3rd Generation 1676-1755 Flashcards
(5 cards)
1
Q
Carlo Antonio Testore
A
Born in Milan (1687 - 1765)
- Son of Carlo Giuseppe
- Most active as a luthier 1715 - 1745 -Howly Collection of Violins
- Brother Paolo Antonio
- His work is hasty and less distinguished -Tarisio, Wikipedia
- Father died young, leaving him and his 16-year-old brother in charge of the business
- Giovanni, his son, assisted at the end of his career -Tarisio
2
Q
Born in Milan (1687 - 1765)
- Son of Carlo Giuseppe
- Most active as a luthier 1715 - 1745 -Howly Collection of Violins
- Brother Paolo Antonio
- His work is hasty and less distinguished -Tarisio, Wikipedia
- Father died young, leaving him and his 16-year-old brother in charge of the business
- Giovanni, his son, assisted at the end of his career -Tarisio
A
Carlo Antonio Testore
3
Q
Lorenzo Storioni (1744-1816)
A
- Of Cremona with no direct link to Stadivari
- Led “comeback” of violin in Cremona a generation after Guaneri and Strad (Wikipedia)
- Teacher of Giovanni Rota and Giovanni Battista Ceruti
- Shows influence from Giovanni Batista Guadagnini and Tommaso Baliestri (Wikipedia)
- Made a massive amount of instruments between 1775 and 1795.
- He changed the position of the F-hole, selected unusual materials such as local wild maple, and decorated his instruments with wide and rugged fringe, giving them strong but elegant looks as well as excellent sound (Wikipedia)
4
Q
- Of Cremona with no direct link to Stadivari
- Led “comeback” of violin in Cremona a generation after Guaneri and Strad (Wikipedia)
- Teacher of Giovanni Rota and Giovanni Battista Ceruti
- Shows influence from Giovanni Batista Guadagnini and Tommaso Baliestri (Wikipedia)
- Made a massive amount of instruments between 1775 and 1795.
- He changed the position of the F-hole, selected unusual materials such as local wild maple, and decorated his instruments with wide and rugged fringe, giving them strong but elegant looks as well as excellent sound (Wikipedia)
A
Lorenzo Storioni (1744 — 1816)
5
Q
Italy 1750 - 1800
A
- “Decades of war, “reforms,” and repeated conquering by the French and Austrians dismantled the social and economic structure of Cremona, In the 1770s,
- just as Storioni emerged, the guilds that had governed the skilled crafts since the Middle Ages were abolished by the conquering Austrians.
- The Jesuit fathers, whose educational institutions were major patrons of the violin makers, were suppressed by the Pope
- the lay corporationsr, who conducted commerce on behalf of Cremona’s religious orders, were abolished.
- The church and nobility—primary patrons of the violin makers—lost power and money as the French and Austrians taxed and requisitioned treasure out of Italy to pay for the wars.” - [Duane Rosengard in a 1991 paper published in the Journal of the Violin Society of America.]