Afternoons Flashcards

(11 cards)

1
Q

Theme:

A

middle class, social commentary, transitional

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2
Q

‘The leaves fall in ones and twos’

A

-slow death
-gentle passing of time
-perhaps also shows the relationships in the estate continuously occur/moving (‘ones and twos’)

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3
Q

‘Young mothers assemble’

A

-misogynistic as it implies that although the women are young they are already faded
-organised showing a shared needed that they have

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4
Q

‘Setting their children free’

A

-hyperbolic freedom given to the children
-experimentation with letting them go as they are restricted within a boundary

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5
Q

‘Behind them, at intervals, Stand husbands in skilled trades’

A

-not really there
-the men are the providers
-they are separated
-the men are referred to as ‘skilled’ double meaning maybe with a reference to the women then lacking in skills as they are refined to domestic and child caring roles

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6
Q

‘An estateful of washing’

A

-image of a post war estate highlighting common domesticity
-hyperbolic

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7
Q

‘Our Wedding, lying Near the television’

A

-turning point: as family is the pinnacle of success
-implies a change and now lack of connection as it has now been abandoned for ‘new’ technology
-shows that the perfect beginning of a marriage is not long lasting (Context: Larkin never married and often adopts a pessimistic view towards marriage as suggested by Appleyard ‘Larkin is a hopeless and inflexible pessimist’)

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8
Q

‘Their beauty has thickened’

A

-suggests its grown and is now more and greater
-but also implies a brutal gaining of weight (double entendre: ‘thickened’) and is highly critical of women

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9
Q

‘Something is pushing them To the side of their own lives’

A

-women are being pushed away as they are often viewed as redundant
-adopts a sympathetic and pitying tone towards women
-negative and connotes expectations

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10
Q

Context:

A

-frequent critiques of working class life

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11
Q

Structure:

A
  • 3 stanzas of identical length - reflects the restrictive and repetitive nature of the women’s lifestyles
  • No rhyme: creates sense of a lack of satisfaction
  • 3rd person: narrator is observing from afar
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