4 - Classical Era Flashcards

(32 cards)

1
Q

classical era

A

1750-1825
age of enlightenment
characterized by desire for equality among all people
classlcal ideals: proportion, symmetry,balance

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2
Q

sonata cycle

A

multi movement structure
emerged in Classical era
occurs in symphony, sonata and concerto

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3
Q

sonata form

A

a formal structure often used in the first mvmt of a sonata cycle
consists of exposition, development, recapitulation

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4
Q

sturm and drang

A

storm and stress
translated musically into passionate outbursts and emphasis on minor keys
aims to frighten, shock or overwhelm with emotion

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5
Q

symphony

A

multi movement orchestral work, became dominant form

generally 4 constrasting movements

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6
Q

1st movement of symphony(key, tempo, form)

A

establishes tonic key

lively tempo
sonata form
may begin with slow intro

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7
Q

2nd movement of symphony

A

often in subdominant key

slow tempo
forms incl. ternary, theme and var, rondo
lyrical, expressive character

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8
Q

3rd movement of symphony

A

in tonic key
fast of mod. fast tempo
ternary or menuet & trio
or for Beethoven a scherzo and trio

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9
Q

4th movement of symphony

A

in tonic key

fast, lively tempo
forms incl. sonata, rondo theme and var.
lively finale

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10
Q

Viennese school

A

principal composers Haydn, Mozart, Beethoven

Vienna was a place for noted artists ,writers, .architects and musicians

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11
Q

Exposition

A

first main section in sonata form

2 contrasting themes stated…..1st in tonic, 2nd in dom. or rel. minor

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12
Q

Development

A

second main section in sonata form
themes from expo. manipulated using fragmentation, sequences or changes to orchestration
modulations and increased tension
new themes may be introduced

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13
Q

Recapitulation

A

third main section in sonata form

1st and 2nd themes restated in tonic

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14
Q

Coda

A

a concluding section in sonata form that reaffirms tonic key

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15
Q

Monothematic exposition

A

in sonata form, theme 2 is a transposed version of theme 1

used often by Haydn

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16
Q

Oratorio

A

similar to opera but in a concert setting
was allowed even during Lent(opera was not)
sacred vocal genre originally performed in the prayer room(oratory) of a church

17
Q

Oratorio features:

A

large scale choral work
generally based on sacred subjects
includes soloists, chorus and orchestra
no scenery, costumes or acting

18
Q

Opera buffa

A

Italian comic opera
no spoken dialogue
featured down to earth characters, fast paced plots, farce and innuendo
Mozart was the master of this form

19
Q

modified sonata form

A

contains expo and recap but no development

20
Q

terzetto

A

Italian for trio, musical # for 3 voices

21
Q

trouser role

A

male character played by a sop, mezzo sop or cont. alto

22
Q

cadenza

A

solo passage in concertos and arias

displays virtuosity of soloist

23
Q

double exposition

A

used in 1st mvmt of concerto
orchestral expo intros theme and establishes key
solo expo follows during which soloist restates theme and usually modulates key

24
Q

tremolo

A

rapid alternation btwn. 2 notes or chords

25
rondo form
ABACA or ABACABA section A heard min of 3 times in tonic B and C offer contrast in key and theme
26
musical accomplishments of Beethoven
planned and revised compositions in sketchbooks used accents and extreme dynamics exploited technical developments of the piano replaced minuet and trio with scherzo used cyclical structure included chorus in a symphony: was an innovator
27
chamber music
for small group(2-10) one player per part usually without conductor musical conversation btwn friends
28
string quartet
most popular chamber ensemble of classical period | 2vln,vla,clo
29
piano quintet
piano plus 4 inst. usually string quartet
30
theme and variations
work features melody followed by series of transformations changes to melody, harmony, rhythm or orchestration often used in slow mvmt of sonata cycle
31
piano concerto
dev'd in Baroque ritornello form from baroque replace with sonata form began to overtake violin conc. in popularity 3 mvmts: fast slow fast cadenza usually prepared by soloist
32
piano sonata
technical improvement to piano led to inc popularity and many new works usually 3 or 4 mvmts 1st and 3rd about technical brilliance and 2nd about lyricism