Chapter 2

Question 1

_________is dedicated only to the creative side, making visually
pleasing work only for the enjoyment and appreciation of the viewer,
but with no functional value. (ex. painter, writer, musicians etc.)

Answer 1

Artist

Question 2

is essentially a manual worker who makes items with
his/her hands, and who through skill, experience and talent can create
things of great beauty as well as being functional. (ex. carpenter,
weaver, embroider etc.)

Answer 2

Artisan

Question 3

The work of an ________tends to
be shown in museums or
galleries

Answer 3

Artists

Question 4

_________crafts are displayed
in fair, shops and in malls.

Answer 4

Artisan

Question 5

_________is a material used by an
artist to express his/her
feelings or thoughts.

Answer 5

Medium

Question 6

___________is a matter in which the artist
controls his medium to achieve
the desired effect and the ability
which fulfills the technical
requirements of his particular
work of art.

Answer 6

Technique

Question 7

What are the 11 techniques of artist?

Answer 7

1. Encaustic
2. Fresco Secco
3. Fresco
4. Egg Tempera
5. Mosaic
6. Oil paint
7. Water color
8. Acrylic
9. Collage
10. Drawing
11. Print Making

Question 8

the most famous examples of ancient encaustic painting. It is created between the 1st and 3rd centuries in Egypt, these portraits were painted on wooden panels and placed over the faces of mummified bodies.

Answer 8

The Fayum Mummy Portraits

Question 9

This technique uses the medium powdered color hot wax which is painted onto a
wood surface with a brush.

Answer 9

Encaustic

Question 10

the most famous examples of ancient encaustic painting. Created between the 1st and 3rd centuries in Egypt, these portraits were painted on wooden panels and placed over the faces of mummified bodies.

Answer 10

The Fayum Mummy Portraits

Question 11

This technique uses pigments that are usually mixed with water, although other substances might also be used. Advantage of the technique are that the painting can be done more slowly and carefully, and changes can be made simply by over-painting, since colors are opaque.

Answer 11

Fresco Secco

Question 11

This is also known as “Buon Fresco” or True Fresco, which entails painting on freshly spread, moist plaster. First, layers of plaster are applied to the surface. While the final layer is still wet, the artist applies the colors, which are earth pigments mixed with water.

Answer 11

Fresco

Question 12

In this method, the pigment is mixed with egg yolk or both the yolk and white of an egg. It is thinned with water and applied to a gesso ground (plaster mixed with a binding) on a panel.

Answer 12

Egg Tempera

Question 13

The design is created by small pieces of colored glass, stone, or ceramic (called Tesserae), embedded in wet mortar which has been spread over the surface to be decorated.

Answer 13

Mosaic

Question 14

Prior to the 15th century _________ were thick and hard to control, so they were initially used only for utilitarian purposes.
The earliest technique of ___________ painting involved building up layers of colors, moving from darker to lighter values.

Answer 14

Oil paint

Question 15

Are artificial compounds developed in the twentieth century. The binder includes water, and the paints can be thinned with water, but once the paints dry, they have glossy, permanent surface that resembles the surface created by oils.

Answer 15

Acrylic

Question 16

comes from the French verb coller, meaning ‘’to paste’’. In this technique photographs,news clippings or other subjects are pasted on the painting surface and may be combined with paint areas.

Answer 16

Collage

Question 17

The materials and methods of ________are the most basic tools of the artist and the artist and the designer. Work that is intended to be executed in almost any
material—paint, stone, steel, or fabric- may first be envisioned in a drawing.

Answer 17

Drawing

Question 18

Painting or graphic image done in black ink on white appear and becomes the artist’s plate. Advantage of printmaking is the process of making copies of the original drawing.

Answer 18

Print Making

Question 19

What are the five major types of Print

Answer 19

1. Relief
2. Intaglio Prints
3. Stencil Pencils
4. Woodcut
5. Engraving

Question 20

is an award that acknowledges folk and
indigenous artists who, despite the modern times, remain true to their traditions.

Answer 20

GAMABA (Gawad sa Manlilikha ng Bayan Awards)

Question 21

GAMABA

Answer 21

Gawad sa Manlilikha ng Bayan Awards

Question 22

NCCA

Answer 22

National Commission for Culture and the Arts

Question 23

began as a project of the Philippines Rotary Club Makati-Ayala. In 1992, it was adopted by the government and institutionalized through Republic Act No. 7335. This award aims to support and motivate these artists to preserve their artistic heritage for the present and future generations. These artists are also recognized as the country’s National Living Treasures.

Answer 23

GAMABA

Question 24

A Tausug weaver of Pis Syabit, the traditional cloth tapestry worn as a head cover.

Answer 24

DARHATA SAWABI

Question 25

a Kalinga master of dance and performing arts who mastered not only the Kalinga musical instruments but also her dance patterns and movements associated with her peoples’ ritual.

Answer 25

ALONZO SACLAG

Question 25

an artist from Apalit, Pampanga who has dedicated his life to creating religious and secular art in silver, bronze, and wood;

Answer 25

EDUARDO MUTUC

Question 25

recognized as master mat weaver among the Sama indigenous community for her unique designs, straightness of her edging (tabig), and fineness of her sasa and kima-kima.

Answer 25

HAJA AMINA APPI

Question 26

A Sulod Bukidnon epic chanter from Kalinog, Iloilo who ceasely works for the documentation of the oral literature, particularly the epics of his people.

Answer 26

FEDERICO CABALLERO

Question 26

a T’boli traditional weaver of T’nalak or T’boli cloth made of colorful abaca fabrics.

Answer 26

LANG DULAY

Question 26

a Yakan musician who is a master of the kwintangan, kayu, and tuntungan instruments.

Answer 26

UWANG AHADAS

Question 27

a Tagbanua Bagobo traditional weaver of distinct abaca fabrics called inabal;

Answer 27

SALINTAN MONON

Question 28

is a Hanunuo Mangyan poet who is considered as a master of ambahan poetry;

Answer 28

GINAW BILOG

Question 29

a prolific and pre-eminent epic chanter and story-teller recognized for his outstanding mastery of various traditional musical instruments of the Palawan people such as basal, kulilal, and bagil.

Answer 29

MASINO INTARAY

Question 30

is an interdisciplinary art form that brings together elements of time, space, bodies, and audiences. Can be live or via media; the performer can be present or absent.

Answer 30

Performance art

Question 31

What are the majoy types of performing arts

Answer 31

1. music 2. opera 3. dance 4. drama 5. spoken words.

Question 32

is a form of art whose medium is silence and sound. The word was derived from the Greek word mousa which means the art of the muses. The common elements of music include rhythm, pitch, dynamics, timbre and texture.

Answer 32

Music

Question 33

is a form of performing arts wherein musicians and singers perform a dramatic work that combines text, which is called libretto and musical score. Originated in Italy in the 16th century and it soon spread to the rest Europe as it gained popularity.

Answer 33

Opera

Question 33

is a form of performing arts that refers to the art of moving the body rhythmically and usually in accordance with music. It is used as a form social interaction and expression, or is commonly presented in a performance or spiritual setting.

Answer 33

Dance

Question 34

refers to a mode of fiction represented in a performance. The word drama is originated from the Greek word “drao” which means actions.

Answer 34

Drama

Question 35

What are the seven elements of art

Answer 35

1. line 2. shape 3. space 4. value 5. color 6. texture 7. form

Question 36

It is a mark made upon a surface. In order to be a ______ the mark’s length must be longer than its width. May be two or three dimensional, descriptive, implied, or abstract.

Answer 36

Line

Question 36

These are areas of enclosed space that are two-dimensional. ______are flat, and can only have height and width.

Answer 36

Shape

Question 37

what are the two categories of shapes

Answer 37

1. geometry 2. organic

Question 38

It deals with the illusion of depth on a flat surface. The element of _______ can be used in three-dimensional art as well.

Answer 38

Space

Question 39

This refers to the lightness and darkness of areas in an artwork. White is the lightest value, while black is the darkest.

Answer 39

Value

Question 40

– is the most prominent element of design and is one of the most powerful yet subjective elements in art. Made up of three properties: hue, value, and intensity.

Answer 40

Color

Question 41

name of color

Answer 41

hue

Question 42

hue’s lightness and darkness

Answer 42

Values

Question 43

quality of brightness and purity.

Answer 43

Intensity

Question 44

color is strong and bright;

Answer 44

High intensity

Question 45

color is faint and dull.

Answer 45

low intensity

Question 45

what are the 12 hues of color spectrum

Answer 45

1. Violet 2. Red-violet 3. Red 4. Red-orange 5. Orange 6. Yellow-orange 7. Yellow 8. Yellow-green 9. Green 10. Blue-green 11. Blue 12. Blue-violet

Question 46

refers to the way things feel, or looks as if they might feel if touched. * describes the surface quality of the artwork. * is an important element of design because it engages the sense of touch as well as vision.

Answer 46

Texture

Question 47

is three- dimensional and encloses volume; includes height, width and depth

Answer 47

Form

Question 47

what are the 8 principles of design

Answer 47

1. Balance 2. Emphasis 3. Pattern 4. Repetition 5. Proportion 6. Rhythm 7. Variety 8. Unity

Question 47

is the distribution of the visual weight of objects, colors, textures, and space

Answer 47

Balance

Question 48

the elements used on one side of the design are similar to those on the other side

Answer 48

Symmetrical Balance

Question 49

the sides are different but still look balanced.

Answer 49

Asymmetrical Balance

Question 50

the elements are arranged around a central point and maybe similar.

Answer 50

Radial Balance

Question 51

is the part of the design that catches the viewers’ attention

Answer 51

emphasis

Question 52

is the repeating of an object or symbol all overt the work of art.

Answer 52

Pattern

Question 53

work with pattern to make the work of art seem active.

Answer 53

Repetition

Question 54

is the feeling of unity created when all parts (size, amounts, or number) relate well with each other.

Answer 54

Proportion

Question 55

is created when one or more elements of design are used repeatedly to create a feeling or organized movement.

Answer 55

Rhythm

Question 56

is the feeling of harmony between all parts of the work of art, which creates a sense of completeness.

Answer 56

Unity

Question 56

is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

Answer 56

Variety

Question 57

What considerations must we take to fully appreciate and understand art?

Answer 57

1. The basic semiotic plane 2. The Iconic plane 3. The contextual plane

Question 58

refers to then signs and symbols of the painting.

Answer 58

The basic semiotic plane

Question 59

deals with the aspects of the image itself. Is considered with its particular aspects and features. In this plane, the subjects and objects of the painting and their relationship with each other are scrutinized in detail.

Answer 59

The iconic plane

Question 59

focus on the social, political and historical context of the work of art that draws out the attention of the viewer.

Answer 59

The contextual plane

Question 60

is a “rule of thumb” or guideline which applies to the process of composing visual images such as designs, films, paintings, and photographs

Answer 60

The rule of third