Asian Theater (Philippines) Flashcards

(38 cards)

1
Q

True or False: Theater in the prehistoric Philippines was in the form of indigenous rituals, verbal battles or games, songs, and dances to praise gods.

A

True. Prehistoric dramas consisted of three (3) elements: myth, mimesis, and spectacle.

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2
Q

These rituals mostly dramatized primitive rituals and epic poetry about deities and mythical legends.

A

Mimetic rituals. It is also considered “proto-dramas”.

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3
Q

The most important dance among most Philippine tribes

A

war dance

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4
Q

True of False: The war dance
of the Mansaka of Davao del Norte imitates the
movements of model warriors called bagani, as the
latter fight with spears, bolo, and shields.

A

True

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5
Q

True or False: Mimetic too are some of the
customs associated with
birth
among the ethnic communities.

A

False. Mimetic too are some of the
customs associated with
courtship, marriage, and death
among the ethnic communities.

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6
Q

Courtship customs:

Cebuano : balitaw :: Tagalog : ________

A

pamanhikan.

Of
the courtship customs, the most
common is the debate between a
male and a female, which may
employ verse, song, and dance.
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7
Q

Of all the plays of the Spanish era, the most important is

the ________.

A

Komedya

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7
Q

Of all the plays of the Spanish era, the most important is

the ________.

A

Komedya

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7
Q

Of all the plays of the Spanish era, the most important is

the ________.

A

Komedya

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8
Q
It takes from 3 to 15 hours
and several sessions to perform, usually
2-3 days. It includes elaborate marches, lengthy
choreographed fighting between
individuals and/or armies, and magical
artifices.
A

Komedya

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9
Q

Types of Komedya

A
  1. secular- which concentrates on
    epic stories of love, honor, and
    vengeance.
  2. religious- which narrates the
    lives of patron saints.
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9
Q

Types of Komedya

A
  1. secular- which concentrates on
    epic stories of love, honor, and
    vengeance.
  2. religious- which narrates the
    lives of patron saints.
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10
Q

Also known as the pasion y muerte
(passion and death); Staged commercially or
as community activity during Lent and often
for eight consecutive nights during Holy
Week.

A

Sinakulo

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11
Q

__________ is the playlets or short dramatization
that embellish the Catholic liturgy or dramatize more
fully the events narrated by that liturgy, especially
Christ’s birth, passion, death, and resurrection.

A

Didactic

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12
Q

________ is dramatized through a street
procession the search by the Virgin Mary and Saint
Joseph for an inn in Bethlehem on Christmas Eve.

A

Panunuluyan

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13
Q

________ are a group of males and females in Bicol
in colorful costumes dancing and singing Spanish
and native Christmas songs in front of different
houses where they are given food and alms.

14
Q

_______ reenact episodes in search for and

adoration of the infant Jesus by the Three Kings.

15
Q

_______ features the blessing of the
palms and reenacts Christ’s triumphal entry into
Jerusalem on Palm Sunday.
Via crucis (way of the cross)

A

Osana (hosanna)

16
Q

_______ the procession of the
image of the Nazareno which stops at 14 stations
of the Cross.

A

Via crucis (way of the cross)

17
Q

__________ reenacts the Last Supper in an
actual dinner eaten by the priest and 12 men
playing the apostles.

A

Huling Hapunan

18
Q

__________ features a lifesize image of Christ
hanging on the cross, which moves its head each
time one of the seven last words is spoken during
the three hours before Christ’s death at 3 P.M. on
Good Friday.

A

Siete palabras

19
Q

__________ dramatizes the meeting of the Risen
Christ and the Virgin on Easter Sunday morning in
dance and song.

20
Q

________ shows the burning of the effigy of the

traitor Iscariot on the morning of Eastern Sunday.

21
Q

______ enacts the story of the
Roman soldier, Longhino, who while guarding the
tomb of Christ witnesses the Resurrection.

A

Moryonan/Moriones

22
The major genre of playlets performed in honor of patron saints; depicts the conflict between Christians and Moors. It is also the most ancient playlet that we have.
moros y cristianos or moro-moro
23
a form of musical theater that combines spoken word and song that celebrates various Catholic liturgical feasts.
Zarzuela/Sarsuwela. It focuses on a love story between members of the upper classes, which is spiced up with comic love episodes between servants.
24
The first zarzuela introduced in the | country in late 1878 or early 1879 by Francisco Asenjo Barbieri.
Jugar Con Fuego
25
A sarsuwela about the love between a pretty young flower girl, Angelita, and a young handsome law student, Cipriano.
Dalagang Bukid (1917)
26
a play in verse and/or prose and usually in one act. Like the sarsuwela, it often revolves on an aspect of Filipino contemporary life like divorce, gambling, and other social vices, usually in the framework of a love story.
Drama
27
a type of drama which aims to make | people cry
drama romantiko/ melodrama
28
The most popular entertainment in Manila during the Japanese occupation
bodabil
29
Realism in contemporary modern theater | follows two tendencies:
1. psychological which focuses on the problems of individuals; 2. social which situates and roots individual problems within the larger framework of a class society.
30
led in the creation of a people’s theater all | over the country.
Philippine Educational Theater | Association (PETA).
31
Employed in order to relate historical events or persons to the present.
documentary style
32
With touches of absurdism is evident in Ang Sistema ni Propesor Tuko, 1982, which satirizes authoritarianism in the classroom and in society.
Brechtian style
33
Inexpensive, portable, and short | plays were evolved for symposia or rallies.
Tula-dula
34
to convey the problems of Mindanao; militarization, landlordism, exploitation, land grabbing, etc.
use of ethnic arts
34
to convey the problems of Mindanao; militarization, landlordism, exploitation, land grabbing, etc.
use of ethnic arts