Assumption of the virgin- Titian Flashcards
(30 cards)
artist
Titian
date
1516-18
patron
-prestigious frari church in Venice (Santa Maria Gloriosa)
-commissioned by prior of this fransiscan basilica (Germano dei caiole)
name of basillica’s prior
Germano dei caiole
name of frari church
anta Maria Gloriosa
What made the Assumption of the Virgin an important commission for Titian?
-was titian’s first commission for a church in Venice
-prestigiousness of this frari church elevated titian’s status as an artist- allowed him to compete with figures like Michelangelo
-needed to impress religious community and public- drove him to push artistic boundaries
how are changing patron artist relations observed in this peice
-was a turning point in the patron artist dynamic
-Titian asserted his own vision, countering patron’s concerns of the size of apostles
what is the subject depicted, and what doctorine is it tied to
depicts Mary’s ascention into heaven
tied to the doctorine of immaculate conception (fransiscan theology)- states that Mary ascended bodily to heaven due to her purity
how does he make this work fit its setting
-divides the composition into two stories to align with the tracery of the apse
-placed opposite stained glass window, enhances holy atmosphere via play of light
-large composition (and largeness of figures- larger than life) designed to dominate the vast space of the church
what flanks this work
-flanked by two of the largest doge tombs in venice (elevates work)
how are the figures depicted (TOP, MIDDLE, BOTTOM)
TOP
-God the Father hovers in a circle of golden clouds
MIDDLE
-The Virgin herself raises her arms in ecstasy as she rises to be embraced by God
-she is flanked by cherubs and clouds
-dress and cloak swirls around her
-white pigment used to show watery eyes, psychological realism
-angel on left holds a green crown, signifying earthly death
-angel on right holds a gold crown
BOTTOM
-apostle’s, larger than life
-gather around a tomb
-limbs and gases create an upwards diurectional axis
what does the angel on the left hold
angel on the left holding the green crown, the symbol of earthly death
what does the angel on the right hold
the angel on the right, carrying the golden crown
how is mary depicted
The Virgin herself raises her arms in ecstasy as she rises to be embraced by God
She stands firm and erect, even as her dress and cloak swirl around her
watery eyes shown through white highlights
-psychological realism in expression
how is physical movement created
-Insistent diagonals of apostle’s and cherubs limbs
-swirly cloak of the virgin
-verical emphasis
whats in the bottom of the painting
-Apostle’s crowd around a tomb
-their limbs and gazes created a directional axis enhancing verticality
-apostle’s are oversized and elongated, enhancing vertical emphasis
use of light (gradient effect)
GRADIENT
-apostles are depicted in shadow
-gets increasingly lighter
-mary bathed in golden, halo like light expressing divinity
-radiant light surrounds god
how is light tone and colour used to render the human form
-use of light and shade and broad planes of intense colour are used to model forms
-Uses colour, light and shadow to reveal form
(shows focus on naturalism)
assumption of the virgin critical quote
For Raphael “form is primary, and colour, light and shadow are only additional elements, added to it. For Titian, on the other hand, light and shade are the revealers of form, and colour the substance from which it is made.”
What is the symbolic meaning behind Titian’s geometric composition in the Assumption of the Virgin?
he underlying geometric shapes (rectangle, triangle, and circle) symbolize the Virgin’s journey from the earthly (rectangular) realm to the heavenly (circular) realm, via the miracle of the Holy Spirit (triangle). The triangle also points upwards toward God.
How did Titian’s Assumption of the Virgin reflect the political and religious context of Venice?
The painting was commissioned for the prestigious Frari church, a central landmark in Venice, and was unveiled on the eve of the feast of San Bernardino of Siena, a key Franciscan saint. This placement and timing helped elevate its status.
effect of use of oil
-easy to blend, allows him to utilise light tone and colour toi naturalistically depict form
-creating rich, glowing hues and enhancing the visual impact of the scene
significance of materials and techniques
CEDAR
-used 21 planks of cedar
-maintained depth and richness of colour
-allowed him to create vast scale
OIL
-easy to blend, allows him to utilise light tone and colour toi naturalistically depict form
-creating rich, glowing hues and enhancing the visual impact of the scene
MANNERISM
-Dramatic use of light and naturalism
COLORE
-venetian tradition
civic pride
-use of colore
-mary one of venice patron saints
-unveiled on eve of the feast of san Bernardino of siena