
Q

unsinkable, absolutely unsinkable 11

A

Repetition

Dramatic irony

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44
Q

Silly little war scares 11

A

Derogatory Adjective “silly” “little”

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45
Q

Russia, which will always be behindhand naturally 11

A

Dramatic irony

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46
Q

a man has to make his own way 11

A
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47
Q

community and all that nonsense

A

Noun “nonsense”

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48
Q

a man has to mind his own business and look after himself and his own - and- 11

A
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49
Q

(sharp ring of a doorbell) 11

A

Stage direction

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50
Q

Edna’ll answer it

A
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51
Q

Show him in here. 11

A

Short monosyllabic words

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52
Q

impression of massiveness, solidity and purposefulness 11

A

Triplet

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53
Q

carefully, weightily 11

A

Adverb

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54
Q

looking hard 11

A
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55
Q

Have a glass of port 11

A
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56
Q

I’m on duty 11

A

Short sentence

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57
Q

Lord Mayor two years ago 11

A
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58
Q

(Touch of impatience) 11

A
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59
Q

burnt her inside out 11

A

Shocking imagery

Grotesque verb ‘burnt’

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60
Q

(involuntarily) My god! 11

A

Exclamation

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61
Q

Great agony 11

A

Abstract noun

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62
Q

Yes, yes. Horrid business. 11

A

Dismissive tone

Short sentence

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63
Q

(Cutting through massively) 11

A
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64
Q

several hundred young women there 11

A

Determiner “several”

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65
Q

they keep changing 11

A

Continuous
Supply
Verb “keep”

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66
Q

One person and one line of inquiry at a time 11

A
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67
Q

wretched girl’s suicide 11

A

Adjective “wretched”

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68
Q

chain of events

A

Metaphorical image.
Concrete noun “chain”- embodies physical linking. Perhaps inferring the links between various events involving the Birlings and Eva Smith could be what weighs down the entire family

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69
Q

I don’t like that tone 11

A
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70
Q

my duty to keep labour costs down 11

A
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71
Q

it isn’t if you can’t go and work somewhere else 11

A

Eric

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72
Q

They’d be all broke - if I know them 11

A
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73
Q

she’s had a lot to say- far too much- so she had to go 11

A
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74
Q

they’d soon be asking for the earth 11

A
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75
Q

better to ask for the earth than to take it 11

A
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76
Q

How do you get on with our chief constable 11

A
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77
Q

(Dryly) I don’t play golf

A
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78
Q

I’d have let her stay 11

A
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79
Q

(rather angrily) 11

A
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80
Q

Unless you brighten your ideas 11

A
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81
Q

Oh - how horrible! 11

A
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82
Q

(rather distressed) 11

A
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83
Q

I wish you hadn’t told me 11

A
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84
Q

she wasn’t pretty when I saw her today 11

A
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85
Q

(with a marked change of tone) 11

A

Birling

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86
Q

The girl’s dead though 11

A
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87
Q

(cutting in) 11

A

Birling cuts in

Sheila cuts in

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88
Q

lonely, half-starved, she was feeling desperate 11

A

Pathos

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89
Q

these girls aren’t cheap labour - they’re people 11

A

Hyphen- pause of realisation as she releases the value of human lives. The pause also forces the audience to pause their thoughts to realise the same as Sheila

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90
Q

counting their pennies, in their dingy little back bedrooms

A

Gloomy adjectives
“Dingy” “little”
Poverty imagery

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91
Q

There must have been something wrong 11

A
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92
Q

half-stifled sob, and then runs out 11

A
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93
Q

upsetting the child like that? 11

A

Infantilising Noun “child”

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94
Q

‘A nice little promising life’

‘nasty mess somebody’s made of it’

A
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95
Q

we’re respectable citizens and not criminals

A

Gerald

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96
Q

(miserably) So I’m really responsible?

A
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97
Q

I was in a furious temper 11

A

Impulsive
Adjective “furious”
Noun “temper”

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98
Q

It was my own fault 11

A
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99
Q

miserable plain little creature 11

A
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100
Q

used the power you had 11

A
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101
Q

If I could help her now, I would 11

A
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102
Q

(Harshly) Yes, but you can’t. It’s too late. She’s dead 11

A
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103
Q

you think young women ought to be protected against unpleasant and disturbing things? 22

A
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104
Q

(massively taking charge) 22

A
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105
Q

A pretty, lively sort of girl, who never did anybody any harm 22

A
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106
Q

And I know I’m to blame - and I’m desperately sorry 22

A
107
Q

(calmly) 22

A
108
Q

briskly and self-confidently, quite out of key 22

A
109
Q

(smiling social) 22

A
110
Q

we often do on the young ones. They’re more impressionable 22

A
111
Q

You’re looking tired, dear. I think you ought to go to bed 22

A
112
Q

mother I couldn’t possibly go 22

A

Mature noun “mother”

113
Q

Girls of that class 22

A
114
Q

impertinent is such a silly word 22

A
115
Q

(rather grandly) 22

A
116
Q

My husband was Lord Mayor only two years ago 22

A
117
Q

excitable silly mood 22

A
118
Q

isn’t he used to drinking? 22

A
119
Q

He’s only a boy 22

A
120
Q

(rather hot, bothered) 22

A
121
Q

(cutting in, with authority) 22

A
122
Q

be quiet, Sheila 22

A
123
Q

And I don’t propose to give you much rope 22

A
124
Q

You needn’t give me any rope 22

A
125
Q

What’s the matter with that child? 22

A
126
Q

favourite haunt of women of the town 22

A
127
Q

I hate those hard-eyes dough-faced women 22

A
128
Q

very pretty - soft brown hair and big dark eyes 22

A
129
Q

had weighed her into a corner with that obscene fat carcass 22

A
130
Q

(staggered) 22

A
131
Q

I didn’t install her there so that I could make love to her 22

A
132
Q

I became at once the most important person in her life 22

A
133
Q

my daughter, a young unmarried girl, is being dragged into this— 22

A
134
Q

your daughter isn’t living on the moon 22

A
135
Q

And I’m not a child 22

A
136
Q

I’ve got a right to know 22

A
137
Q

We’re you in love with her, Gerald? 22

A
138
Q

(hesitatingly) 22

A
139
Q

I didn’t feel about her as she felt about me 22

A
140
Q

You were the wonderful fairy prince 22

A
141
Q

Nearly any man would have done 22

A
142
Q

Disgusting affair 22

A
143
Q

So I broke it off 22

A
144
Q

(low, troubled tone.) 22

A
145
Q

She didn’t blame me at all 22

A
146
Q

(she hands him the ring.) 22

A
147
Q

You and I aren’t the same people who sat down to dinner here 22

A
148
Q

I’m a public man- 22

A
149
Q

(massively) Public men, Mr Birling, have responsibilities as well as privileges 22

A
150
Q

we’ve no excuse now for putting on airs 22

A
151
Q

Dropped her when it suited him 22

A
152
Q

A prominent member - of the Brumley Women’s Charity Organization 22

A
153
Q

(with dignity) 22

A
154
Q

silly boy! 22

A
155
Q

excitable queer moods 22

A
156
Q

gross impertinence 22

A
157
Q

prejudiced me against her case 22

A
158
Q

Damned impudence! 22

A
159
Q

She only had herself to blame 22

A
160
Q

she told at first - about a husband who’d deserted her - was quite false 22

A
161
Q

if you think you can bring any pressure to bear upon me, Inspector, you’re quite mistaken 22

A
162
Q

I did nothing I’m ashamed of 22

A
163
Q

Used my influence to have it refused 22

A
164
Q

I consider I did my duty 22

A
165
Q

You have no power to make me change my mind 22

A
166
Q

Just remember that this girl was going to have a child 22

A
167
Q

This wasn’t Gerald Croft- 22

A
168
Q

She was here alone, friendless, almost penniless, desperate 22

A
169
Q

you’ve had children. You must have known what she was feeling 22

A
170
Q

Slammed the door in her face 22

A
171
Q

the press may easily take it up– 22

A
172
Q

(agitated now) 22

A
173
Q

it was her business to make him responsible 22

A
174
Q

a lot of silly nonsense! 22

A
175
Q

giving herself ridiculous airs 22

A
176
Q

simply absurd in a girl in her position 22

A
177
Q

(very sternly) 22

A
178
Q

(As Birling tries to protest, turns on him) 22

A
179
Q

Don’t stammer and yammer at me again, man 22

A
180
Q

I’m losing all patience with you people 22

A
181
Q

(rather cowed) 22

A
182
Q

As if a girl of that sort would ever refuse money!

A
183
Q

you’re quite wrong to suppose I shall regret what I did 22

A
184
Q

I was perfectly justified 22

A
185
Q

The girl herself 22

A
186
Q

(rather agitated now) 22

A
187
Q

he’d be entirely responsible 22

A
188
Q

(with sudden alarm) mother - stop - stop! 22

A
189
Q

Be quiet, Sheila! 22

A
190
Q

(severely) you’re behaving like a hysterical child tonight 22

A
191
Q

(grimly) Don’t worry Mrs Birling. I shall do my duty 22

A
192
Q

No hushing up, eh? Make an example of the young man, eh? 22

A
193
Q

I consider it your duty 22

A
194
Q

my boy - is mixed up in this-? 22

A
195
Q

(thunderstruck) 22

A
196
Q

(agitated) I don’t believe it.

A
197
Q

Eric enters, looking extremely pale and distressed 22

A
198
Q

The curtains falls quickly 22

A
199
Q

There must be some mistake 33

A
200
Q

you’re not the type - you don’t get drunk

A
201
Q

It was simply bound to come out tonight 33

A
202
Q

(miserably) could I have a drink first? 33

A
203
Q

(explosively) No 33

A
204
Q

(familiarity with quick heavy drinking) 33

A
205
Q

I was in that state when a chap easily turns nasty 33

A
206
Q

Threatened to make a row 33

A
207
Q

And that’s when it happened 33

A
208
Q

Oh - my God! - how stupid it all is! 33

A
209
Q

(sharply) Sheila, take your mother along to the drawing room— 33

A
210
Q

I wasn’t in love with her or anything 33

A
211
Q

she was pretty and a good sport 33

A
212
Q

I hate these fart old tarts around the town 33

A
213
Q

as if I were a kid 33

A
214
Q

she refused to take any more 33

A

money- support//covering up what he did

215
Q

You damned fool 33

A
216
Q

You’re not the kind of father a chap could go to when he’s in trouble 33

A
217
Q

(nearly at breaking point) 33

A
218
Q

my child- your own grandchild- you killed them both 33

A
219
Q

damn you, damn you 33

A
220
Q

(very distressed now)

A
221
Q

No - Eric - please - I didn’t know 33

A
222
Q

(almost threatening her) 33

A
223
Q

You don’t understand anything 33

A
224
Q

(taking charge, masterfully) 33

A
225
Q

Remember that. Never forget it 33

A
226
Q

You refused her even the pitiable little bit of organised charity you had 33

A
227
Q

as if she was an animal, a thing, not a person 33

A
228
Q

You helped - but you didn’t start it 33

A
229
Q

(rather savagely, to Birling) 33

A
230
Q

she’ll make you pay a heavier price still 33

A
231
Q

I’d give thousands - yes, thousands 33

A
232
Q

millions and millions of Eva Smiths and John Smiths 33

A
233
Q

We are members of one body

A
234
Q

We are responsible for each other 33

A
235
Q

taught it in fire and blood and anguish 33

A

Semantic field of war

236
Q

There’ll be a public scandal 33

A
237
Q

I was almost certain for a knighthood 33

A
238
Q

I’m ashamed of you as well 33

A
239
Q

you’re beginning all over again to pretend that nothing much has happened 33

A
240
Q

(rather excited) 33

A
241
Q

a socialist or some sort of crank 33

A
242
Q

from the way you children talk 33

A
243
Q

Edna withdraws 33

A
244
Q

(excitedly) By jingo! A fake! 33

A
245
Q

(bitterly) I suppose we’re all nice people now

A
246
Q

She’s right, though 33

A
247
Q

This girl’s still dead, isn’t she? 33

A
248
Q

That won’t bring Eva Smith back to life 33

A
249
Q

Between us we drove that girl to commit suicide 33

A
250
Q

How do you know it’s the same girl? 33

A
251
Q

(triumphantly)

A
252
Q

(Imitating Inspector in his final speech) 33

A
253
Q

(pointing at Sheila and Eric, and laughing) 33

A

Verb “laughing”

254
Q

It frightens me the way you talk 33

A
255
Q

(passionately) you’re pretending everything just as it was before 33

A
256
Q

I’m not! 33

A
257
Q

You began to learn something. And now you’ve stopped 33

A
258
Q

They’re over-tired 33

A
259
Q

They’ll be as amused as we are 33

A
260
Q

What about this ring? 33

A

Ring symbolic of shackles society places on women

261
Q

The famous young generation who know it all 33

A

Mocking tone

262
Q

The telephone rings sharply 33

A

Repetition of imagery of “rings sharply”

263
Q

guiltily and dumbfounded 33

A

Ashamed adverb
Adjective “dumbfounded”
Cliffhanger