!! TBC master deck Flashcards

1
Q

Train - sexual imagery

TBC

A

“pistons ceaselesly thrusting”
“pounding”

phallic imagery, heroines heightened arousal, female sexual desire

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2
Q

Marquis - scent

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A

“opulent male scent of leather and spices”

air of claustrophobia/suffocating atmosphere, overpowering presence

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3
Q

Marquis - appearance

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A

“Dark, leonine shape of his head”
“dark mane”
“waxen face”

atavism/ anthropromorphism, predator imagery, abuman/ liminal

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4
Q

Mother

TBC

A

“Eagle-featured, indomitable mother

subverts, freeing yourself from marriage = agency, liminality of gender

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5
Q

Love?

TBC

A

“im sure i want to marry him”

pragmatic, contractual relationship, human psyce = marry to be respected

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6
Q

Girlhood

TBC

A

“away from girlhood”

on a journey to lose her virginity

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7
Q

Flower

TBC

A

“Like a lily”
“cobra-headed, funereal lilies”
“lillies to stain you”

symbolic of death, cobras a predator, suggests sexuality leads to death

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8
Q

Narrator - age

TBC

A

“I was seventeen and knew nothing of the world”

Her youthful innocence accentuated here, Youth, vulnerability

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9
Q

Ring

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A

“Ring” (repetition of ring)
“Opal”
“size of a pigeon’s egg”

Cyclical nature of marriages, women treated as a possession, bad omen

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10
Q

Necklace

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A

“Clasped round my throat”
“choker of rubies”
“precious slit throat”

red = terror & guillotine, juxt. violence and elegance, ownership

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11
Q

Predator/prey

TBC

A

“horseflesh”
“inspecting cuts on the slab”
“lamb chop”

heroine being hunted, seeing herself through the Marquis’ perspective

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12
Q

Corruption

TBC

A

“I sensed in myself a potentiality for corruption”
liebestod

complicity in her own destruction, subverts, female sexual liberation

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13
Q

Predator/ prey

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A

“horseflesh”
“inspecting cuts on the slab”

heroine being hunted, seeing herself through the Marquis’ perspective

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14
Q

Mother - hair

TBC

A

“hair was a white mane” (the mother)
“When I thought of courage, I thought of my mother”

matriarchal, opposes marquis beastly traits, women adopting male traits

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15
Q

Lost

TTB

A

“My father lost me to The Beast at Cards”

a sense of ownership and oppression of women

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16
Q

Rose

TTB

A

“Ripped petal by petal apart”
“I pricked my finger so he gets his rose all smeared with blood”

reject DID, deflowering, lack of purity, stained as she as been,

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17
Q

Nude

TTB

A

“My master’s sole desire is to see the pretty young lady unclothed, nude without her dress”

he just sees her as an object, male desire for sex instead of love

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18
Q

Struck

TTB

A

“How pleased I was to see I struck the beast to the heart”

role reversal, emotionally hurt the man

TTB

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19
Q

Lamb

TTB

A

” The lamb must learn to run with the Tigers”

women need to adapt themselves according to mens ideas

TTB

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20
Q

Rose pt.2

TTB

A

“My rose had lost all its petals”

Refers to losing virginity, sexuality is the only power women have

TTB

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21
Q

Pearl

TTB

A

“I have lost my pearl, my pearl beyond price”

objectification of women, men think they have the right to own them

TTB

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22
Q

Beast description

TTB

A

“Carnival figure”
“papier mache and crepe hair”

fragile, has something to hide, animal to be observed?

TTB

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23
Q

Liberty

TTB

A

“I felt I was at liberty for the first time in my life”

free from societal expectations

TTB

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24
Q

Skin

TTB

A

“he will lick the skin off me!”
“my beautiful fur”

accepting her sexuality, metamorphasis to womanhood

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25
Q

Hairs

TTB

A

“a nascent patina of shining hairs”

“nascent”- growing
“patina”- something grown beautifully, true identity

TTB

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26
Q

Fear

TTB

A

“he was far more frightened of me than I was of him”

fear of female sexuality

TTB

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27
Q

Pelt

TSC

A

“Glittering pelts of black foxes”

Symbolizing slyness, clothing is luxurious, femme-fatal

TSC

28
Q

Heels

TSC

A

“Shining boots with scarlet heels, and spurs”

she is only in control when she is sexualized by her clothing

TSC

29
Q

Fresh

TSC

A

“Fresh snow fell on snow already fallen”

innocence and purity, hiding all evil

TSC

30
Q

I wish

TSC

A

“I wish I had a girl ; as white as snow/
as red as blood/
as black as that bird’s feather”

objectification, fairytale-like wishing, threes, gothic

TSC

31
Q

Winter

TSC

A

“Midwinter - Invincible - Immaculate.”

Pathetic fallacy, immaculate reflects the snow and the untouched virgin.

TSC

32
Q

Girl

TSC

A

White skin, red mouth, black hair”

Intersexuality of snow white, innocent girl to seductive temptress

TSC

33
Q

Thrust

TSC

A

“He thrust his virile member into the dead girl”

ew

TSC

34
Q

Desires

TSC

A

“She was the child of his desire and the countess hated her”

challenge for power between the damsel in distress and the femme fatale

TSC

35
Q

Rose

TSC

A

“Picks a rose; pricks her finger on the thorn; bleeds; screams; falls.”

loss of innocence (virginity), love is the girls downfall (mocking)

TSC

36
Q

Count

TSC

A

“The Count and his wife”

places emphasis on the man

TSC

37
Q

Bite

TSC

A

“It bites!”

vagina dentata, marked complicit to the patriarchy

TSC IS THAT THE BITE OF 87!>!?!?!?!?

38
Q

Hole

TSC

A

“hole filled with blood”

bloody chamber, period = womanhood, violent, infadelity (source material

TSC

39
Q

Clothing

TSC

A

“boots leapt off, furs sprang off”

lack of control over her power and status under the patriarchy

TSC

40
Q

Finished

TSC

A

“he is soon finished”

not sensual, ‘abject horror’

TSC

41
Q

Rhyme

LOTHOL

A

“fe fi fo fum, I smell the blood of an Englishman”

cannibalism, subverting dynamic - female eating a man

LOTHOL

42
Q

Claws

LOTHOL

A

‘Her claws and teeth have been sharpened on centuries of corpses’

Predatory, femme-fatal

LOTHOL

43
Q

Her - house

LOTHOL

A

“she herself is a haunted house”

embedded in the setting

LOTHOL

44
Q

Bicycle

LOTHOL

A

“How can a bicycle ever be an implement of harm?”

Innocent + no threat, rationality vs supernatual

LOTHOL

45
Q

Hair

LOTHOL

A

“her hair falls down like tears”

sadness and isolation

LOTHOL

46
Q

Birds

LOTHOL

A

“Can a bird sing only the song it knows or can it learn a new song?”

reference to her own situation, entrapment

LOTHOL

47
Q

Maiden

LOTHOL

A

“Both death and the maiden”

liminality and juxtaposition, oil painting by Hans Balding

LOTHOL

48
Q

Setting

LOTHOL

A

“Cobwebs, worm-eaten beams, crumbling plaster”
“dark entrails of the mansion”

gothic setting

LOTHOL

49
Q

Patriarchy

LOTHOL

A

“roses her dead mother planted” into “spiked wall that incarcerates her”

critique passivism in women, the revenant

LOTHOL

50
Q

Older

LOTHOL

A

”far older, less beautiful”

women can only escape the patriarchy in death

LOTHOL

51
Q

Rationality

LOTHOL

A

“lack of imagination”
“light of reason”

he actually blinds Countess so much, she must wear glasses around him

LOTHOL

52
Q

Glasses

LOTHOL

A

“green-tinted glasses”

opposite to rose-tinted, can only view the melancholy of the situation

LOTHOL

53
Q

Freedom

LOTHOL

A

“she likes to hear it announce how it cannot escape”

birds, control over anothers freedom as she is trapped

LOTHOL

54
Q

Tarot cards

LOTHOL

A

“wisdom, death, dissolution”
“Love” and “death”

knowing she is doing wrong, metamorphsis, soldier liberate through death

LOTHOL

55
Q

Countess

LOTHOL

A

“extraordinary fleshy mouth”
“whores mouth”
“dark eyes almost broke his heart… yet he was distrubed”

seductress, docile, unnatural

LOTHOL

56
Q

Horror of war

LOTHOL

A

“He will learn to shudder in the trenches. But this girl cannot make him shudder”
“his regiment embarked for France”

LOTHOL

57
Q

Weather

TWW

A

“they have cold weather, they have cold hearts”

unforgiving weather, isolated community

TWW

58
Q

Folktales

TWW

A

“To these upland woodsmen, the Devil is as real as you or I”
“the Devil holds picnics in the graveyards and invites the witches”

superstition, religious

TWW

59
Q

Punishment

TWW

A

“search for her mark” (nipple)
“Then they stone her”

gothic punishment

TWW

60
Q

Knife

TWW

A

“take your father’s hunting knife, you know how to use it”

not a damsel, knows how to defend herself

TWW

61
Q

Knife pt.2

TWW

A

“with her fathers knife and slashed off its right paw”

role reversal

TWW

62
Q

Hand

TWW

A

“no longer a wolf’s paw. It was a hand…she knew it for her grandmother’s hand”

metamorphosis, fear of aging

TWW

63
Q

Ring

TWW

A

“wedding ring on the third finger”

domesticity, rejection of it from the girl

TWW

64
Q

Prospered

TWW

A

“Now the child lived in her grandmother’s house; she prospered”

feminism, rejection of marriage and domestic life

TWW

65
Q

Corpses

TWW

A

“…then they dig up fresh corpses, and eat them. Anyone will tell you that”

The people see their fears as facts, foreshadow killing the old woman.

TWW

66
Q

Wart

TWW

A

“They knew the wart on the hand at once for a witches nipple …and pelted her with stones until she fell down dead”

child should look after grandmother, Society does not care for the old

TWW