Art in the local and global context Flashcards

1
Q

This also means attribution or the previous owner of a work of art.

A

Provenance

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2
Q

A picture in three panels next to each other.

A

Triptych

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3
Q

This means art recovery.

A

Restitution Art

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4
Q

Factors that influence the creation of a work of art

A

– sensitivity to nature, one’s life, socio-political situations in one’s country, culture, religion, etc.

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5
Q

Art issues arising/discovered from the documentary

A

Access – exclusivity over inclusivity, commodification, loss of real value – a collection, for decor, as status symbol.

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6
Q

ART IN LOCAL CONTEXT “There is no work for art in my language. (_________________)”

ART is a way of __________ (weaving, pottery, rituals)

A

Traditional arts; life

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7
Q

Practice: GITOK, music, dance, chants (Alim through a mumbaki)

A

DINUPDUP

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8
Q

Tungo at ____________

A

Hungduan

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9
Q

War/ rice cycle ritual/protection of the territory; food security, well-being, good health.

A

BAGNAS/ PANAGBENGA

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10
Q

(Peace Pact; gathering/ HIDIT)

A

AMON DE VO CHONG

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11
Q

An established or prescribed procedure for a religious or other rite.

A

Ritual

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12
Q

A day or time of religious or other celebration, marked by feasting, ceremonies, or other observances.

A

Festival

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13
Q

Over commodification of festivals exploited by tourism and place marketers.

A

Festivization.

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14
Q

“But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on _________, it begins to be based on another practice– politics” – Walter Benjamin

A

ritual

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15
Q

Art recovery is not the same as art restoration.

A

True

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16
Q

There are features of the rituals that are different from the features of the festival.

A

True.

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17
Q

Nature = art

A

False.

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18
Q

Nature will not have to be considered as art, and only as inspiration.

A

True.

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19
Q

These are the different surrounding situations that help us interpret a work of art.

A

Context.

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20
Q

Rituals

A

Dinupdup
Bagnas
Tungo
Amon de vo chong

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21
Q

This is done/ performed to resolve issues. Therefore, it is considered a peace pact.

A

AMON DE VO CHONG

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22
Q

The Ifugao epic incorporated the chanting of a certain ritual. The recitation of the alin which somehow traces the story of an individual.

A

Dinupdup.

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23
Q

Two instances in which the Dinupdup is held.

A
  • Someone from the higher caste dies
  • In a span of 10 years, no one gets sick (Thanksgiving).
24
Q

This ritual includes: music, trekking, and fire.

A

Bagnas.

25
Q

This ritual includes: music, trekking, and fire.

A

Bagnas.

26
Q

This ritual tells you that women have a social responsibility. When they go back to their homes, women were supposed to entertain the visitors.

A

Bagnas.

27
Q

Aside from planting the spear on the ground, there is also the presence of the dancing, gong playing, and even a trade fair.

A

Amon de vo chong.

28
Q

Origin of what we refer to as the Panagbenga. It used to be a war or a rice cycle ritual.

A

Bagnas.

29
Q

The use of animals in the ritual that’s not a feature of any of the rituals.

A

FALSE.

30
Q

How do we classify basket weaving as a work of art?

A

Utilitarian art. (Practical Art)

31
Q

In what aspect of life is ritual associated with?

A

Spiritual aspect of their life.

32
Q

Festivals have the same purpose with that of the rituals.

A

False.

33
Q

A periodic commemoration, anniversary, or celebration

A

Festival

34
Q

A period or program of festive activities, cultural events, or entertainment.

A

Festival

35
Q

A system or collection of religious or other rites.
Observance of set forms in public worship.

A

Ritual

36
Q

A book of rites or ceremonies.
A book containing the offices to be used by priests in administering the sacraments and for visitation of the sick, burial of the dead, etc.

A

Ritual

37
Q

A prescribed or established rite, ceremony, proceeding, or service:
The ritual of the dead.

A

Ritual

38
Q

Prescribed, established, or ceremonial acts or features collectively, as in religious services.

A

Ritual

39
Q

Involves music, trekking, and fire.

A

BAGNAS/ PANAGBENGA

40
Q

Done thrice a year (rainy season, planting, before harvest)

A

BAGNAS/ PANAGBENGA

41
Q

Leaves the DAP-AYS (council of elders) as the others proceed to PATPATAYAN (sacred ground)

A

BAGNAS/ PANAGBENGA

42
Q

With a bonfire in “bahag”/ “wanis” tell stories (oral translation, tradition, explanation) followed by prayer in the morning.

A

BAGNAS/ PANAGBENGA

43
Q

Followed by TULING – men get spear with BUDBUD (band on head) in their WANIS for TUDEY and MABASIG (prayer) for abundant flow of water.

A

BAGNAS/ PANAGBENGA

44
Q

Ends up in DAP-AY with the playing of the gongs in 3-5 days.

A

BAGNAS/ PANAGBENGA

45
Q

Women perform social responsibility.

A

BAGNAS/ PANAGBENGA

46
Q

With dancing, gong playing (for vochong only), merrymaking, symposia, trade fairs.

A

AMON DE VO CHONG

47
Q

With three spears speared into the ground; cases to be solved

A

AMON DE VO CHONG

48
Q

Changes:
Venue (done in front of the Municipal Hall)
Purpose (aimed at promoting the place as well as the products of the municipality)

A

AMON DE VO CHONG

49
Q

Changes:
Materials (rope for wood – tug of war)
Performed not for the exclusive members of the community (open for public)

A

AMON DE VO CHONG

49
Q

Changes:
Materials (rope for wood – tug of war)
Performed not for the exclusive members of the community (open for public)

A

AMON DE VO CHONG

50
Q

Done April 16-18 (must have been last week of July or first week of August)

A

TUNGO (rest day)

51
Q

From HWA ritual (after the harvest)
To give thanks to MAKNONGAN by saying the BAKI

A

TUNGO (rest day)

52
Q

Does the PUNNUK (tug of war and BULTUNG); use of PAKIG (wood)

A

TUNGO (rest day)

53
Q

Chanting, oral prayers (day before)
IMBAYA (dancing and music if with good harvest)

A

TUNGO (rest day)

54
Q

Highest form of ritual for the KADANGYAN or IMUYAUY on the ff situations:
- Dying man
- Healthy (Thanksgiving; festive)

A

DINUPDUP