Aegean, Greek Art Flashcards

1
Q

5th century BC – an idea from _________

A

ateca

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2
Q

Three Civilizations in Southern Greece

A

aMycenaeans

Cycladic

Minoans

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3
Q

VISION: Society functions best if all citizens are all equal and free to shape their lives and share in the running of their state. (democracy)

A

Greek art

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4
Q

Architecture, art, drama, and philosophy

A

Greek art

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5
Q

Before: order is important
Individual freedom
After the Athenian war: power sharing

A

Greek art

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6
Q

Excess. A free democracy but we obey the rules.

A

Greek art

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7
Q

unlimited freedom can cause chaos. principles.

moderation, balance, self control (carved into stone)

A

Greek art

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8
Q

Pericles

A

Greek art

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9
Q

The Ancient Greeks believe that there is a _________ spark to be found within every mortal.

A

divine

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10
Q

Their gods act like humans with human weaknesses (a difference from society’s before)

A

Greek

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11
Q

before the Greek (miracle?), the great civilizations of the world produced art that was rigid, formal, and ___________ rather than realistic.

A

symbolic

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12
Q

portrayed beauty in the image of man, but idealized.

A

Egypt

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13
Q

no symbols. physical harmony. pure and unadorned.

A

Greek art

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14
Q

Painting

realistic effect

A

Greek art

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15
Q

gods and heroes of greek mythology and contemporary subjects, warfare and drinking parties.

A

Greek art

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16
Q

earliest based design: _______________ style

A

geometric

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17
Q

the __________________: great age of painting

A

later archaic period

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18
Q

(reddish background)

A

black figure style

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19
Q

(530 BC) black background and details

A

red figure style

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20
Q

completely nude unlike females. male as athletes, they compete nudely. women’s body be covered up

A

Greek art

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21
Q

The Kourus boy. the way his stand. ____-shape.

A

S

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22
Q

sculptures lose their stiffness; look human

A

contrapposto

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23
Q

archaic smile disappears

A

Classical Style

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24
Q

signified by graceful relax poses

Apollo Belvedere. original was destroyed

A

Classical Style

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25
Q

Venus de Milo. symbolizes ideal perfection

A

Classical Style

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26
Q

far more dramatic and realistic than the idealized classical style

A

Hellenistic Style

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27
Q

Lincoln Memorial, US Supreme Court, etc.

A

Greek Architecture

28
Q

Neoclassical architecture

The ____________ – patroclus commissioned the building of several temples during the golden age of athens.

A

Greek Architecture; acropolis

29
Q

– “Patronus” meaning virgin. the crown jewel of the acropolis. dedicated to Athena Patronus or Athena the virgin.

A

Parthenote

30
Q

Show the strength of Athens

White marble parthenote, barely perceptible departures from straight lines. columns curve slightly inward.step platforms are barely arched.

A

Greek architecture

31
Q

bend straight lines to give the illusion of the upward thrust and solid support for the central mass.

A

Greek architecture

32
Q

Monuments as large sculptures

A

Greek architecture

33
Q

triangular pediments and horizontal freeze

A

Greek architecture

34
Q

– facial features weren’t passive (?)

A

classic period

35
Q

– another statue (victory) 6ft height and made from gold

A

scale

36
Q

Cyclopean masonry (Mycenae, Greece Athinaios)

A

Aegean Architecture

37
Q

______________ is a type of stonework found in Mycenaean architecture, built with massive limestone boulders, roughly fitted together with minimal clearance between adjacent stones and no use of mortar.

A

Cyclopean masonry

38
Q

vault formed by layers of stone that gradually grow closer together as they rise until they eventually meet.

A

Corbel arch

39
Q

use of buon fresco (true fresco) instead of fresco secco (dry fresco); Minoans (Toreador Fresco, c. 1400 B.C.E., fresco, Archaeological Museum, Herakleion)

A

Aegean Painting

40
Q

(Funerary Mask). In repousse (“push back” through a hammer) With curlicue ears.

A

Aegean Sculpture

41
Q

Cyclopean masonry. Corbelled arches. Funerary mask.

A

Mycenaean Art

42
Q

“to push back,” a type of metal relief sculpture in which the back side of a plate is hammered to form a raised relief on the front.

A

Repousse –

43
Q

vault formed by layers of stone that gradually grow closer together as they rise until they eventually meet.

A

Corbel arch –

44
Q

a type of construction that uses rough, massive blocks of stone piled one atop the other without mortar; named after Cyclops.

A

Cyclopean masonry –

45
Q

– portable sculptures of stylized standing women and seated men playing musical instruments; linear abstraction, clear lines.

A

Cycladic

46
Q

– build palaces, with columns of bulbous capitals, painted features with long sinuous curves and exaggeratedly narrow waists.

A

Minoans

47
Q

– cyclopean masonry marked by corbelled vaulting; shaft graves with opulent burial practices.

A

Mycenaeans

48
Q

GREEK ART

A

(Sparta, Corinth, Athens)

49
Q

Polykleitos, Doryphoros/Canon, c.450-440 B.C.E., Munich Museum, Munich, Germany

An exemplum of male beauty. Symmetrical. In contrapposto

A

Greek Classical Sculpture

50
Q

Realistic. More movement. Great variety of expression

A

Greek Hellenistic Sculpture

51
Q

Common subjects include childhood, old age, despair, anger, and drunkenness.

A

Greek Hellenistic Sculpture

52
Q

Employs negative space more freely. Not meant to be placed against a wall. Meant to be seen in the round

A

Greek Hellenistic Sculpture

53
Q

Reflection of Greek painting. Vessels were everyday items. Served as tomb monuments.

A

GREEK POTTERY

54
Q

May reflect scene of the deceased lying on a bier surrounded by mourners. Chariots and warriors complete the grieving procession.

A

GREEK POTTERY

55
Q

Introduced the concept of classical art.

A

GREEK

56
Q

Temples highly influenced the European architecture; with set of columns embracing the __________ where the god is housed; set apart from the city

A

cella

57
Q

Sculpture. Idealized the human form. The beauty of the nude body. Expression of gamut of emotions.

A

Greek

58
Q

Used contrapposto

A

(Classical and Hellenistic)

59
Q

– upright figures; animating smiles

A

Archaic art

60
Q

– contrapposto

A

Classical

61
Q

– greater range of expression and movement

A

Hellenistic

62
Q

The Greeks emphasize the following:

A
  • Beauty
  • Strength
  • Harmony
  • Balance
63
Q

Patronage and Artistic Life. Achievement of artists (Greek potters and painters)

A

Greek Art

64
Q

Golden age for artists. Signature as symbol of accomplishment and advertisement

A

Greek Art

65
Q

(canon of human proportions)

A

Polykleitos

66
Q

(nature of ideal architecture)

A

Ictinus

67
Q

(artistic program on the Acropolis)

A

Phidias