Assumption of the virgin- Titian Flashcards

(30 cards)

1
Q

artist

A

Titian

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2
Q

date

A

1516-18

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3
Q

patron

A

-prestigious frari church in Venice (Santa Maria Gloriosa)

-commissioned by prior of this fransiscan basilica (Germano dei caiole)

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4
Q

name of basillica’s prior

A

Germano dei caiole

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5
Q

name of frari church

A

anta Maria Gloriosa

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6
Q

What made the Assumption of the Virgin an important commission for Titian?

A

-was titian’s first commission for a church in Venice

-prestigiousness of this frari church elevated titian’s status as an artist- allowed him to compete with figures like Michelangelo

-needed to impress religious community and public- drove him to push artistic boundaries

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7
Q

how are changing patron artist relations observed in this peice

A

-was a turning point in the patron artist dynamic

-Titian asserted his own vision, countering patron’s concerns of the size of apostles

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8
Q

what is the subject depicted, and what doctorine is it tied to

A

depicts Mary’s ascention into heaven

tied to the doctorine of immaculate conception (fransiscan theology)- states that Mary ascended bodily to heaven due to her purity

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9
Q

how does he make this work fit its setting

A

-divides the composition into two stories to align with the tracery of the apse

-placed opposite stained glass window, enhances holy atmosphere via play of light

-large composition (and largeness of figures- larger than life) designed to dominate the vast space of the church

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10
Q

what flanks this work

A

-flanked by two of the largest doge tombs in venice (elevates work)

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11
Q

how are the figures depicted (TOP, MIDDLE, BOTTOM)

A

TOP
-God the Father hovers in a circle of golden clouds

MIDDLE
-The Virgin herself raises her arms in ecstasy as she rises to be embraced by God
-she is flanked by cherubs and clouds
-dress and cloak swirls around her
-white pigment used to show watery eyes, psychological realism
-angel on left holds a green crown, signifying earthly death
-angel on right holds a gold crown

BOTTOM
-apostle’s, larger than life
-gather around a tomb
-limbs and gases create an upwards diurectional axis

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12
Q

what does the angel on the left hold

A

angel on the left holding the green crown, the symbol of earthly death

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13
Q

what does the angel on the right hold

A

the angel on the right, carrying the golden crown

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14
Q

how is mary depicted

A

The Virgin herself raises her arms in ecstasy as she rises to be embraced by God

She stands firm and erect, even as her dress and cloak swirl around her

watery eyes shown through white highlights

-psychological realism in expression

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15
Q

how is physical movement created

A

-Insistent diagonals of apostle’s and cherubs limbs

-swirly cloak of the virgin

-verical emphasis

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16
Q

whats in the bottom of the painting

A

-Apostle’s crowd around a tomb

-their limbs and gazes created a directional axis enhancing verticality

-apostle’s are oversized and elongated, enhancing vertical emphasis

17
Q

use of light (gradient effect)

A

GRADIENT
-apostles are depicted in shadow
-gets increasingly lighter
-mary bathed in golden, halo like light expressing divinity
-radiant light surrounds god

18
Q

how is light tone and colour used to render the human form

A

-use of light and shade and broad planes of intense colour are used to model forms

-Uses colour, light and shadow to reveal form

(shows focus on naturalism)

19
Q

assumption of the virgin critical quote

A

For Raphael “form is primary, and colour, light and shadow are only additional elements, added to it. For Titian, on the other hand, light and shade are the revealers of form, and colour the substance from which it is made.”

20
Q

What is the symbolic meaning behind Titian’s geometric composition in the Assumption of the Virgin?

A

he underlying geometric shapes (rectangle, triangle, and circle) symbolize the Virgin’s journey from the earthly (rectangular) realm to the heavenly (circular) realm, via the miracle of the Holy Spirit (triangle). The triangle also points upwards toward God.

21
Q

How did Titian’s Assumption of the Virgin reflect the political and religious context of Venice?

A

The painting was commissioned for the prestigious Frari church, a central landmark in Venice, and was unveiled on the eve of the feast of San Bernardino of Siena, a key Franciscan saint. This placement and timing helped elevate its status.

22
Q

effect of use of oil

A

-easy to blend, allows him to utilise light tone and colour toi naturalistically depict form

-creating rich, glowing hues and enhancing the visual impact of the scene

23
Q

significance of materials and techniques

A

CEDAR
-used 21 planks of cedar
-maintained depth and richness of colour
-allowed him to create vast scale

OIL
-easy to blend, allows him to utilise light tone and colour toi naturalistically depict form
-creating rich, glowing hues and enhancing the visual impact of the scene

MANNERISM
-Dramatic use of light and naturalism

COLORE
-venetian tradition

24
Q

civic pride

A

-use of colore

-mary one of venice patron saints

-unveiled on eve of the feast of san Bernardino of siena

25
Initial reaction
-initially there was hesitation surrounding the size of the apostles - Titian defended his composition, and the painting quickly gained admiration, setting a new standard for Venetian altarpieces
26
How does Humanism influence Titian’s Assumption of the Virgin?
HUMANISM -humanism’s emphasis on the natural world and the human figure is evident in the dynamic poses of the apostles and angels -emotional expressiveness of the Virgin’s ascension RENAISSANCE -movement and blending of light -Titian’s interest in human form and drama reflects Renaissance ideals.
27
How does Mannerism influence Titian’s Assumption of the Virgin?
While Titian’s style retains a sense of naturalism, his dramatic use of light, exaggerated gestures, and the heightened emotional intensity of the scene hint at the emerging Mannerist style, which favored complexity and emotional expression over classical restraint.
28
place on grid
religious painting, Venice
29
contrast traditional venetian painting
offered Venetian painters a strikingly dynamic alternative to the usually quiet and contemplative character of Venetian devotional art. shows move towards renaissance ideals
30
what colour technique does titan adopt, and where can it be seen
-colore (characteristic of Venetian painting) the vestments of the apostles are rich in colour, and the angels around the Virgin are immersed in a radiant red-orange atmosphere.