Events and Publications Flashcards

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1
Q

Description

A

Purpose, Creator

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2
Q

Musica Enchiriadis

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  • contains the earliest examples of notated polyphony is Western art music (Organum)
  • believed that this was for theorists and not used in performance, as the notation was specific, including parallel organum
  • anonymous, like many other publications of the time
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3
Q

Notre Dame School

A
  • the only two names mentioned are Leonin and Perotin, calling them the best composers of organum
  • it produced the earlist polyphonic music
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4
Q

Bramberg Codex

A

A manuscript consisting of two treatises on music theory and a collection of 13th-century polyphonic works. Useful for understanding the style of notation that was developing at this time

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5
Q

Magnus Liber Organi (The Great book of Organum)

A

A book written by Leonin and later by his successor Perotin. It was a compilation of many organums and masses, and was used by the Notre Dame school

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6
Q

Chansonnier du Roi (King’s songbook)

A

It is a prominent songbook, compiling troubadour and trouvere manuscripts

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7
Q

Franco-Flemish School (The Dutch School or The Netherlanders)

A

A group of composers who flourished in the 15-16th centuries

  • they created imitative vocal polyphony
  • known for vocal polyphony and highly developed contrapuntal style, particularly in the motet and Mass
  • leading figures include Josquin des Prez
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8
Q

The Protestant Reformation

A

16th century Christian reform movement in Europe led by Martin Luther
- resulted in formation of many new Protestant denominations and churches

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9
Q

Martin Luther

A

A German priest that protested against the Roman Catholic Churches with the Ninety-Five Theses.

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10
Q

The Counter-Reformation

A

Catholic Churches reaction to the Protestant Reformation to win back support and regain political power and authority.
- response includes convening the Council of Trent

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11
Q

Council of Trent

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A series of meetings of the highest Catholic Church officials.
- condemned “Protestant Heresies” and reaffirmed the doctrines of Catholicism

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12
Q

Sixth Book of Madrigals | “Sesto libro di Madrigali” in Italian

A

Book by Carlo Gesualdo displaying 6 madrigals

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12
Q

Musica Transalpina |Latin for “Music from Beyond the Alps”

A

A collection of madrigals written in English compiled by Nicholas Yonge
- represents the first printed collection of Italian madrigals in England
- first volume contains 57 pieces of Italian madrigals in England

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12
Q

Fitzwilliam Virginal Book

A

A historically significant collection of English keyboard music dating from the early 17th century.
- named after Viscount Fitzwilliam, who generously donated the manuscript to Cambridge University in 1816
- variety of styles, including dances, fantasias, preludes, arrangements of songs and madrigals, and variations
- includes “The King’s Hunt”, “The Ghost” and “The Carman’s Whistle”
- idiomatic approach to keyboard writing and virtuosic style of writing

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12
Q

Florentine Camerata

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A group of intellectuals, poets, and musicians who met in Florence, Italy, in the last decades of the 16th century; members included Giulio Caccini, Jacopo Peri, and Vincenzo Galilei; their desire to recreate ancient Greek drama led to the inventions of opera
- developed monody

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12
Q

Viennese School

A

Vienna was a leading cosmopolitan center in the late 18th century. This vibrant city attracted the leading artists, architects, writers, and musicians of the day. The music of the Classical era is best represented by the work of three great composers: Haydn, Mozart, and Beethoven

12
Q

Sturm Und Drang

A

A late 18th century literary movement emerged in Germany. It was characterized by works containing a high level of emotion and dealing with the individual’s revolt against conventional society

  • German for “Storm and Stress”
  • Artistic aim was to frighten, shock, or otherwise overwhelm the reader with emotion
  • musically, it translated into passionate outbursts with emphasis on minor keys
13
Q

Mannheim School

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The court orchestra of the Elector Palatine Theodore became known across Europe for its high level of performance and innovative orchestral techniques. It inspired the work of many composers of the symphony and as a result contributed to the early evolution and development of the genre

  • Known for its precision in performance, wide dynamic range, and dramatic effects
  • developed the orchestral crescendo, rocket theme, and the grand pause, where the full orchestra stops
  • the basso continuo was often replaced with written orchestral parts
14
Q

Gluck and Operatic Reform

A

Christoph Willibald Gluck occupies an important place in the history of the opera because of the reforms he introduced. Gluck’s primary goal was to restore dramatic integrity to opera. He believed that the music should serve the poetry.

  • restoration of the chorus (long absent from Italian opera) by making it an integral part of the dramatic action
  • minimizing the contrast between recitative and aria by frequently composing in an arioso style
  • rejection of empty displays of virtuosity in favor of “beautiful simplicity”
15
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