Chapter 10: Accentend And Chromatic Embellishing Tones

Question 1

Components of Suspensions

Answer 1

Preparation, suspension, resolution

Question 2

Accented embellishing tones

Answer 2

Embellishing tones that occur in metrically stresssed contexts.

Question 3

Most important accented embellishing tones

Answer 3

Accented passing tone (APT) Accentented neighbor tone (AN). The suspension (S). The pedal (PED). The appogiatura (APP)

Question 4

Suspension

Answer 4

An embellishment, the most important type of accented embellishing tones, where a pitch is sustained to the next implied chord change for it to resolve.

Question 5

Name candences (p. 171 of Chapter 5)

Answer 5

Perfect authentic Candace: soprano moves 2-1 or 7-8 while the bass moves 5-1.
Imperfect Authentic Cadence has the soprano close on 5 or 3.
Contrapuntal cadence: Another type of imperfect authentic cadence whic is any bass motion other then 5-1.
Picardy third: In minor key, if teh tonic harmony closes with a major triad.