Chapter 2: Film Form Flashcards

1
Q

Form

A

the overall system of relationships among the parts of a film

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2
Q

What does film form do?

A
  1. gives the viewer a structured experience
  2. creates patterns
  3. creates and sustains expectations
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3
Q

Narrative Elements

A

character, setting, plot, theme, story, structure, resolution, point of view, etc.

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4
Q

Stylistic Elements

A

the way the camera moves, the arrangements of color in the frame, the use of music, etc.

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5
Q

Referential Meaning

A

the film refers to things or places already invested with significance in the real world

ex) During the Depression, a tornado takes a girl from her family’s Kansas farm to the mythical land of Oz. After a series of adventures, she returns home.

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6
Q

Explicit Meaning

A

openly asserted meaning controlled by context

ex) A girl dreams of leaving home to escape her troubles. Only after she leaves does she realize how much she loves her family and friends. Nothing she finds elsewhere can replace them.

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7
Q

Implicit Meaning

A

meaning is not stated directly, a type of interpretation

ex) An adolescent who must soon face the adult world yearns for a return to the simplicity of childhood, but she eventually accepts the demands of growing up

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8
Q

In narrative films, what do explicit and implicit meanings depend on?

A

relations between story and style

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9
Q

Symptomatic Meaning

A

abstract and general, meaning that displays a set of values characteristic of a whole society

ex) In a society in which human worth is measured by money, the home and the family may seem to be the last refuge of human values. The belief is especially strong in times of economic crisis, such as that in the United States in the 1930s.

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10
Q

What are the criteria for evaluating films?

A

realistic, moral, coherence, intensity of effect, complexity, originality

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11
Q

Motif

A

any significant repeated element that contributes to the overall form

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12
Q

What are some functions or aspects of motifs?

A
  1. can anticipate action
  2. often reappear at climaxes or highly emotional moments
  3. motifs may be opposed by other motifs
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13
Q

Parallels

A

cue us to compare two or more distinct elements by highlighting some similarity

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14
Q

What does “development” do?

A

places similar and different elements within a pattern of change

filmmakers often treat formal development as a progression moving from beginning through middle to end

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15
Q

Segmentation

A

a written outline of the film that breaks it into its major and minor parts, with the parts marked by consecutive numbers of letters

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16
Q

What is the purpose of a segmentation?

A
  1. enables us to notice similarities and differences among parts
  2. plots overall development
  3. lets us see the patterning that the filmmakers laid out
17
Q

When does a film have unity?

A

when all the relationships we perceive within a film are clear and economically interwoven