'AN IDEAL HUSBAND' CRITICAL INTERPRETATIONS Flashcards

1
Q

BOSE : (About Lady Chiltern & Mrs Chevely)
- “Are moral opposites, and have contrary motives but both pose…”

A

“Are moral opposites, and have contrary motives but both pose threats … by intruding into the traditional male, public, non-domestic sphere and trying to impose their will on it”.

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2
Q

BOSE : (About Lady Chiltern & Mrs Chevely)
- “By the end of the play, their intervention is…”

A

“By the end of the play, their intervention is repelled, leaving male authority shaken but unbroken”.

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3
Q

BOSE : (Gender Roles)
- “Affirmation of traditional…”

A

“Affirmation of traditional concepts of male and female roles”.

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4
Q

BOSE : (Women)
- “Prove by their action that their claims of…”

A

“Prove by their action that their claims of authority and self-determination are wholly undeserved”.
- Cohen & others accuse Wilde of misogyny.

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5
Q

BOSE : (Lady Chiltern)
- “More disturbing is her verbatim quotation of…”

A

“More disturbing is her verbatim quotation of Goring’s words, as though her identity is subsumed in his and she is allowed speech only to utter sentiments authorised by him”.

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6
Q

BOSE : (Gender Stereotypes)
- “ Wilde recultivated an eroding sexual stereotype of the Victorian…”

A

” Wilde recultivated an eroding sexual stereotype of the Victorian era that women are intellectually the inferiors of men, unequipped for ambition and action, but well-suited for the homelike virtues of mercy and love”.

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7
Q

MADDEN : (‘An Ideal Wife’)
- “Neither fully explains nor define what, precisely, an…”

A

“Neither fully explains nor defines what, precisely, an ‘ideal husband’ is or looks like, the play does define what an ‘ideal wife’ should be”.

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8
Q

MADDEN : (‘Real Wife’)
- “Unlike ‘ideal husbands’, which is shown to be a myth, the play legitimises…

A

“Unlike ‘ideal husbands’, which is shown to be a myth, the play legitimises the term ‘real wife’”.

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9
Q

MADDEN : (Gender)
- “Play completes it’s task of creating an open and malleable set of roles that…”

A

“Play completes it’s task of creating an open and malleable set of roles that men can occupy while maintaining a rigid structured definition of the singular role society dictates for women”.
(‘AIH’ being a myth and identifying a ‘real wife’).

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10
Q

SHAW : (Robert and Gertrude Chiltern)
- “Modern note is struck in RC’s assertion of the individuality and…”

A

“Modern note is struck in RC’s assertion of the individuality and courage of his wrongdoing as against the mechanical idealism of his stupidly good wife”.

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11
Q

KANEDA : (Victorian Ideology)
- “Simultaneously supports and…”

A

“Simultaneously supports and subverts the Victorian ideology”.

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12
Q

BIRD : (Hypocrisy)
- “The basic hypocrisy of…”

A

“The basic hypocrisy of English society”.

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13
Q

KANEDA : (Wilde’s Dramas)
- “Oscar Wilde’s dramas reject…”

A

“Oscar Wilde’s dramas reject a single interpretation”.

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14
Q

INNES : (Happy Ending)
- “By the time these ‘happy endings’ are achieved…”

A

“By the time these ‘happy endings’ are achieved, everything they stand for has been discredited.”

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15
Q

SZANTER : (Mabel Chiltern)
- “Mabel Chiltern is the character through whom Wilde grappled with…”

A

“Mabel Chiltern is the character through whom Wilde grappled with questions of the public versus the private life.”

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16
Q

ARCHER : (Sir Robert Chiltern)
- “Sir Robert proves himself one of those gentlemen who can be honest…”

A

“Sir Robert proves himself one of those gentlemen who can be honest so long as it is absolutely convenient, and no longer.”

17
Q

BOSE : (Lady Chiltern’s Morals)
- “Rigidly moral, she finds that each good act carried out by her husband…”

A

“Rigidly moral, she finds that each good act carried out by her husband has been devalued and tainted by one bad act”

18
Q

BOSE : (Mabel & Goring Anchoring)
- “The comic man and the lively girl of melodrama…”

A

“The comic man and the lively girl of melodrama keep the play on a level of common sense”

19
Q

BOSE : (Moral of Play)
- “Is the play telling us that…”

A

“Is the play telling us that ideals are not for this world?”

20
Q

BOSE : (Ending)
- “The play’s social action reaches a happy ending as a decisive closure; its moral action…”

A

“The play’s social action reaches a happy ending as a decisive closure; its moral action remains undecided and thus invites reflection”

21
Q

ELTIS : (Wilde’s view on Feminism)
- “Can be read of Wilde’s rejection of contemporary…”
(LC being educated by LG & told mens lives are of ‘more value’ than women’s)

A

“Can be read of Wilde’s rejection of contemporary feminist demands for male reform”

22
Q

ELITS : (Allows audience to have their own Opinions)
- “Audience member to negotiate the complexities of the arguments and draw their own conclusions”

A

“Audience member to negotiate the complexities of the arguments and draw their own conclusions”

23
Q

ELITS : (LOVE)
~ “It is ultimately love that…”

A

“It is ultimately love that separates Sir Robert Chiltern from his blackmailer”.

24
Q

BOSE : (POWER)
~ “Mrs. Chevely wrongdoing is obvious: she invades…”

A

“Mrs. Chevely wrongdoing is obvious: she invades male power. It is note worthy that she is not the only outsider in this social world but the only one utterly rejected”.

25
Q

BOSE : (POWER)
~ “Wilde undercuts customary morality but fears”…

A

“Wilde undercuts customary morality but fears self-determining women’s disruptive power”.

26
Q

KATHYRN HUGES : (WOMEN)
~ “The lady of the house became a…”

A

“The lady of the house became a walking billboard for her husband’s success”.

27
Q

KOHL : (Lady Chiltern)
- “Lady Chiltern’s meek acceptance of LG vision of the nature of…”

A

“Lady Chiltern’s meek acceptance of LG vision of the nature of men and women is something of a shock, considering her former role as her husband’s helpmeet and moral arbiter”.

28
Q

SOS ELTIS : (Play)
- “It’s superficial conservatism concealing its more…”

A

“It’s superficial conservatism concealing its more subversive implications from the common playgoer”.

29
Q

SOS ELTIS : (Gender)
- “Characters alternately depend upon and…”

A

“Characters alternately depend upon and subvert traditional stereotypes”.

30
Q

KOHL : (Lady Chiltern)
- “Still more disturbing is her…”

A

“Still more disturbing is her verbatim quotation of Goring’s words, as though her identity is subsumed in his”.

31
Q

GUYETTE : (Mrs Chevely)
- “The woman delights in…”

A

“The woman delights in taunting him”.
- Like ‘W:MS’.

32
Q

BLOOM : (Sir Robert Chiltern)
- “Machiavellian justification of his own…”

A

“Machiavellian justification of his own reckless ambition for power and wealth”.