At Home (FINAL) Flashcards

(17 cards)

1
Q

‘when i was dead, my spirit turned to seek the much frequented house’

A

CONTRASTS TITLE- expect it to be warmth and homely

conflicts with her religion as quite gothic feel from a ghostly perspective (less christian framing)

-HOWEVER COULD BE A REFERAL TO SOUL SLEEP

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2
Q

FORM AND STRUCTURE

A

iambic tetrameter cheery rhythm contrasts sad content
-regular rhyme scheme
-direct speech- dramatic

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3
Q

EFFECT OF ENJAMBMENT

A

enjambment creates conversational feel and natural flow, shows ease of figures in their environment

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4
Q

context?

A

inspired by a picnic excursion with her friends the scots in newcastle in the summer of 1857 WHEN SHE FELT ILL AT EASE

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5
Q

‘feasting beneath green and orange bough’s’

A

poetic repast of the sandwiches and tarts of the outing

Indulgence in lucuries creates a rich and colourful image- possibly recallspre raphelite wallpaper- image on indulgence like the pre raphelites

repeated b sounds adds a sense of excess

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6
Q

consistent contrast between they and i

A

contrast between they and i shows the speakers disconnect amongst social jollity and surroundings

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7
Q

From hand to hand they pushed wine

A

physicality of connection alienates rossetti- element of physical touch that she cannot have from her haunting

pushed the wine- religious reference to Jesus and indulgence

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8
Q

‘THEY SUCKED THE PULP OF PLUM AND PEACH’

A

excess on pleasure, repeated plosive p creates fruitful image of abundance

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9
Q

i listened to their honest chat

A

element of her awareness over theirs in a higher realm- they are oblivious to danger and sorrow and live in spontaneity

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10
Q

‘tommorrow shall we plod plod along the featureless sands and coasting miles and miles of sea

A

COLLOQUIAL LANGUAGE AND ONOMATOPOEIA

juvenile colloquial conversational style emphasises the seperateness of rossetti further

suggests a physical connection to nature that rossetti cannot have

enjambemnejt sets out idea of expansive sands and indulgence in nature

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11
Q

‘tomorrow shall be like today but much more sweet’

A

semantic feild of sweetness continues

emphasises her seperation through the idea that life goes on without her

rossetti’s ghostly presence during this is a reminderthat tomorrow mayt not be promissed- refelects on the careless nature that they live in- oblivious to danger and ignoring the state of their souls or repenting and gaining redemption (pehaps a preminition of their fate)

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12
Q

REPETITION OF TOMMORROW

A

anaphora emphasises the peak of her isolation and seperation to this idea of leisure

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13
Q

‘I only i passed away tomorrow and today they cried, i was of yesterday’

A

INSISTENCE OF i EMPHASISES SOLITUDE AND SEPERATION

PRESENT CONTRADICTS PAST SHOWING HER IMPERMENANCE

I WAS OF YESTERDAY- PERHAPS A REFERENCE TO HOW FUNERALS ONLY REMEMBER PEOPLE FOR ONE DAY

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14
Q

‘i SHIVERED COMFORTLESS BUT CAST NO CHILL ACROSS THE TABLECLOTH’

A

abundance of i in the last stanza contradicts her fading presence- draws attention to isolation

referes to the coldness of the isolation she felt

she does not transfer the coldness, she still remaians in the cold

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15
Q

‘passed’ repetitive in last stanza

A

SEMANTIC FEILD OF PASSING AWAY

perhaps links to rejection, she felt rejected even though she rejected her lovers- explains the sense of isolation that she feels

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16
Q

that tarrieth but a day

A

-SHORT LAST LINE SHOWS HER FADING AWAY, sense of impermenance alongside reference to her being a guest in the first line

BIBLICAL REFERENCE
wisdom of Solomon- REVELATION SUGGESTING THEY ARE ALL AT FAULT

17
Q

who does she write as

A

A SPECTRE in a liminal threshhold between reality and death