Chapter 14 Review ~ Principles of Hair Design Flashcards
(33 cards)
Horizontal and vertical lines that meet at a 90 degree angle are called:
Contrasting Lines
Which type of lines will soften a design?
Curved Lines
The area surrounding the mass or general outline of a style is:
Form/Space
Hairstyles using ___ are best on clients who require the minimum of care when styling their hair.
Single Lines
Lines which are parallel to the floor are called:
Horizontal Lines
Color can help define:
Texture and Line
Form or mass may also be called ___.
Volume
Finger waves are an example of a style using what type of lines ___.
Parallel Lines
Which element of hair design refers to wave patterns?
Design Texture
Crimping irons are used to create interesting, ___ wave patterns like zigzags.
unusual
The comparative relationship between objects relative to their size known as:
Proportion
Dark and cool colors recede or move in toward the head, creating the illusion of ___.
Less volume
Using too many wave patterns combinations together could create a look that is ___.
Overly Busy
You can draw a line in a hairstyle in the direction you want the eye to travel by using ___.
A lighter color
Curly and overly curly hair does not reflect much light and could be ___ to the touch.
Coarse
Colors can be used to make all or part of a hair design appear:
Larger or smaller
What can create a bold and dramatic accent to a design?
Single line of color
What are the five art principles important for hair design?
1) Proportion
2) Balance
3) Rhythm
4) Harmony
5) Emphasis
The face shape which is considered to be ideal is ___.
Oval
The fast or slow pattern that creates movement in a hairstyle is called:
Rhythm
Harmony is the creation of ___ in a design and holds all the elements together.
Unity
The principle of design which holds all the elements of designs together is known as:
Harmony
If ___ hair is left to long, it could separate and reveal too much of the client’s scalp unless the hair is thick in density.
Curly fine
The oval face is about ___ times longer than its width across the bow.
1 and 1/2
1.5