Camera Movement Flashcards

(32 cards)

1
Q

What distinguishes film and video from still picture forms?

A

Mobile framing

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2
Q

What is a pan in mobile framing?

A

The rotation of the camera on the horizontal axis

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3
Q

What does tilt refer to in mobile framing?

A

The movement of the camera on the vertical axis

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4
Q

What is a tracking shot?

A

The camera as a whole changes position in any direction

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5
Q

What equipment can achieve a tracking shot?

A

Dolly, crane, car, aircraft, Steadicam

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6
Q

What is a crane shot?

A

Used to change camera height in an ascending or descending motion

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7
Q

What characterizes a hand-held shot?

A

Camera is supported by the camera person’s body without aid of compensating equipment

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8
Q

What aesthetic does a hand-held shot mimic?

A

Documentary aesthetic

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9
Q

What is the most common function of the mobile frame?

A

To reframe a character when they move in relation to another character

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10
Q

What is the primary function of tracking shots?

A

To follow a character or object while in movement

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11
Q

What can mobile frames reveal or conceal?

A

Offscreen space

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12
Q

What effect can the visual field of a mobile frame yield?

A

A sense of subjective movement on the part of the spectator

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13
Q

What is the function of the dolly-zoom shot?

A

Expressing character subjectivity

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14
Q

What does the long take function emphasize?

A

Duration as real time experience

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15
Q

What historically restricted long takes in film?

A

Size of film magazine in 35 mm film

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16
Q

What technological advancement in the 1990s allowed for longer takes?

A

Advent of digital camera

17
Q

What is ellipsis editing?

A

Shot transitions that omit parts of an event causing an ellipsis in plot duration

18
Q

Ellipsis in 1917

A

Ellipsis of time during black out moment
Film’s running time ≠ film’s story time

19
Q

How many seamless cuts are estimated in ‘1917’?

A

34 seamless cuts

20
Q

What is unique about Andy Warhol’s ‘Empire’ (1964)?

A

Apparent one shot film with static shots (485 min)

21
Q

What is a notable counterexample to a long take?

A

Empire, consists of 10 reels each approx 48 mins

22
Q

What must filmmakers introduce within a long take to sustain viewer interest?

23
Q

What does mobile framing replace in long takes?

A

Editing functions through reframing and tracking

Editing is a function of change

24
Q

What is a long take also called?

A

Sequence shot

25
What does the film '1917' restrict in its narration?
Narration to the perspective of two main characters
26
Mobile framing in 1917
Film as extended tracking shot of two main characters (Blake and Schofield) restricts narration to their narrative perspective and facilitates sympathy toward their experiences
27
Who was Miklós Jancsó?
Hungarian director noted for elaborate, choregraphed long takes
28
How many shots does Red Psalm consist of for an 87 minute film?
Just 28 shots
29
What should viewers consider while watching the opening shot of Red Psalm?
The function of camera movement
30
What is the mobile frame?
Allows movement with respect to the framed material, changing onscreen and offscreen space.
31
Narration in 1917
Restricted narration contrasts to omniscient narration in most media: a narrative point of view that switches between different characters in different settings
32
Function of mobile frame in 1917?
Changes in mobile frame replace editing functions. Instead reframing to show what’s offscreen functions in a similar capacity as a cut Changes in framing are often equivalent to changes in framing position executed by editing (angle, level, height, and distance)