AUDIENCE theories Flashcards

(33 cards)

1
Q

what is the basic idea of Bandura’s theory?

A
  • the media can directly implant ideas into audiences minds
  • audiences can acquire ATTITUDES, EMOTIONAL RESPONSES and new styles of CONDUCT through modelling
  • media reps of TRANSGRESSIVE BEHAVIOUR e.g. violence can lead to audiences IMITATING this behaviour.

(development of the HYPODERMIC NEEDLE MODEL)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

what is the BOBO DOLL experiment?

A

experiment where an adult exerted physical violence onto the bobo doll whilst a child observed, who then imitated the adults behaviour once the adult left.
Bandura suggested that children develop LEARNED BEHAVIOURS through the observation of models (e.g. peers, adults or media texts) - idea that new styles of conduct, attitudes+ emotional responses were acquired by audiences became an accepted conduct in the criticism of mass media.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

according to Bandura, children are particularly susceptible to social learning- how many this be an issue?

A

accessibility- so much graphic content available; increased chance of being exposed to damaging content.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

in contemporary media, what is in place to protect audiences from the effects of Bandura’s theory?

A

regulation- every industry has a regulator e.g.
* ofcom
* PEGI
* bbfc
* ipso

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

George Gerbner’s CULTIVATION THEORY

A

also assumes a passive audience; exposure to REPEATED PATTERNS of rep over long PERIODS OF TIME can influence how people perceive the world; CULTIVATION REINFORCES MAINSTREAM VALUES (dominant ideologies)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

attitudes to controversial areas has changed overtime- e.g. more violence is allowed in film today than in the past. why is this?

A

as you are repeatedly exposed to patterns of representation, it loses its impact and you become DESENSITISED - this process can change societal attitudes.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

how does Gerbner’s theory challenge the HYPODERMIC NEEDLE MODEL?

A

he states that audiences are only affected by media texts when repeatedly exposed, over a sustained period of time.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

another impact as well as DESENSITISATION from repeated exposure?

A

viewpoints/ perception can be affected; audiences IDEOLOGICAL PERCEPTIONS can be CULTIVATED.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

why is it mainly MAINSTREAM VALUES which are cultivated?

A

the higher level of MEDIA SATURATION, the more significant the impact of the message conveyed.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

what does Paul Lazarsfeld’s TWO STEP FLOW THEORY pose?

A

that effective communication between producers+ audiences happens in two stages.
that interpersonal interactions have more influence than news/ media texts:
only 5% of people changed their voting intention due to mass media.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

what are the two steps in the two step flow theory?

A
  1. OPINION LEADERS pay close attention to mass media and share their INTERPRETATIONS of the text.
  2. opinion leaders are effective at influencing people to change their attitudes and behaviours+ were similar to those who they influenced.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

how is the two- step flow a complex process?

A

the people who influence others, are also influenced; EXCHANGE OF IDEAS.
therefore, OPINION LEADERS are both DESSEMINATOR and RECIPIENT of influence.
(multi-flow?)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

what are limitations of Bandura’s social learning theory?

A

assumes a passive audience- oversimplifies human behaviour.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

what is a PASSIVE audience?

A

an audience that views a media text and doesn’t form their own interpretation/ critically asses it, and instead immediately believed and adopts the ideologies presented to them within the media text.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

does the USES AND GRATISFACTIONS theory (BLUMLER& KATZ) define audiences as ACTIVE or PASSIVE?

A

ACTIVE- relationships between audience and producer have become more complex- people can USE media texts.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

audiences use media texts for gratification- what are the FOUR REASONS why audiences engage with media texts, according to Blumler and Katz?

A
  • PERSONAL IDENTIFICATION
    the audience identifies with an aspect e.g. a character or brand.
  • INFORMATION
    the audience seeks information e.g. the News.
  • ENTERTAINMENT
    the audience uses the media products as a form of ESCAPISM (pleasure).
  • SOCIAL INTERACTION
    audience uses media consumption as a kind of ‘social currency’ - interacting with peers online.
17
Q

what is RICHARD DYER’S theory surrounding entertainment?

A

SEARCHING FOR UTOPIA
“entertainment is a type of performance produced for profit… sole aim of providing pleasure”

18
Q

why do people use media for pleasure?

A

ESCAPISM- escaping from everyday life.
some audiences use entertainment to escape to a UTOPIA (a perfect world)

19
Q

why do people desire to escape to a UTOPIA?

A
  • Utopia is always contrasted with ‘reality’ e.g. tiredness, boringness, mediocrity (opposite of perfect world).
  • Dyer is not stating that reality is always like this, but it can be.
20
Q

what areas has Dyer defined where reality/ daily life and utopia contrast?

A
  • exhaustion, scarcity, dreariness, manipulation, FRAGMENTATION.
    VS
  • energy, abundance, intensity, transparency, COMMUNITY.
21
Q

how can Dyer’s UTOPIANISM theory be applied?

A

*useful when explaining construction+ appeal of MASS- MARKET TEXTS e.g. blockbusters, and adverts that depict an ASPIRATIONAL, IDEALISED LIFESTYLE; ESCAPISM.
* can create ‘problem texts’ e.g. depressing SOCIAL REALISM’ and frightening dystopian depictions- may contain REPS of COMMUNITY and INTENSITY respectively, but fall short of UTOPIAN.

22
Q

What is Stuart Hall’s RECEPTION theory?

A

Idea of POLYSEMY- three categories of auidience responses when reading texts
Key principle: audiences of outside the IDENTIFIED TARGET DEMOGRAPHIC are more QUESTIONING and CRITICAL of the ideas/ IDEOLOGIES encoded by texts and signs.

23
Q

What are the three types of audience responses/ readings?

A

DOMINANT/ PREFERRED READING- how the producer wants the audience to view the media text; audiences take this position when the message is clear and they share the same ideology of the text producer.
NEGOTIATED READING- compromise between dominant and oppositional reading; audiences excepts part of producers’ views but is critical of others.
OPPOSITIONAL READING- audiences reject preferred reading and creates own meaning for text; often if audience member has different beliefs/ age/ culture.

24
Q

What is the HYPODERMIC NEEDLE MODEL?

A

Assumes a PASSIVE audience who are immediately impacted by the media text and accept the ideology presented instantly.

25
What LIMITATIONS are there with the HYPODERMIC NEEDLE MODEL?
* Majority audience members are not passive- some may critically and actively analyse the message. * Audiences may react differently due to social+ cultural context.
26
What are the 7 LIFESTYLE CATAGORIES by YOUNG AND ROUBICAM?
* EXPLORER- new brands, sensation * ASPIRER- materialistic, trendy * MAINSTREAMER- well known, conventional, domestic * SUCCEEDER- stability, the best, caring * RESIGNED- retired, safety, familiarity, survival (chronological order) * STRUGGLER- escape, alcohol/ junk food, sensation * REFORMER- rejecting mainstream, unconventional
27
What type of audience does JENKIN'S FANDOM THEORY pose?
ACTIVE audience- create own interpretation, share ideas, can contribute to media's production
28
What is JENKINS FANDOM THEORY about?
Emphasises the INTERAVTIVE RELATIONSHIP between media producers+ audiences- fans engagement shapes CIRCULATION and MEANING of media content
29
How does the marketing campaign of ACV reinforce JENKIN'S theory?
Working with fans so can meet expectations and lower financial risk (Hesmondhalgh) e.g. * beta game release for feedback so can meet expectations of fanbase * fans produce fan art online so promote it further in more platforms (circulate product within themselves) * requested merch like flip flops released - worn by those who personally identify (U&G) with merchandise (further promotion and circulation) Therefore fans have a role in PRODUCTION and DISTRIBUTION of ACV
30
what type of audience does SHIRKY'S END OF THE AUDIENCE THEORY pose?
ACITVE audience who have a role in production+ distribution of media texts
31
what is SHIRKY'S END OF THE AUDIENCE THEORY about?
audiences behaviour has changed- no longer passive consumption- more INTERACTIVE EXPERIENCE with products+ each other NEW CONVERGENT TECHNOLOGIES+ SOCIAL MEDIA have made CONNECTING+ COLLABORATING incredibly easy- audiences want to comment, share, review, follow etc. audiences CREATE CONTENT+ share interpretations/ opinions with world online (e.g. ACV fanart which circulates product among themselves)- difference between producers+ audiences becoming harder to define ('END OF THE AUDIENCE') 'OLD' MEDIA was a MASS AUDIENCE (consumption); 'NEW' MEDIA provides platform for people to provide value for each other
32
how does SHIRKY refer to the 'NEW' media audience (since they are harder to define was producers)
'ProSumers'
33
which two theories are very similar and reference the interactive relationship between producer and consumer/ audience?
* JENKIN'S FANDOM THEORY * SHIRKY'S 'END OF THE AUDIENCE' THEORY