3 - Baroque Flashcards
(33 cards)
figured bass
musical shorthand
performed by basso continuo
provides structure for guided improvisation
basso continuo
usually done by two players
- plays notated bass line
- plays harmonies indicated by fig. bass
monody
“one song”
single vocal melody with simple accomp.
allowed clarity of text
the “Affections”
refers to emotional states of the soul
one clear emotions usually used through an entire baroque piece
reaction against complex polyphony of renaissance
terraced dynamics
baroque style of changing dynamics abruptly
opera
Italian for “work”
sung drama
combines music with drama and sometimes dance
first ones written by group in Florence trying to recreate ancient Greek drama
invented around 1600
stile rappresentativo
representational style
describes monadic style
melody moves freely over simple chords
castrato
male soprano or alto(kept that way by surgery)
generally used in heroic roles
prominent in 17th and 18th centuries
libretto
text of opera, oratorio or cantata
aria
lyrical song for solo voice with orchestra accomp.
recitativo secco
“dry recitative”
speech like style of singing
supported only by continuo
recitativo accompagnato
speech like singing supported by ensemble or orchestra
opera seria
serious opera
sung throughout
usually based on historical or mythological subjects
stile concitato
agitated style
expresses “hidden tremor of the soul”
achieved through tremolo and pizzicato and rapid repeated notes
ground bass
continuous repetition of a short melody over which free variations occur
cantata
multi movement choral work for solos, chorus and orchestra secular or sacred German Lutheran church played major role in its development, adopted into church service in 18th cent. from Italian" to sing" Bach wrote over 300!
chorale
hymn tune assoc. with German Protestantism
intended for congregational singing
mostly moved by step or narrow leap
SATB voices
canon
from Greek word for law
strict polyphonic composition
each voice enters in succession with same melody
if each voice enters on same pitch then it is a round
fugal texture
a theme is seen through an entire work
enter in one voice and then another
ritornello
recurring theme that functions as a refrain in Baroque pieces
concerto grosso
Baroque orchestral work usually 3 mvmts(fast-slow-fast) group of solo instruments showcased comes from latin" to collaborate" developed in 17th century italy
concertino
the small group of solo instruments featured in a concert grosso
ripieno
Italian for full or complete
also called “tutti”
ritornello form
structure often used in first and third movement of Baroque piece
opening passage restated throughout movement