Brahms: Intro Part 2 Flashcards

1
Q

Where is Part 2 of the introduction?

A

Bars 30-61

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What is the structure of Part 2?

A

Small rounded binary form

C, C, D, C1

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is the key of Part 2?

A

C major - bright key!

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Where is the first Section C?

A

Bars 30-37

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What chord does the first Section C start on?

A

C major in second inversion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What is significant about the trombone entry at the start of Part 2?

A

It is the first time we hear trombones

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What is the point of muting the tremolando strings?

A

Not necessarily to make them quieter, but to give a different timbre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What does sempre e passionato mean?

A

Always with passion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What does the bass do in the first Section C?

A

Starts on a dominant pedal at pianissimo and moves to a tonic pedal in bar 33

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Which instrument plays the alphorn theme first?

A

Horns in C

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What is interesting about how the horn part is written?

A

Every 2nd bar the 1st horn has a dotted minim and 2nd horn enters with a semibreve.

This allows space for breathing whilst retaining a seamless theme.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What does piu andante mean?

A

More walking pace

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

How does the alphorn theme pass over between the first two playings of section C?

A

Horns conclude the phrase and the flute takes over both in bar 38 - overlap of theme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Where is the second Section C?

A

Bars 38-46

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

How is the second Section C different from the first?

A

Begins on a root position C major chord

Alphorn theme now in the flute part an octave higher

C major triad in horns + trumpet in bars 39-40

Chromatic inflections between bassoon and horns

Timp roll on the tonic (C) for 5 bars

No overlap of the theme in bar 46 - flutes conclude the theme

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Where is Section D?

A

Bars 47-51

17
Q

How does Section D contrast Section C?

A

It is a solemn 4-bar chorale in trombones and bassoons

18
Q

Which key(s) is Section D in?

A

Slightly modal ‘flavour’.

Beginning chord of A brings a touch of Dm, but a perfect cadence in F in bars 49-50 suggests a tonicisation of F.

19
Q

Where can the suspension in Section D be found?

A

Bar 49 beats 3-4

(4-3 suspension on C major chord)

20
Q

What cadence does Section D end in?

A

Imperfect cadence in C (IV-V)

21
Q

What is the function of the timp roll at the end of Section D?

A

Moves to G major chord preparing for alphorn theme

22
Q

Where is Section C1?

A

Bars 52-61

23
Q

What key is Section C1 in?

A

C major

24
Q

How is Section C1 different from Section C?

A

Overlapping entries of the Alphorn theme in horn, solo flute, and clarinet create textural variety

At the end the theme is fragmented and echoed by the solo horn in bar 59

25
Q

What cadence does Section C1 end in?

A

Imperfect cadence - ends on chord V7 (G7)

26
Q

What function does the pause at the end of Part 2 serve?

A

Dramatic effect - anticipatory

Prepares for the exposition