Figures of Speech Flashcards

1
Q

omission of conjunctions to emphasize rapidity

A

Asyndeton

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2
Q

a double negative as an understatement

A

Litotes (“Well, you’re not a bad runner”)

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4
Q

the deliberate reversal of word order to emphasize the words placed earlier

A

Anastrophe

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5
Q

a form of interlocked words that follows the pattern ABCBA

A

Golden Line (commonly used by Ovid)

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7
Q

repetition of a word

A

Anaphora (typically used by Vergil and Cicero)

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8
Q

speaking of something future as already completed

A

Prolepsis

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10
Q

juxtaposition of contradictory words used in the same phrase

A

Oxymoron (“Festina lente”)

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12
Q

pretending to be someone else for dramatic effect

A

Prosopopoeia (most famously used by Cicero)

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14
Q

corresponding pairs being inverted, following ABBA pattern

A

Chiasmus (e.g. noun-adjective-adjective-noun)

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15
Q

three parallel descriptions that increase in length

A

Tricolon Crescens (commonly used by Cicero)

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16
Q

a significant distortion of normal word order

A

Hyperbaton (“vasto rex Aeolus antro” Aeneid Book 1)

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17
Q

draws attention to an idea by pretending to pass over it

A

Praeteritio (used almost exclusively by Cicero)

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20
Q

using too many words, to the point of redundancy

A

Pleonasm (common in Vergil) (“Sic ora effata” Hecuba, Aeneid Book 2)

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21
Q

use of two nouns connected by a conjunction to mean one unified noun

A

Hendiadys (often uses et, atque, ac)

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22
Q

the use of one verb to describe two subjects in different ways

A

Zeugma (“If we don’t hang together, we shall hang separately.” -Benjamin Franklin)

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25
Q

repetition of a word, but in a different form

A

Polyptoton (often used by Catullus)

26
Q

use of more conjunctions than is necessary

A

Polysyndeton

27
Q

a variation of the usual word order in prose to interlock ideas

A

Synchesis (follows ABAB pattern)

28
Q

the separation of parts of a compound word with intervening words

A

Tmesis (t-freakin-mesis)

30
Q

the use of part to represent the whole

A

Synecdoche

31
Q

reversal of normal sequence of events in order to put the more important idea, which would come later chronologically, first

A

Hysteron Proteron

33
Q

building of suspense by postponing a significant word until the next line

A

Enjambment

35
Q

use of one noun to represent another that is closely associated with it

A

Metonymy (e.g. using Ceres for grain or Bacchus for wine)

39
Q

an abrupt break in a sentence, wherein the speaker is seemingly overwhelmed with emotion

A

Aposiopesis (“Quos ego” Neptune, Aeneid Book 1)

42
Q

a digression that vividly describes a place, object, or event

A

Ecphrasis (see Aeneid: murals Temple of Juno, doors of Temple of Apollo, and Aeneas’s shield, and Catullus Poem 64: the bedspread)