Bernstein- 'Something's Coming' Flashcards

1
Q

Date of composition

A

1957

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2
Q

Type of piece

A

Aria(solo song), musical theatre

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3
Q

Musical influences

A

Jazz, blues, Latin American rhythms

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4
Q

Tempo

A

176 bpm lively and fast

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5
Q

Rhythm

A

Syncopated and energetic
Cross rhythms and syncopation
Push rhythms ‘could be’

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6
Q

Metre

A

Starts 3/4 moves to and from 2/4

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7
Q

Structure+structure keys

A
a1,b1,a1,b1.  : D major
a2,b2,a2,b2.  : C major
c1 (Bridge)    : D major
a2,b3             : C major
c2(Bridge) a1: D major 
(A1 B1 B2 A2 C)
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8
Q

Effect of metre

A

adds interest as the piece is repetitive

Keeps us on edge, builds tension,sense of unrest

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9
Q

Effect of structure

A

Sections are not balanced; something’s not right with the plot (Tony)

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10
Q

Tonality

A

D major + 2 contrasting sections in C major
Simply jumps from D major to C major
C is the flattened 7th of the D scale

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11
Q

Harmony

A

Melodies based on the tritone (tragedy)
“Who”-D, “knows”-G#. D-G# is a tritone
Tritone resolves onto an A

Flattened major 7th (C#) = C ( a blue note, blues influence)
Repeated bass riff throughout

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12
Q

Voice melody

A

Tony-tenor voice

Mainly syllabic

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13
Q

Melody in section A

A

Syncopated
Short phrases
“Could it be, yes it could”- energy, excitement, anticipation
Starts pp- sounds unsure, tony wondering, hoping

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14
Q

Melody in section B

A

“It may come cannon-balling down through the sky” Punchy and forceful
Fast quavers
‘Marcato’ accents on important words
Energy and excitement

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15
Q

Melody in sectionC

A

“Around the corner” warmer and more legato
Longer notes
This is a bridge, contrasts with other sections

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16
Q

Dynamics (why?)

A

Soft dynamics throughout
Brushes used on the drums
Must for the trumpets
So that the singer could be heard over the other instruments (no mic)

17
Q

Texture

A
Entirely homophonic (melody + accompaniment)
So that Tony is the most important part and can be heard
Words are very important in a musical