art 201-250 Flashcards

1
Q

what materials make up the outer ring of stonehenge

A

huge sarsen pieces arranged in post and lintel construction

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

what makes up the second outermost ring of stonehenge

A

bluestones

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

In all four printmaking processes, a latent image is created on a ___

A

printing plate

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

which printmaking processes involve the carving of a design onto the surface of the printing plate

A

relief and intaglio printmaking

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

name three types of material that are used for the plate in relief printmaking

A

wood, linoleum, and synthetic material

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

in relief printmaking, what tool is used to roll ink over the surface of the printing plate

A

a brayer

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

what tool is used to force the ink onto paper in relief and intaglio printmaking

A

a burnisher

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

what is the register in relief printmaking

A

a device that lines up plates for printing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

what is a monotype

A

a combination of printmaking and painting in which an artist paints onto a printing plate and then transfers the impression onto paper

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

this method of printmaking is much like relief printmaking, but works in the opposite manner

A

intaglio printmaking

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

describe intaglio printmaking

A

the design is engraved into a wood or metal plate and en ink is laid into the grooves to print the image

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

the process of cutting lines into the surface of a plate is called

A

engraving

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

etching is an (relief/intaglio) process

A

intaglio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

describe the etching technique

A

the design is incised into a wax covered metal plate. the plate is then immersed in acid, which eats away at the exposed design. ink is then laid into the grooves create by the acid.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

what are the two main types of intaglio printmaking

A

engraving (non-acid) and etching (acid)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

what is drypoint

A

an intaglio technique that involves the scratching of the design onto the plate with a sharp point

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

what is the difference between drypoint and engraving

A

drypoint makes incisions by scratching, while engraving does this by carving. Engraved lines are therefore smooth and hard while drypoint makes soft, fuzzy lines.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

what is burr

A

the raised metal left around the edge of a design in engraving or drypoint.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

what is mezzotint

A

mezzotint is an intaglio process in which the surface of a plate is roughened evenly. the image is then smoothed into the plate. this process is known for its ability to create high quality tone and shades.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

who invented mezzotint

A

prince rupert in 1649

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

who invented lithography

A

alois senefelder in 1798

22
Q

describe the lithography process

A

the image is drawn onto the plate with a waxy pencil or crayon. the plate is the immersed in water, which remains only on the non-oily parts of the plate. the ink that is then applied only sticks to the oily design and resists the water. the image is then transferred to paper with a press.

23
Q

What five aspects of context may art historians examine?

A

patronage, viewer access, physical location, cost, and subject

24
Q

What assumption does art history make as it examine changes in style over time?

A

The work of one generation of artists will impact the next in the same cultural setting

25
Q

How do art historians often begin their analysis of a work of art?

A

close examination of the work

26
Q

Why is direct examination of a work better than examination of a reproduction?

A

many qualities of an artwork are lost by examining reproducing

27
Q

What three qualities of an artwork are lost when examine a reproduction?

A

size, texture, and some color quality

28
Q

Why might an art historian choose to examine a reproduction instead of the original work?

A

The original work may be damaged or lost

29
Q

What artistic sources may art historians examine to understand the context of an artwork?

A

associated studies such as sketches and other works by the same artist or contemporaries

30
Q

What three written sources may art historians use in contextual examination?

A

letters between the artist and patron, other documents regarding the artwork’s commission and art criticism

31
Q

What three factors may art historians consider when determining the context of a work?

A

cost of materials. the function of the work, and literature, music, theater, and history of the time

32
Q

What two methods may art historians use to immerse themselves in an artistic context?

A

interviews with artists an consumers of art and participant observation

33
Q

When did art history begin as an academic discipline?

A

the mid 18th century

34
Q

Which Roman historian sought to analyze historical and contemporary art?

A

Pliny the Elder

35
Q

What book, analyzing historical and contemporary art, did Pliny the Elder write?

A

Natural History

36
Q

Which Italian author and artist wrote The Lives of the Artists?

A

Giorgio Vasari

37
Q

Johann Joachim Wickelmann

A

Enlightenment scholar, shifted the focus of art history to study of stylistic development over time

38
Q

What aspect of art analysis received increasing emphasis in the 19th and 20th centuries?

A

the relationship between formal qualities of a work and its context

39
Q

What group has recently proposed a revised view of art history?

A

feminist art historians

40
Q

What have feminist historians noticed about traditional art history?

A

It tended to focus on white men

41
Q

How has art history as a discipline changed in response to revisionist views?

A

Art history has become more international, multicultural, and inclusive

42
Q

What major trend is observable in the changing focus of art history over time?

A

Artistic genius and individualism has diminished while “visual culture” has increased

43
Q

How have we gleaned most of our information about the earliest humans?

A

artifacts from earlier cultures

44
Q

Of what materials are most surviving accent artworks made?

A

stone, metal, or fired clay

45
Q

pop art

A

style that violated artistic subject-matter conventions

46
Q

Andy Warhol

A

pop art icon whose work mocked the art world

47
Q

Roy Lichenstein

A

pop artist who used comic-book style illustration

48
Q

Robert Indiana

A

pop artist who used industrial stencils in his art

49
Q

minimalism

A

artistic style that reduced art to bare essentials

50
Q

TWO innovations that enabled Minimalist “hard-edge painting”

A

acrylic paint and the airbrush