chapter 12: hearing in the environment Flashcards

(49 cards)

1
Q

auditory space

A

the sounds at different locations around a person

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2
Q

localization in vision

A

images fall on the retina so locations can be easily determined

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3
Q

localization in hearing

A

two different sounds evoke different frequencies in the cochlea, but location information is not transferred

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4
Q

location cue

A

signal or indicator that directs attention or action to a specific location

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5
Q

binaural cues

A

depend on both ears, primarily relies on azimuth (left and right)

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6
Q

azimuth (left and right) is associated with what type of cue ?

A

binaural cues

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7
Q

spectral cues

A

depends on just one ear, primarily relies on elevation (up and down)

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8
Q

what are the ways to do binaural cues ?

A

interaural level different (ILD) and interaural time difference (ITD)

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9
Q

interaural level differences (ILD)

A

best for high frequencies, sound comes from the left, acoustic shadow is on the right side (lower level of sound)

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10
Q

interaural time difference (ITD)

A

best for low frequencies, sound comes from the front, hits both ears at the same time. DOMINANT binaural cue for hearing

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11
Q

cone of confusion

A

sound sources location becomes ambiguous due to identical interaural time and level differences

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12
Q

what causes different patterns of frequencies for spectral cues ?

A

pinna, bumps and grooves in the ear. sound bounces off of them and hits the tympanic membrane

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13
Q

what is a way to mess with spectral cues ?

A

block the ear with something which makes it hard to get spectral cues because the shape of your ear is blocked

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14
Q

Jeffress model of auditory localization

A

circuitry that tells us if the sound comes from the sides or the middle

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15
Q

what types of detectors are in the Jeffress model of auditory localization

A

coincidence detectors (type of ITD detectors), these detectors wait for another input before activating

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16
Q

place coding or sparse coding in ITD tuning curves

A

fine tuned to specific neurons and temporal cues when coming in

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17
Q

are ITD turning curves narrow or broad for owls and birds ?

A

narrow

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18
Q

are ITD tuning curves narrow or broad for mammals ?

A

broad

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19
Q

broad waves are ____ in the brain

A

contralateral

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20
Q

when broad sound waves come from the left ear, what hemisphere neurons are activated ?

A

right hemisphere

21
Q

when broad sound waves come from the right ear, what hemisphere neurons are activated ?

A

left hemisphere

22
Q

the broad ITD tuning curve being contralateral correlates with what type of coding ?

A

population coding

23
Q

what cortical regions are involved in localization ?

A

A1 and primary auditory cortex

24
Q

when information is sent to the parietal lobe, what is being determined ?

A

where the sound is coming from

25
when information is sent to the temporal lobe, what is being determined ?
what the sound is
26
direct pathway of sound
sound hits nothing before your ear
27
indirect pathway of sound
sound hits something before your ear, time delay is created
28
precedence effect
when there is a time delay in sound, a person perceives only one sound. if the sound delay is too long, the second sound is heard as an echo
29
reverberation time
time it takes for sound to decrease to 1/1000th of its original pressure (decrease by 60 dB)
30
what are the three things that translate to sound quality ?
intimacy time, bass ratio, spaciousness factor
31
intimacy time
direct and first indirect, not time for reflections to die down
32
bass ratio
ratio of low frequencies to middle frequencies reflected off surfaces
33
spaciousness factor
fraction of sound that is indirect only
34
auditory scene analysis
separating each sound
35
what can auditory scene analysis be used for ?
simultaneous grouping and sequential grouping
36
simultaneous grouping includes what ?
location, onset synchrony, timbre and pitch, and harmonicity
37
location in simultaneous grouping
sounds can be separated based on localization cues such as ILD or ITD (these cues help us separate items perceptually)
38
onset synchrony
onset time as a cue for segregation
39
timbre and pitch
sounds are grouped based on same timbre or pitch range, for example a flute vs a trombone
40
harmonicity
when we hear a harmonic series we infer that it came from a single source (a sound with a fundamental frequency and its harmonics)
41
similarity of pitch
usually small intervals separate musical notes and are therefore grouped together (law of proximity)
42
auditory stream segregation
perception of a string of sounds as belonging together
43
alternating in sound impacts what ?
perception
44
slow alteration
one stream alternating
45
fast alteration
two streams (high and low streams)
46
galloping
alternating and then back to the individual sound
47
scale illusion
one scale played in right ear and one played in left ear, but the scales are perceived as two separate scales
48
how are hearing tones and then separated with a space perceived ?
perceived as tones with space
49
how are hearing tones with a noise instead of a space perceived ?
perceived as one continuous tone that is broken up by noise