Audio Consoles Frost Owned and Amps Flashcards
Yamaha QL1
(3)
$9500
The Yamaha QL1 is a digital mixing console capable of handling live audio production for small to medium-scale events, including:
Live sound reinforcement: Mixing bands, musicians, and other performers for audiences.
Corporate speech events: Audio management for conferences, presentations, and webinars.
Installations: Fixed sound systems for houses of worship, theaters, and other venues.
Here’s a breakdown of its key features for live audio production:
Strengths:
Compact and rack-mountable: Suitable for smaller venues and mobile setups.
32 mono and 8 stereo channels: Enough inputs for most small to medium-sized bands and events.
16 mix buses and 8 matrix buses: Flexible routing options for creating submixes, effects sends, and more.
High-quality onboard processing: Includes EQ, dynamics, effects, and Rupert Neve Designs compressor emulations for professional sound shaping.
Dante audio networking: Easy integration with other Dante-compatible devices for expanded I/O and system flexibility.
Touch and turn interface: A combination of touch screen and physical knobs for fast and intuitive control.
Remote control and offline setup: Manage the console and prepare settings using an iPad or computer.
Things to consider:
Limited fader count: The 16+2 fader configuration might not be enough for complex mixes with many individual channels.
Less powerful than flagship consoles: May lack some advanced features found on Yamaha’s CL series consoles.
Cost: While not the most expensive console, it represents a significant investment for smaller sound companies or individual users.
QSC TouchMix-8
(3)
$1500
The QSC TouchMix-8 is another great option for live audio production, particularly in compact or portable setups. Here’s a rundown of its features and how it compares to the Yamaha QL1:
Strengths:
Even more compact and portable: Perfect for small gigs, mobile DJs, and solo performers.
14 input channels (4 XLR, 4 XLR combo): Enough for smaller bands and acoustic acts.
6 output channels (4 Aux): Flexible routing for monitor mixes and recording.
Onboard Wi-Fi and iOS/Android control: Control the mixer wirelessly from a tablet or phone for added flexibility.
Anti-feedback and room tuning wizards: Simplify complex tasks and achieve great sound even in challenging environments.
Real-time analyzers (RTAs): Visually monitor channel and room acoustics for precise adjustments.
14-channel direct-to-disk recording: Capture live performances easily without a computer.
High-quality Class A mic preamps and professional-grade converters: Great sounding audio in a compact package.
Compared to the Yamaha QL1:
Fewer physical faders: Only 8 faders on the TouchMix-8, so may require more menu navigation for complex mixes.
Less processing power: Not as many onboard effects or advanced features as the QL1.
Lower channel count: Not ideal for larger bands or events with many microphones.
QSC TouchMix-16 Compact Digital Mixer with Touchscreen
(2)
$1700
The QSC TouchMix 16 is a compact digital mixer that packs a punch, making it well-suited for a variety of live audio production needs. Here’s a breakdown of its key features and how it stacks up:
Strengths:
- Versatile channel count: 20 input channels (16 mic preamps) can handle most small to medium-sized bands and events.
- Comprehensive processing: Includes 4-band parametric EQ, gate, compressor, effects, and assignable pitch correction on each channel.
Touch and turn interface: 10-inch touchscreen combined with physical knobs for intuitive control.
Anti-feedback and room tuning wizards: Simplify setup and achieve great sound even in challenging environments. - Multi-track recording: Record directly to an external USB drive for live captures or virtual soundchecks.
- Dante networking: Easy integration with other Dante-compatible devices for expanded flexibility.
- iOS/Android app control: Mix wirelessly from a tablet or phone for added convenience.
- Compact and portable: Suitable for mobile setups and smaller venues.
Digico SD9
(1)
$27,000
he DiGiCo SD9 is another interesting player in the world of digital mixing consoles, especially when considering larger productions and professional environments. Here’s a breakdown of its key features and how it compares to the options you’ve mentioned before:
Strengths:
High channel count: Supports 96 input channels, making it suitable for handling large bands, complex productions, and multi-microphone setups.
Stealth Digital Processing and floating-point Super FPGA technology: Delivers high-quality audio processing with low latency and excellent stability.
24 touch-sensitive motorized faders: Provides tactile control over key channels and mixes.
15-inch high-resolution touchscreen: Offers visual feedback and access to various settings and functions.
Comprehensive onboard processing: Includes EQ, dynamics, effects, channel delay, highpass and lowpass filters, parametric EQ, and tube-style saturation.
Multiple I/O options: Features eight mic/line inputs, eight line outputs, four mono AES/EBU, MADI I/O, and two D-Rack ports for expanded connectivity.
Redundant power supply: Ensures continued operation even if one power source fails.
Scalable and upgradeable: Can be expanded with additional I/O racks and software options for increased flexibility.
Compared to the Yamaha QL1 and QSC TouchMix 16:
Significantly higher channel count: More suitable for large-scale productions and complex setups.
More powerful processing: Offers a wider range of onboard effects and advanced features.
Larger and more expensive: Not as portable or budget-friendly as the other options.
Steeper learning curve: The interface may be more complex for newcomers compared to the touchscreen-based options.
Midas Venice 16 Channel
(1)
$1500
Midas Venice 160: This is a fully analog console with 12 mono microphone preamplifiers and 4 stereo input channels. It features the renowned Midas XL3 EQ and a classic analog interface with faders, knobs, and buttons. It’s ideal for live sound reinforcement in clubs, churches, and smaller venues where the warmth and tactile control of analog are preferred.
Midas VENICEF16R: This is a hybrid console combining the analog sound of the Venice 160 with a 24-bit FireWire audio interface for recording and playback with up to 16 channels. It also boasts some digital features like 6 aux sends, 4 subgroups, and a 7x2 matrix. This makes it a versatile option for both live sound and recording applications.
Both variants share some key features:
16 channel strips: Each channel features a Midas XL3 EQ, high-pass filter, pan pot, and fader.
Direct outputs: Each channel has a direct output for recording or routing signals to external processors.
4 aux sends: These sends can be used for effects, monitors, or other purposes.
4 subgroups: These can be used to group multiple channels together for easier mixing.
2 main outputs: These are the final outputs of the console, typically sent to the main speakers or PA system. I
Yamaha QL5
(2)
$18,000
The Yamaha QL5 is a highly regarded 64-channel digital mixing console known for its versatility, stellar sound quality, and powerful features. Here’s a breakdown:
Key features:
Compact design with large-scale capabilities: Despite its relatively small size, the QL5 packs a punch with features typically found in larger consoles.
64 mix channels (64 mono + 8 stereo): Provides ample capacity for handling complex live sound applications.
16 mix buses and 8 matrix buses: Offers flexible routing options for creating subgroups and complex mixes.
32 mic/line inputs and 16 analog outputs: Covers a wide range of input and output needs.
Built-in Dante networking: Enables easy integration with other Dante-equipped devices, simplifying system setup and cabling.
Dugan automixing: Automatically balances microphone gain for speech applications, reducing the workload on the sound engineer.
Premium internal processors: Includes EQ and dynamics tools developed in collaboration with Rupert Neve Designs, ensuring top-notch sound quality.
Intuitive interface: Features a large touch-panel display and “Touch and Turn” knobs for efficient and smooth control.
300 scene memories: Allows for quick recall of saved mix settings for different scenarios.
Rackmountable: Can be easily mounted in a standard rack case for portable use.
Applications:
The QL5 is well-suited for various live sound applications, including:
Live music performances: Ideal for small- to medium-sized venues.
Corporate events: Perfect for conferences, presentations, and product launches.
Worship facilities: Excellent for managing sound reinforcement in houses of worship.
Broadcast: Can be used for radio and television production.
Yamaha CL5
(2)
$22,000
The Yamaha CL5 is also a highly regarded digital mixing console, but it sits in a different category than the QL5. Here’s a breakdown:
Key features:
Larger scale capabilities: Compared to the QL5’s 64 channels, the CL5 boasts 72 mono and 8 stereo channels, making it better suited for handling larger and more complex productions.
Centralogic section: This unique feature offers an additional set of motorized faders and controls for quick access to frequently used functions.
Built-in Dante and MADI Offers even more networking options than the QL5 for integrating with various audio systems.
More powerful processing: The CL5 includes additional onboard effects and processing tools, including VCM (Virtual Circuitry Modeling) emulations of classic analog gear.
Larger display: The CL5’s touchscreen display is slightly larger than the QL5’s, offering more space for viewing and interacting with the interface.
Applications:
The CL5 is ideal for larger live sound applications, such as:
Large music festivals and concerts
Theatrical productions and musicals
Broadcast applications with multiple microphones and sources.
Large houses of worship with complex sound reinforcement needs.
Pros and Cons:
Pros:
More channels and faders for complex productions. Powerful processing and effects. Flexible networking options.
Larger display for better control.
Excellent for large-scale applications.
Cons:
Significantly more expensive than the QL5 ($16k).
Larger and heavier, making it less portable more complex interface might require a steeper learning curve.
Overall:
The Yamaha CL5 is a premium digital mixing console designed for handling the most demanding live sound applications. It offers unmatched power, flexibility, and control, making it a favorite choice of professional sound engineers worldwide. However, the higher price tag and complexity might be less appealing for smaller setups or less experienced users.
Choosing between the QL5 and CL5 depends on your specific needs and budget. If you need a compact and versatile console for smaller to medium-sized gigs, the QL5 is a great option. But if you need the power and control for larger productions, the CL5 is the clear choice.
The Yamaha CL5’s price can vary depending on factors like where you buy it, its condition (new or used), and any included accessories. However, you can expect a general range of:
$20,000 - $25,000: This is the typical range for a new CL5 console at major music retailers like Sweetwater and Full Compass.
L-Acoustic LAX4
(22)
$3k
The L-Acoustics LA4X is a powerful and versatile amplified controller designed for professional audio applications. Here’s a breakdown of its key features:
Power and Performance:
Class D Amplification: Delivers 4 x 1000W RMS into 4 or 8 ohms, providing clean and efficient power for your speakers. (The statement “The LA4x amplifier is rated for 1000W RMS at 4 or 8 ohms per channel” describes two key aspects of the amplifier’s power output:
1. Power Output:
• 1000W RMS: This refers to the continuous power handling capacity of each channel in the amplifier.
• RMS stands for “Root Mean Square” and represents the true average power delivered by the amplifier over time.
• It’s a more accurate measure of power than peak power, which can be misleading.
2. Impedance Compatibility:
• 4 or 8 ohms per channel: This specifies the range of speaker impedances (resistance) that the amplifier can safely drive without overloading or damaging itself or the speakers.
• Impedance is measured in ohms (Ω) and affects the amount of current drawn by the speakers from the amplifier.
Here’s a breakdown of what each part of the statement means:
• 1000W RMS: Each channel of the LA4x amplifier can continuously deliver up to 1000 watts of power to the speakers.
• 4 or 8 ohms: The amplifier is designed to work safely with speakers that have an impedance of either 4 ohms or 8 ohms per channel. The LA4x amplifier can provide up to 1000 watts of power to each of its four channels.
Dynamic Range:
110dB, ensuring detailed and impactful sound, from subtle nuances to explosive peaks.
Frequency Response:
20Hz - 20kHz (+/- 0.25dB), reproducing the entire audible spectrum with exceptional accuracy.
Low Distortion:
THD+N less than 0.05%, guaranteeing pristine audio quality, even at high output levels.
Connectivity and Flexibility:
4 Inputs and 4 Outputs:
Offers a flexible 4 x 4 matrix for routing audio signals to different speaker channels.
Milan AVB Audio Networking:
Enables high-bandwidth, low-latency audio transmission without the need for separate cables.
Analog and Digital Inputs:
Supports a variety of signal sources, including microphones, line-level devices, and digital consoles.
SpeakON / NL4 Connectors:
Industry-standard speaker connections for secure and reliable connections.
DSP and Control:
Onboard DSP Processor:
Provides advanced speaker management features, including EQ, delay, and limiter functions.
L-DRIVE System Protection:
Safeguards your speakers from clipping and overheating.
LCD Display and LEDs:
Offer clear indication of system status and operating parameters.
L-Acoustics Remote Control Software:
Allows for comprehensive control and monitoring of the LA4X from a computer or tablet.
Green Power Module:
Features a highly efficient SMPS with PFC for reduced power consumption and lower operating costs.
Compact and Lightweight Design:
Makes it easy to transport and set up.
Durable Construction: Built to withstand the rigors of professional use.
L-Acoustics LA8
(21)
$4500
The L-Acoustics LA8 is another powerful and versatile amplified controller from the renowned audio brand. Here’s a breakdown of its key features:
Power and Performance:
Class D Amplification: Similar to the LA4X, it delivers 4 x 1800W RMS into 4 or 8 ohms, providing ample power for larger or more demanding speaker systems.
Dynamic Range: 107dB, offering a similar punchy range as the LA4X for impactful sound.
Frequency Response: 10Hz - 30kHz, (-1.5/+0 dB at 8Ω), extending both the sub-bass and high-end response compared to the LA4X.
Low Distortion: THD+N less than 0.05%, maintaining the same pristine audio quality at high output levels.
Connectivity and Flexibility:
4 Inputs and 4 Outputs: Similar to the LA4X, it allows for flexible routing of audio signals across speaker channels.
Milan AVB Audio Networking: Supports the same convenient low-latency audio networking functionality.
Analog and Digital Inputs: Again, offering compatibility with various signal sources like microphones, line-level devices, and digital consoles.
SpeakON Connectors: Provides secure and reliable speaker connections.
DSP and Control:
Onboard DSP Processor: Features similar speaker management capabilities as the LA4X, including EQ, delay, and limiter functions.
L-DRIVE System Protection: Ensures the safety of your speakers from clipping and overheating.
LCD Display and LEDs: Offers clear system status and operating parameter information.
L-Acoustics Remote Control Software: Allows for comprehensive control and monitoring from a computer or tablet.
Additional Benefits:
Green Power Module: Similar to the LA4X, it features an efficient SMPS with PFC for reduced power consumption and lower operating costs.
2U Lightweight Design: Offers slightly more compact packaging than the LA4X for increased portability and easier rack mounting.
Durable Construction: Built to withstand the rigors of professional use.
L-Acoustics LA Rack I (rack with (3) LA8)
(6)
$14,000 in amps plus cost of rack
The LA-RAK touring rack is built on the company’s LA8 amplified controller, and offers an advanced drive rack solution for all L-Acoustics’ systems covering signal and power distribution in a plug-and-play touring package.
LA-RAK was created as a universal platform designed to facilitate cross-rental between DOSC Network members and to ensure compatibility with the analog cabling standard of L-Acoustics’ systems.
The fully equipped LA-RAK module comprises a 9U rack with LEXAN® front and rear covers; three LA8 amplified controllers; an I/O distribution panel for analog signal, L-NET (control and monitoring) and L-DGA (digital audio) networks distribution within the rack and link out with other racks; available 2U space for implementing L-NET and L-DGA network switches when operating with a star network topology; and an I/O panel for power distribution of three LA8, two Ethernet switches and one auxiliary AC outlet
L-Acoustics LA-Rack II (rack with (3) LA12X amplidfiers)
(3) racks with (3) LA12X amps each
$9k per amp.
The L-Acoustics LA12X is the powerhouse amplifier in the LA series, offering even more power and versatility than the LA4X and LA8. Here’s a breakdown of its key features:
Unmatched Power and Performance:
Class D Amplification: Delivers a staggering 4 x 3300W RMS into 2.7 ohms or 4 x 2600W RMS into 4 ohms, making it capable of driving even the most demanding speaker systems.
Dynamic Range: 114dB, providing exceptional punch and clarity across the entire audible spectrum.
Frequency Response: 20Hz - 20kHz (+/- 0.1 dB, 8 ohms, 60 W output power), delivering pristine audio reproduction from sub-bass to high frequencies.
Ultra-low Distortion: THD+N less than 0.05%, ensuring unparalleled audio fidelity even at high volume levels.
Advanced Connectivity and Flexibility:
4x4 Matrix Architecture: Offers extensive routing and configuration options for speaker systems.
Milan AVB Audio Networking: Supports high-bandwidth, low-latency audio transmission for streamlined performance.
Analog, AES/EBU, and AVB Audio Inputs: Compatible with a wide range of audio sources, from microphones to digital consoles.
Dual SpeakON Outputs per Channel: Provides redundancy and flexibility for speaker connections.
Powerful Onboard DSP and Control:
Dual SHARC 32-bit DSP Processors: Delivers exceptional processing power for advanced speaker management and system optimization.
L-DRIVE Advanced System Protection: Safeguards your speakers from damage due to clipping, overheating, and other potential issues.
Comprehensive DSP Tools: Features EQ, delay, limiter, and crossover functions for precise control over your sound system.
LCD Display and LEDs: Offers clear system status and operating parameter information.
L-Acoustics Remote Control Software: Enables comprehensive control and monitoring from a computer or tablet.
Additional Benefits:
Green Power Module with PFC: Minimizes power consumption and operating costs while adhering to environmental standards.
Compact and Robust Design: Despite its power, the LA12X remains well-sized for both portable and fixed installations.
Reliable Construction: Built for professional use and long-lasting performance.
