5 Designers and their work Flashcards

Historical influences

1
Q

About Paul Poiret (1879-1944)

A
  • French fashion designer and master couturier
  • most prolific for his work between 1900-1920
  • major contribution: use of draping
  • renowned for his use of: bright colours and exotic embellishments
  • pioneered the use of photography for fashion marketing (modern technology at the time)
  • transformed the spirit of Art Deco into avant-garde garments
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2
Q

Design work (Paul Poiret)

A
  • famous for his contentious kimono coat
  • loose-fitting designs: freed women from restrictive underwear
  • harem pantaloons (Turkish style trouser)
  • lampshade tunics
  • oriental-style tuban hats
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3
Q

About Coco Chanel (1883-1971)

A
  • French fashion designer and businesswoman
  • moved away from corseted styles
  • designed for more active lifestyles: clothing became more functional
  • exploited the use of jersey fabrics (formerly used for underwear)
  • used mainly neutral colours
  • synonymous with the ‘Little Black Dress’ (LBD (1926)
  • designed the Chanel suit (1954): using tweed sourced from Scotland, influenced by menswear
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4
Q

Design work (Coco Chanel)

A
  • more informal
  • elegantly sporty
  • introduced raised hems/pleats: greater ease of movement
  • draping qualities of jersey suited her designs
  • created graceful and well designed garments
  • the LBD became an iconic wardrobe staple due to its simplicity
  • Chanel suit: combined elegance, movement, minimalism and straight cuts to create a modern post-war style
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5
Q

About Christian Dior (1905-1957)

A
  • French fashion designer
  • renowned for creating shapes and silhouettes
  • influenced new designers throughout the 1950s
  • introduced his ‘New Look’ collection (1947)
  • revolutionised women’s dress with the New Look
  • restored Paris as the centre of the fashion world after WW2
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6
Q

Design work (Christian Dior)

A
  • New Look: featured boned, bustier-styled bodices and flared skirts to create a curvaceous form
  • New Look designs required new styles of underwear: e.g. corselettes - ‘waspies’
  • times were frugal: the New Look was criticised due to the amount of fabric needed to make the designs
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7
Q

About Mary Quant (1930-2023)

A
  • Welsh fashion designer
  • British fashion icon
  • an instrumental figure in the 1960s, the London-based ‘Mod’ and youth fashion movements
  • she opened her first shop, Bazaar, selling affordable clothes to teens (1955, King’s Road, London)
  • known for fun and easy-to-wear fashions
  • she was one of the designers credited with designing the miniskirt (1960s) and hot pants
  • focused on household goods and make-up as well (1970s and 1980s)
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8
Q

Design work (Mary Quant)

A
  • encouraged young people to dress to please themselves
  • made use of synthetics: Crimplene/PVC
  • clothing: bright with block colours and simple shapes (e.g. tubular/slightly flared shift style)
  • she designed the interior of the Mini car (1988)
  • author of 5 books, including 2 autobiographies
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9
Q

About Yves Saint Laurent (1936-2008)

A
  • French fashion designer
  • head designer at the House of Dior, at the age of 21
  • the straight line of his designs in his spring 1958 collection created a softer version of Dior’s New Look
  • regarded as being among the principal fashion designers in the 20th century
  • was able to adapt his style to reflect the changes in fashion
  • introduced his iconic Mondrian shift dress in his A/W collection of 1965/66
  • introduced the ‘Le Smoking’ tuxedo suit for women (1966)
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10
Q

Design work (Yves Saint Laurent)

A
  • gained international recognition with his ‘trapeze dress’
  • one of the first fashion houses to open a boutique selling ready-to-wear fashion lines
  • wanted women to look comfortable yet elegant
  • inspired by a painting by Piet Mondrian: reflected the important influence art had on his work
  • the androgynous look was modified to be more feminine
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11
Q

About Pierre Cardin (1922-2020)

A
  • Italian born French fashion designer
  • founded his fashion house in 1950
  • best known for his: futuristic/space age designs of the 1950s and 60s
  • preferred geometric shapes/motifs: often ignoring the female form
  • launched a ready-to-wear collection in 1959 for a French department store
  • a member of the Chambre Syndicale de la Haute Couture et du Prêt-à-Porter (1953-1993)
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12
Q

Design work (Pierre Cardin)

A
  • bubble dress: creating a unique silhouette (1954)
  • used modern materials: e.g. knitted/heat-moulded synthetics/metallics/plastics
  • progressed into unisex fashions: sometimes experimental, sometimes impractical
  • his ready-to-wear collections became very popular as haute couture began to decline
  • set the trend for ‘Mod Chic’ (1970s): by being the first to combine forms in a collection (e.g. mini and maxi skirts)
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13
Q

About Vivienne Westwood (1941-2020)

A
  • British fashion designer and businesswoman
  • first came to public notice when she made clothes for her boutique, in partnership with Malcolm McLaren (King’s Road, 1970s)
  • design work and clothing ranges were inspired by the shock value of punk
  • in the 1980s she moved away from punk and became inspired by historical costume
  • later collections were inspired by: ethnic patterns of native Americans/New York graffiti/Rococo gowns
  • first introduced underwear as outwear in her A/W collection, 1982
  • self-taught tailoring skills: allowed her to explore dynamic cuts/shapes, which she combined with her interest in British traditional clothing
  • much of her design work was influenced by her many political causes
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14
Q

Design work (Vivienne Westwood)

A

Styles:
- one of the engineers of the punk fashion phenomenon
- T-shirt slogans: publicising political causes such as Campaign for Nuclear Disarmament/climate change and civil rights groups
- products accessorised with spikes/chains/safety pins/ripped, distressed, embellished straps and buckles
- products often made in: red tartan/black leather and plastic
- used traditional fabrics (e.g. Scottish tweed)

Collections:
- Pirate collection A/W 1981: celebrated the romantic age of pirates and highwaymen
- ‘Mini-crini’ 1985: inspired by early Victorian crinoline skirts
- The Buffalo Girls/Nostalgia of Mud collection 1982: inspired by Peruvian women wearing bowler hats and full skirts
- A/W 1982: feminine designs - focusing on erotic feminine features

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15
Q

About Alexander McQueen (1969-2000)

A
  • British fashion designer
  • known for his creativity/originality/immaculate tailoring
  • considered to be one of the most influential designers of the 1990s and 2000s
  • skilled Savile Row tailor
  • chief designer at Givenchy (1996-2000): a period that included some iconic moments of his career
  • known for his spectacular/theatrical fashion shows: often used extreme methods to showcase catwalk outfits
  • ‘The Highland Rape’ collection 1995/96: inspired by Scottish culture from his own heritage’
  • ‘bumsters’ design: first appeared in 1996
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16
Q

Design work (Alexander McQueen)

A
  • often shocking/challenging
  • his early fashion shows earned him the title: ‘L’enfant terrible’
  • created an impeccably tailored look
  • 1998: he controversially used double amputee model Aimee Mullins on the catwalk, with intricately carved wooden prosthetic legs
  • exploited new technologies: using holographic images/robots to spray paint catwalk garments
  • ‘The Highland Rape’ featured: ripped bodices and hems/chains/models with entangled hair
  • initiated a global trend in low-rise jeans (‘bumsters’)