Bethoven Pathique Flashcards

(77 cards)

1
Q

What instrument had almost completely replaced the harpsichord by the end of the 18th century?

A

The piano

The piano was known as the fortepiano at that time.

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2
Q

How long had the piano been used widely before Beethoven wrote his piece?

A

About 20 years

This indicates the piano was a relatively recent invention during Beethoven’s time.

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3
Q

What were the frequent developments in the piano during Beethoven’s era?

A
  • Power
  • Tone quality
  • Sustaining ability

These improvements contributed to the piano’s increasing popularity.

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4
Q

What does the term ‘fortepiano’ refer to?

A

The early version of the piano

‘Piano’ means ‘soft’ and ‘forte’ means ‘loud’ in Italian.

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5
Q

What was a significant feature of the piano compared to the harpsichord?

A

Dynamic levels could be altered by finger pressure

The harpsichord had a mechanical action that limited dynamic variation.

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6
Q

Who were the composers that started to use dynamic markings before Beethoven?

A
  • Mozart
  • Haydn

They laid the groundwork for Beethoven’s extensive use of dynamics.

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7
Q

What kind of performance markings did Beethoven’s sonata have?

A
  • Crescendos
  • Diminuendos
  • Numerous other performance markings

These markings indicate changes in volume and intensity during performance.

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8
Q

What was the function of the sustaining pedal during Beethoven’s time?

A

It was coming into use and sometimes worked by the knees

This shows the evolving techniques in piano performance.

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9
Q

What is notable about pedal markings in the original edition of Beethoven’s music?

A

There were no pedal markings included

Beethoven likely used some type of sustaining system in his performances.

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10
Q

What is the first movement structure commonly used in Classical period compositions?

A

Sonata form

Sonata form is a complex structure often found in the first and sometimes last movements of sonatas, symphonies, and other works.

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11
Q

What are the two main sections of the exposition in sonata form?

A

First subject in the tonic and second subject in the dominant or related key

The exposition contains two main subjects, with the first subject typically in the home key and the second in a related key.

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12
Q

What is a subject in the context of sonata form?

A

A theme or group of themes

A subject is essentially the main tune or thematic material in a sonata.

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13
Q

What follows the exposition in sonata form?

A

Development section

The development section alters earlier tunes, often modulating to different keys.

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14
Q

What does the recapitulation section do in sonata form?

A

Restates the exposition with both subjects mainly in the tonic key

The recapitulation brings back the themes from the exposition but resolves them in the home key.

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15
Q

What is the purpose of a coda in sonata form?

A

To round off the piece

A coda is a concluding section that provides closure to the musical work.

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16
Q

What is the tempo of the introduction?

A

Solemn grave tempo (very slow)

This tempo is pronounced ‘grahvay’.

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17
Q

How many bars are in the introduction?

A

Bars 1-10

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18
Q

What is a distinctive feature of the introduction’s motif?

A

A six-note motif used throughout in different textures and keys

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19
Q

What happens to the first note of the motif in the introduction?

A

Sometimes the first note is left out

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20
Q

What is the key of the music during the introduction?

A

C minor, modulating briefly to E♭ major

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21
Q

What dynamic contrasts are frequently used in the piece?

A

Fortepiano and sforzando

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22
Q

What does ‘fortepiano’ mean?

A

Loud, then immediately soft

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23
Q

What does ‘sforzando’ refer to?

A

Sudden loud accent on an individual note or chord

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24
Q

What is the marking for the exposition?

A

Allegro di molto e con brio

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25
What is the primary key of the first subject theme?
C minor (tonic)
26
How does the first subject theme primarily rise?
Scalically a distance of two octaves
27
What does 'staccato' mean?
Detached (separate) notes
28
What begins at bar 27 in the exposition?
A subsidiary theme featuring sforzandos and descending arpeggios
29
What key does the transition modulate towards?
E♭ major
30
In what key does the second subject begin?
E♭ minor
31
What ornament is featured in the second subject's theme?
Acciaccatura
32
What technique is used in the second subject involving hand movement?
Hand-crossing technique
33
What type of phrase continues the theme in the second subject?
Stepwise descending phrase featuring mordents
34
What key does the new theme in bar 89 begin in?
E♭ major
35
What texture does the new theme in bar 89 have?
Broken chord texture
36
What happens to the hands during the crescendo in the new theme?
They move in contrary motion
37
What begins at bar 113 in the exposition?
A third theme making use of scalic melody
38
What is another term for the final section of the exposition?
Codetta
39
What is unique about the development's beginning?
It starts with four bars of the introduction material in G minor
40
In what key is the main first subject theme introduced during the development?
E minor
41
What is heard in the bass from bar 149?
Fragments of the theme
42
What begins at bar 167 in the recapitulation?
Long dominant preparation begins with the dominant note G played in rapid alternating octaves in the bass as a pedal. ## Footnote This section sets the stage for the recapitulation by establishing the dominant harmony.
43
What follows the passage of trills in the right hand?
A descending monophonic quaver passage in the right hand. ## Footnote This adds to the texture and complexity of the music leading into the recapitulation.
44
How does the recapitulation differ from the exposition?
The recapitulation repeats the music of the exposition but alters the keys of the second subject material. ## Footnote This alteration provides a fresh perspective on familiar themes.
45
In which key does the second subject start during the recapitulation?
The second subject starts in the subdominant key of F minor (bar 221). ## Footnote This is a significant shift from the original key, creating contrast.
46
What happens to the second subject after starting in F minor?
It moves to the expected tonic key. ## Footnote This transition brings the music back to its original tonal center.
47
What musical elements are present in the recapitulation's conclusion?
The recapitulation finishes with two fortissimo diminished seventh chords. ## Footnote These chords create a dramatic and powerful ending.
48
What is unique about the introduction's first beat?
There is silence on the first beat, which is a very unusual idea. ## Footnote This silence creates anticipation and emphasis on the following music.
49
How long is the allegro section that follows the introduction?
12 bars of allegro with the first subject theme. ## Footnote This section reinforces the main theme introduced earlier in the piece.
50
How does the music end?
The music ends with fortissimo perfect cadences using dominant seventh in the tonic key. ## Footnote This provides a strong and conclusive ending to the piece.
51
What is the key of the piece?
C minor
52
To which related keys does the music modulate?
* Eb major (the relative major key) * F minor (the subdominant)
53
Which unrelated key does the music modulate to at the beginning of the development section?
E minor
54
What type of chords are prominently featured in the harmony?
Chromatic chords, especially diminished sevenths
55
What is distinctive about the cadences at the end of the movement?
There are perfect cadences
56
What type of cadence occurs in the introduction at bar 9?
Interrupted cadence
57
What musical technique is used in bars 244 - 249?
Circle of fifths
58
Give an example of an augmented 6th chord in the piece.
Bars 30 and 34
59
What is the basis of the music in the slow introduction?
A short (six note) motif
60
How is the six-note motif varied in the introduction?
* Sometimes reduced to five notes * Second last note may rise instead of fall
61
What specific melodic feature is found at the end of the introduction?
Descending chromatic scale
62
What does the first subject theme from bar 11 of the allegro consist of?
An ascending scale of the tonic key C minor with a major third (E)
63
What distinctive interval is noticed in the first subject theme?
Augmented second from Ab to Ba
64
What types of melodic lines are included in the piece?
* Arpeggios * Broken chords
65
What ornaments are particularly important in the second subject?
* Acciaccaturas (bar 53) * Mordents * Trills just before the recapitulation
66
What type of writing is introduced in the slow introduction?
Homophonic (chordal) writing ## Footnote An example can be seen in bar 1.
67
What does the right hand play in octaves during the introduction?
In bar 5 ## Footnote This adds to the texture of the piece.
68
What type of passage leads into the recapitulation?
A long descending monophonic passage in the right hand ## Footnote This emphasizes the transition into the recapitulation.
69
What style is featured in the second subject material?
Melody and accompaniment style (homophony) ## Footnote This is also referred to as melody-dominated homophony.
70
What is notable about the second idea of the second subject?
Examples of two-part music with broken chords ## Footnote These can be seen in bar 93.
71
Where are the brief passages in thirds located?
Bars 181-187 ## Footnote These passages include trills.
72
What is the tempo marking for the introduction?
Grave (very slow) ## Footnote The time signature is common time.
73
What rhythmic feature is important in the piece, as seen in bar 1?
Dotted rhythm ## Footnote This contributes to the overall character of the music.
74
What rapid notes are included in bar 10?
Septuplets and 1/128th notes ## Footnote These add complexity to the rhythm.
75
What is the tempo marking for the main section of the piece?
Allegro di molto e con brio (very fast with vigour) ## Footnote This section is in alla breve time (cut time).
76
What rhythmic feature is distinctive in the accompaniment of the first subject?
Continuous quavers ## Footnote This creates a flowing texture.
77
What role do staccato crotchets play in the first subject?
They are important in the right hand ## Footnote This enhances the articulation of the melody.