String Quartet, op. 76, no. 3 ("Emperor"), Second Movement Flashcards

1
Q

What is the genre for “Emperor”?

A

string quartet

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2
Q

When was “Emperor” composed?

A

1797

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3
Q

What does the subtitle “Emperor” refer to?

A

the anthem upon which the 2nd movement is based on

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4
Q

What is the structure of “Emperor”?

A

4 movements

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5
Q

What is the key for the <u>Second Movement</u> from “Emperor”?

A

G major

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6
Q

What is the form of the <u>Second Movement</u> from “Emperor”?

A

theme and variations (4)

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7
Q

What is the tempo for <u>Second Movement</u> from “Emperor”?

A

begins <i>Poco adagio, cantabile</i>

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8
Q

What is the meter for <u>Second Movement</u> from “Emperor”?

A

2/2

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9
Q

What is the source of text for <u>Second Movement</u> from “Emperor”?

A

an original hymn by Haydn known as the “Kaiserhymne” (“Emperor’s hymn”)

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10
Q

How does Haydn achieve variation in general in <u>Second Movement</u> from “Emperor”?

A

accompaniment alone, melody presented is an unaltered for by each instrument

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11
Q

Which instrument plays the theme at the <b>Theme</b> of the <u>Second Movement</u> from “Emperor”?

A

violin I

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12
Q

How is the theme played <b>elegantly</b> in the <b>Theme</b> of the <u>Second Movement</u> from “Emperor”?

A

unfolds elegantly in four-bar phrases

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13
Q

What is the tempo in the <b>Theme</b> of the <u>Second Movement</u> from “Emperor”?

A

<i>Poco adagio, cantabile</i>

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14
Q

What is the structural phrasing in the <b>Theme</b> of the <u>Second Movement</u> from “Emperor”?

A

5 phrases: aabcc

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15
Q

What is the marking under the score for the <b>Theme</b> of the <u>Second Movement</u> from “Emperor”?

A

<i>dolce</i> (“sweetly”)

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16
Q

What is the texting in the <b>Theme</b> of the <u>Second Movement</u> from “Emperor”?

A

homophonic

17
Q

How does the <b>Theme</b> of the <u>Second Movement</u> from “Emperor” impart a <b>stirring intensity</b>?

A

accents introduced at the climatic high G

18
Q

Which instrument plays the theme in <b>Variation I</b> of the <u>Second Movement</u> from “Emperor”?

A

violin II

19
Q

What is changed in the orchestration in <b>Variation I</b> of the <u>Second Movement</u> from “Emperor”?

A

reduced instrumentation to violin I and violin II

20
Q

What is virtuosic about <u>violin I</u> in <b>Variation I</b> of the <u>Second Movement</u> from “Emperor”?

A

16th note figuration

21
Q

How is the accompaniment (Vn I) related to the theme in <b>Variation I</b> of the <u>Second Movement</u> from “Emperor”?

A

accompaniment delicately encircles the melody

22
Q

Which instrument plays the theme in <b>Variation II</b> of the <u>Second Movement</u> from “Emperor”?

A

cello

23
Q

What texture of lines is above the melody in <b>Variation II</b> of the <u>Second Movement</u> from “Emperor”?

A

contrapuntal lines above the melody

24
Q

What is the rhythm like in violin I and II in <b>Variation II</b> of the <u>Second Movement</u> from “Emperor”?

A

syncopation and increased rhythmic drive

25
Q

What does violin I introduce in <b>Variation II</b> of the <u>Second Movement</u> from “Emperor”?

A

chromatic inflections

26
Q

Which instrument plays the theme in <b>Variation III</b> of the <u>Second Movement</u> from “Emperor”?

A

viola

27
Q

What kind of harmony is introduced in the accompaniment in <b>Variation III</b> of the <u>Second Movement</u> from “Emperor”?

A

chromatic harmony

28
Q

what kind of rhythm do the violins feature in <b>Variation III</b> of the <u>Second Movement</u> from “Emperor”?

A

syncopation

29
Q

Which instrument plays the theme in <b>Variation IV/b> of the <u>Second Movement</u> from “Emperor”?</b>

A

violin I

30
Q

in which register does violin I play the theme in <b>Variation IV/b> of the <u>Second Movement</u> from “Emperor”?</b>

A

starts in middle register,

then soars to upper register

31
Q

How does <b>Variation IV/b> of the <u>Second Movement</u> from “Emperor” impart a more <b>somber tone</b>?</b>

A

reharmonization with inflections of E minor

32
Q

To what key does <b>Section A</b> in <b>Variation IV/b> of the <u>Second Movement</u> from “Emperor” modulate to at the <b>end</b>?</b>

A

back to G major

33
Q

What does <b>Section B> in <b>Variation IV/b> of the <u>Second Movement</u> from “Emperor” feature?</b></b>

A

dominant and tonic pedal points sustained by cello,

leads to sense of finality (of movement)