audition Flashcards

0
Q

wave of a pure tone can be described as a

A

sine wave

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1
Q

sound?

A

vibration in the air that travels by pressure waves

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2
Q

frequency

A

pitch
Hz
how many full waves in a second

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3
Q

amplitude

A

loudness
dB
height of wave

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4
Q

phase

A

timbre?
degrees
How far through the wave are we? timing/position

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5
Q

what is a natural sound?

A

a collection of simple sine waves added together

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6
Q

addition of 2 waves of same frequency, same amplitude and same phase =

A

sine wave

same frequency and phase but amplitude doubles

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7
Q

complex wave =

A

adding 2 waves of different frequencies

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8
Q

decomposing a complex sound into its sine wave components

A

fourier analysis

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9
Q

in a complex wave what is the component with the lowest frequency that gives that note its characteristic pitch

A

fundamental

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10
Q

peripheral auditory system

A

inner ear
middle ear
outer ear

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11
Q

central auditory system

A

cells in the brainstem and cerebral cortex

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12
Q

where is the organ of corti

A

along the basilar membrane

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13
Q

pinna

A

flexible flap on the outside of ear

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14
Q

meatus

A

external auditory canal, focuses sound waves into the ear

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15
Q

component of middle ear

A
tympanic membrane (ear drum)
ossicles/bones
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16
Q

auditory transduction

A

meatus focuses sound into the ear

  • > tympanic membrane vibrates in response to sound
  • > ossicles transmit energy from eardrum through cochlea
  • > fluid displacement in cochlea causes vibration in basilar membrane
  • > inner hair cells, in organ of corti, stimulate the auditory nerve
  • > auditory nerve sends signal to the brain
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17
Q

largest vibration near the stapes and base of the cochlea

A

high frequency

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18
Q

largest vibration near the apex of cochlea

A

low frequencies

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19
Q

auditory nerve cells filter….

A

on the basis of frequency.
e.g., band-pass filter

BASILAR MEMBRANE performs the filtering

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20
Q

place code

‘frequency-to-place’

A

hair cells have a ‘characteristic frequency’ that they are ‘tuned’ to.
determined by where they are on the basilar membrane

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21
Q

how does our ear cover the full dynamic range of human hearing?

A

2 groups of auditory fibres with different roles

high spontaneous rate fibres = lower sound intensities
low spontaneous rate fibres = higher intensities

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22
Q

cortical organisation for audition

A

tonotopic organisation.

primary auditory cortex is organised in terms of sound frequency

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23
Q

role of outer hair cells in the cochlea

A

amplify and fine tune the repsonses of the inner hair cells

feedback mechanism

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24
motile response
when outer hair cells change their size in response to impulses from higher areas
25
3 major theories of pitch perception
place theory pattern theory timing theory
26
place theory
frequency to place conversion of the basilar membrane * place coding best for high freq simple tones but doesn't account for missing fundamentals (if its missing it can't go through a filter)
27
bandwidth
= RANGE of freqs that are transduced by this filter
28
wide abndwidth
= broad tuning | predicts poor ability to discriminate between frequencies
29
narrow bandwidth
sharp tuning | good frequency discrimination
30
masking
= noise. | need more intense signal to reach detection threshold
31
timing theory
timing of neural impulses carries frequency info (beats) if fundamental not present our brain 'fits it in' ONLY possible for low-freq sounds
32
pattern theory
depends on resolved harmonics, finds the BEST FITTING harmonic series. best with low frequencies
33
how is loudness measured?
matching and scaling tasks
34
loudness =
intensity of firing
35
excitation pattern model
overall loudness is proportional to the neural activity evoked by it in the auditory nerve.
36
monaural sound localisation
echoes resolve vertical localisation; PINNAE play a role | coming from up or down?
37
binaural sound localisation
horizontal localisation; interaural time difference interaural level difference
38
interaural time difference
difference in time of arrival depends on AZIMUTH (horizontal plane) processed in MEDIAL SUPERIOR OLIVE
39
interaural level difference
difference in intensity level depends on frequency (low freq; diff small, high freq; diff large) processed in LATERAL SUPERIOR OLIVE
40
if low freq which binaural sound localisation tool is used?
itd
41
if high freq which binaural sound localisation tool is used?
ild
42
cone of confusion
2 possible azimuths (front of behind) | solve; move head to introduce level and time differences
43
precedence effect
apparent sound source direction is determined by the earliest sound to arrive at the ear
44
complex waves must have
2 waves of diff frequencies
45
tectorial membrane
flexible structure lying on top of the basilar membrane
46
where in the ear does impedence mathching
inner ear
47
displacement of cochlear hair cells toward the taller stereocillia __________ the cell
despolarizes
48
tonotopic organisation
high freq largest vibration at stapes and base of cochlea | low freq largest vibration near apex of cochlea
49
linear filter
does not add components that were not present in the input
50
impedence matching
matches up the differing acoustic impedences of air and inner-ear fluid
51
phase locking
firing of hair cells/neural impulses in synchrony with the variation of pressure of the input sound
52
residue pitch
pitch heard in a complex wave due to BEATS rather then to resolvable harmonics
53
freq discrimination is best for....
low frequencies
54
ohm's law
the auditory system constructs a separate representation for each frequency compoenet of a complex sound
55
missing fundamental is in a ________
complex tone
56
beats from unresolved harmonics, same as fundamental | known as...
residue pitch
57
pattern theory can't explain.....
residue pitch from unresolved harmonics
58
place theory best explain
high freq pure tones
59
timing theory best for
low frequency pure tones
60
how is loudness matching acheived?
participant matches the intensity of a sound. if the procedure is used for a range of comparison frequencies (to invesitigate frequency depndence of loudness) an EQUAL-LOUDNESS CONTOUR is produced
61
loudness scaling
participants are asked to assign numbers to sounds at different intensities
62
like other sensory modalities, loudness does NOT increase..
linearly with intensity
63
duplex theory
ITD & ILD