AP Music Theory Vocab Terms for Exam Flashcards

Vocab you don't know/aren't familiar with (49 cards)

1
Q

Cautionary accidental

A

An accidental placed between parantheses even though the same note with the same accidental is used in the same measure

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2
Q

Timbre

A

Unique sound or tone of a musical note

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3
Q

Alla Breve

A

Cut time (2/2)

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4
Q

Anacrusis

A

Pick up note of a melody. The last measure has 3 beats to balance with the 1 beat at the beginning, which is the anacrusis.

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5
Q

Hemiola

A

Rhythmically alters or regroups the music so that it presents 2 bars of triple meter as 3 bars of duple meter

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6
Q

Syncopation

A

Accenting beats that are usually not stressed (like the 2nd and 4th beats)

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7
Q

Church Modes

Ionian Mode

A

Major scale

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8
Q

Dorian Mode

A

Natural Minor with raised 6th (scale degree)

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9
Q

Phrygian Mode

A

Natural Minor with lowered 2nd

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10
Q

Lydian Mode

A

Major with raised 4th

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11
Q

Mixolydian

A

Major with lowered 7th

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12
Q

Aeolian

A

Natural Minor

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13
Q

Locrian

A

Natural Minor with lowered 2nd and 5th

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14
Q

I Don’t Play Loud Music At Lunch

A

Ionian Dorian Phrygian Lydian Mixolydian Aeolian Locrian

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15
Q

Scalar Variance

A

Use of all 3 forms of minor in the same piece

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16
Q

Enharmonic Intervals

A

Sound the same but spelled differently

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17
Q
  1. Simple Intervals
  2. Compound Intervals
A
  1. Octave or Smaller
  2. Larger than Octave
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18
Q
  1. Consonant Intervals
  2. Dissonant Intervals
A
  1. Stable: P1, P5, P8, M3, m3, M6, m6
  2. Unstable: M2, m2, M7, m7
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19
Q

Phrygian Half Cadence (PHC)

A

A kind of half cadence occuring in harmonic minor. iv^6 - V (Le-So)

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20
Q
  1. Conjunct Motion
  2. Disjunct
A
  1. Stepwise
  2. Skipwise
21
Q

Motivic transformation

A

Changing or transforming original motive

22
Q

Andante

A

Moderately slow tempo

23
Q

Presto

A

Very fast (faster than allegro & vivace)

24
Q

Marcato

A

Playing notes louder

25
Tenuto
Hold or sustain a note
26
# Dynamics of Music Pianississimo Pianissimo Piano Mezzo Piano Mezzo Forte Forte Fortissimo Fortississimo
Very, very Soft Very Soft Soft Kinda soft Kinda loud Loud Very Loud Very, very loud
27
Vivace
Lively and fast (faster than just allegro, a bit slower than presto)
28
Subito forte/piano
Suddenly loud/soft
29
Tremolo
Quivering or Trembling
30
Sempre (legato, allegro, tenuto)
Always (connected, fast, sustaining)
31
Adagio
Played slowly
32
Ritardando
Gradual decrease in speed
33
Diminution
When the rhythm gradually condenses (Ex: half notes to quarter notes)
34
Alberti vs. Walking Bass
Alberti: Broken chords on left hand (bottom, top, middle, top) Walking: Notes move on every beat (jazz)
35
Canon
Richly layered and harmonious texture
36
Imitative vs. Non-Imitative Polyphony
If lines are similar, imitative; but if lines are completely unrelated; non-imitative
37
Basso Continuo
Bass line group
38
Intimative Counterpoint
Same melodic idea throughout multiple parts w/o variation
39
Terraced Dynamics
Sudden change in dynamics without crescendo or diminuendo
40
Sequences
Repeating melodic passage or similar at a higher or lower pitch
41
Picardy third
Major chord played at the end of a piece with a minor key
42
Syllabic and Melismatic
Syllabic: Relating to syllables Melismatic: A phrase or composition where you hold a word or words with different pitches flowing until the end.
43
Grave
Slow, slower than andante
44
Retrograde
Playing a musical piece backwards
45
Voice exchange
Between two chords with a passing chord in between, the notes of the bass and soprano exchange so that the bass and soprano of the first chord are switched as the soprano and base of the last chord.
46
Cross rhythm, relation
When two notes or sounds are played in a chromatic alteration to make it sound dissonant, two conflicting rhythms being played together
47
Phrygian Half Cadence
Only in minor, when iv6 (first inversion four chord) goes to a major five chord (V) with a sharp on 7th scale degree.
48
Rhythmic Augmentation
Doubling note values. Ex: eighth changes to quarter note, quarter to half. The opposite of rhythmic augmentation is called diminution
49
Elision
When two phrases overlap with the overlapping material as a PAC. The first phrase will end in a PAC. After the PAC, another phrase continues off of that.