AO5: Critics Flashcards

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1
Q

Appearance Vs Reality

A

Spaeth: Hamlet is a different person in different situations - his words and actions are intended to conceal his true self

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2
Q

Fate

A

A.C Bradley: “love, remorse and grief are the same in a peasant as a king”

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3
Q

Monarchy

A

Knight: Claudius is a good and gentle king, enmeshed by the chain of causality linking him with his crime

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4
Q

Love

A

Dawson: Claudius loved Gertrude deeply and genuinely

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5
Q

Madness

A

Wilde: Hamlet uses madness to mask his weakness

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6
Q

Villainy

A

Sagar: Claudius’ first speech is ‘the language of a hypocrite and a villain’

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7
Q

Women

A

Leverenz: hamlet’s disgust at the feminine passivity in himself is translated into violent revulsion against women and into his brutal behaviour towards Ophelia

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8
Q

family:

A

Jones: Claudius has fulfilled precisely Hamlet’s own Oedipal fantasies

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9
Q

Setting:

A

Marret: Suicide as a way to escape the corruption of Denmark

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10
Q

Supernatural:

A

Wilson: ‘The ghost is the linchpin of Hamlet, remove it, and the whole play falls to pieces’

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11
Q

Religion:

A

Goethe: All duties seem holy for Hamlet

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12
Q

Revenge:

A

Kitteredge: Laertes is the typical avenger

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13
Q

Masculinity:

A

Belsey: Hamlets hesitation was regarded as feminine

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14
Q

Corruption:

A

Scofield: Claudius is morally empty

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15
Q

Death:

A

Smith: ‘Hamlet really is a play of the undead’ ‘his strongest affections are towards the dead’

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16
Q

Friendship:

A

Limmer: ‘True friendship in the Renaissance ideal was understood to result from the free choice of an individual, as opposed to being a pre-existing family or political relationship.’

17
Q

Loyalty:

A

Belsey: Elizabethan audiences would’ve regarded Hamlet with “ambivalence” because paternal loyalty was important and you should murder a bad king

18
Q

Betrayal:

A

David: argues R+G are ‘A pair of faceless automatons’

19
Q

Comedy:

A

Snyder: ‘Comedy is the ground from which… tragedy develops’