Sunny Prestatyn Flashcards
(14 cards)
Theme:
appearance vs reality, violence, women and that
‘Come To Sunny Prestatyn’
-imperative ‘Come’
-resemblant of of the 50s and 60s adverts promoting British seaside towns
-italicised as its the title of an advert
-‘sunny’ is warningly deceptive and the beauty of the place
-visual imagery acts as a visual attack
‘Behind her, a hunk of coast’
-alluringly sexual
-her body is encased
-double entendre ‘hunk’
-objectifying
-behind her foreshadows the later menace, violence and defacing
‘Seemed to expand from her thighs and Spread breast-lifting arms’
-sexual imagery that objectifies her
-she is placed as an object that is only to be admired and used
‘She was slapped up one day in March’
-violence
-places the violence/ threat as against a women (feminine problem)
-connotations to ‘slapping around’ (domestic violence implication)
‘Huge tits and a fissured crotch Were scored well in’
-crude sexualisation
‘Someone had used a knife Or something to stab right through the moustached lips of her smile’
-violence has escalated from childish pranks to real threat
-attacking female voice/power + acting as male retribution for female sexuality
‘She was too good for this life’
-quiet un-larkin-like moment of vulnerability
-simple statement of almost regret
-humorous?
-unspoken excuses
-the apparent compliment hides the sharp joke and easy irony
-explicit use again of ‘she’ as he deliberately feminises the poster
‘Now Fight Cancer is there’
-awareness of the harsh realities of life
-stark
-now has changed ‘Now’ and ‘Fight’ with the imperatives and aggression
Context:
-Prestatyn became famous for its beach, clean seas and promenade for entertainers
-during WW2 the holiday camps were used as billets for the British soldiers (re-invention)
-adverts like the one the poem was based around was common during the 1950s and was seen as aspirational due to the advertising of a beautiful women
-Welsh seaside resort
Summary:
Critic: Edward Reiss ‘is about violence against women and also, more precisely,…
…about violence against images of women, especially man-made, mass-manufactured images. It is about masculinity and failed masculinity’
Structure:
-has no specific, unified pattern of rhyme
-1st stanza: slant/hint of small rhyme
-2nd + 3rd: clear rhyme
-no pattern in meter
-man perspective
Critic: Edward Reiss ‘The skill of the poem…
…is that it covers all this whilst commenting on none of it’